How do mainstream film, television, advertising, videogames and newspapers engage with topics such as vivisection, hunting, animal performance, farming, meat eating and animal control? This book explores social, economic, ethical and cultural aspects of relationships between popular media forms and key animal issues.

This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the twenty-first century. This anthology tackles a wide-range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel's Black Panther. Together, these essays deepen understandings of Black visual culture, its creative imagemakers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.

Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media's engagement with history, and a close study of the relationship between media, history and national identity.

Media/History/Society offers a cultural history of media in the United States, shifting the lens of media history from media developments and evolution to a focus on changes in culture and society, emphasizing how media shaped and were shaped by these trends, policies, and cultural shifts.Covers the topics that instructors want to teach
Provides a timely and relevant culturally determined perspective on media history in American society
Organized thematically rather than chronologically
Links history to contemporary issues, setting journalism into a broader historical context
Includes alternate table of contents, discussion questions, an instructor's manual, and sample exams

An intriguing analysis of the economy's influence on popular support for the incumbent American presidents in the post World War II period.

FDR's obsessive preoccupation with the media emerges with stark clarity. The general contours of substantial parts of Steele's account should be familiar to scholars versed in Steele's published work. But here he has drawn the study together in concise, judicious, and readable fashion. "Choice"

Political Pathologies from The Sopranos to Succession argues that highly praised prestige TV shows reveal the underlying fantasies and contradictions of upper-middle class political centrists. Through a psychoanalytic interpretation of The Sopranos, Breaking Bad, The Wire, House of Cards, Dexter, Game of Thrones, and Succession, Robert Samuels reveals how moderate "liberals" have helped to produce and maintain the libertarian Right. Samuels' analysis explores the difference between contemporary centrists and the foundations of liberal democracy, exposing the myth of the "liberal media" and considers the consequences of these celebrated series, including the undermining of trust in modern liberal democratic institutions. Political Pathologies from The Sopranos to Succession contributes to a greater understanding of the ways media and political ideology can circulate on a global level through the psychopathology of class consciousness. This book will be of great interest to academics and scholars considering intersections of psychoanalytic studies, television studies and politics.

What do we really know about mobile phone culture? This provocative and comprehensive collection explores the cultural and media dimensions of mobile phones around the world. An international team of contributors look at how mobiles have been imagined through advertising and social representations - tracing the scripting and shaping of the technology through gender, sexuality, religion, communication style - and explore the locations of mobile phone culture in modernity, urban settings and even transnational families. This book also provides a guide to convergent mobile phone culture, with fresh, innovative accounts of text messaging, Blackberry, camera phones, moblogging and mobile adventures in television. Mobile Phone Culture opens up important new perspectives on how we understand this intimate yet public cultural technology. It was previously published as a special issue of Continuum: Journal of Media and Cultural Studies.

In this work by F. Willard Brown, the author presents established facts on a range of topics - from education to religious belief to health and wellness - that are crucial for an understanding of life, but often remain strikingly unknown to the public. Professor Brown explains how our species has evolved a superior intelligence yet lacks in wisdom. He explores the root causes of mankind's homicidal nature and warns of the consequences of ignorance. The reader will emerge with a greater understanding of human consciousness of the fundamental reason for mankind's disunity and conflict. Brown proposes that wise mentoring for our future must involve such topics as conditioning, the pursuit of truth, the importance of healthful living, and common misconceptions such as the illusion of free will. A profound philosophical meditation on pressing issues of our day, What the Media Won't Tell You is a must read for all interested in the global society in which they live.

Focusing on the neglected journalism of writers more famous for their novels or plays, this new book explores the specific functions of journalism within the public sphere, and celebrate the literary qualities of journalism. With journalism establishing itself as a creative genre worthy of academic analysis, and with it being an ever-expanding field, The Journalistic Imagination highlights the relevance of the writers' work to contemporary journalistic debates. Key features include: an international focus taking in writers from the UK, US, Trinidad and India; and, essays featuring a range of extremely popular writers (such as Dickens, Orwell, Angela Carter, Truman Capote) and approaches them from distinctly original angles. With each chapter beginning with a concise biography of the journalist in question to help contextualise the journalists and guide the reader through the essays, and ending with references and suggested further reading, this is certainly a book that any student or teacher of journalism or media studies, will want to add to their reading list.

Communication Yearbook 31 continues the tradition of publishing rich, state-of-the-discipline literature reviews. This volume offers insightful descriptions of research as well as reflections on the implications of those findings for other areas of the discipline. Editor Christina S. Beck presents a diverse, international selection of articles that highlight empirical and theoretical intersections in the communication discipline.
Chapters in this volume include reviews of literature on silence in dispute, communicating about cancer, interpersonal conflict, trauma, identity, work relationships, communication and community, and media content diversity.
This volume will be valuable to scholars across the communication discipline. Communication Yearbook 31 will be particularly beneficial to scholars in the areas of interpersonal, health, organizational, family, and intercultural communication; language and social interaction, and media studies.

Ozu Yasujiro's moving family drama, Tokyo monogatari/Tokyo Story (1953), is universally acknowledged as one of the most significant Japanese films ever made, and regularly cited as one of the greatest films of all time in polls of leading critics and filmmakers around the world. Telling the story of an elderly couple who travel to Tokyo to visit their grown-up children, the film contrasts the behaviour of their children, who are too busy to pay their parents much attention, and their widowed daughter-in-law who treats them with hospitable kindness. In its complex portrait of human motivation and lively sense of social space, it offers a profound and poignant insight into the generational shifts of postwar Japan. Alastair Phillips combines a close analysis of the film and its key locations - the city of Tokyo, the town of Onomichi and the coastal resort of Atami - with a discussion of its representation of Japanese society at a time of great cultural change. Drawing upon Japanese and English language sources, he situates the film within various contemporary critical and industrial contexts and examines the multiple international dimensions of Tokyo Story's long after-life to understand its enormous contribution to global film culture.

Edited by thought leaders in the fields of urban informatics and urban interaction design, this book brings together case studies and examples from around the world to discuss the role that urban interfaces, citizen action, and city making play in the quest to create and maintain not only secure and resilient, but productive, sustainable and viable urban environments. The book debates the impact of these trends on theory, policy and practice. The individual chapters are based on blind peer reviewed contributions by leading researchers working at the intersection of the social / cultural, technical / digital, and physical / spatial domains of urbanism scholarship. The book will appeal not only to researchers and students, but also to a vast number of practitioners in the private and public sector interested in accessible content that clearly and rigorously analyses the potential offered by urban interfaces, mobile technology, and location-based services in the context of engaging people with open, smart and participatory urban environments.

To what extent should media coverage of criminal court proceedings be permitted? The central issue is how to strike a balance between the public's right to information and the individual's right to privacy. Freedman reviews the underlying legal principles and constitutional issues and describes important case law. He analyzes situations in which photographing, broadcasting, and televising in the courtroom are currently allowed and examines the relationship between the presence of media equipment during criminal trials and the actions of trial lawyers. The issue of media coverage as it relates to civil trials is also addressed, and British practices regarding press and media coverage of court proceedings are offered for comparison. "Legal Information Alert"

Freedman here presents a comprehensive discussion of an issue of growing importance to both the legal profession and the communications industry: the extent to which media coverage of criminal court proceedings should be permitted. As Freedman points out, the central question is how to strike the appropriate balance between the public's right to information and the individual's right to privacy. In "Press and Media Access to the Criminal Courtroom," he reviews the underlying legal principles and constitutional issues, describes the important cases that have shaped current legal thinking, and provides citations of the applicable case law.

Multi-media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world's foremost artists. Nick Kaye explores the interdisciplinary history and character of experimental practices shaped in exchanges between music, installation, theatre, performance art, conceptual art, sculpture and video.

The book sets out key themes and concerns in multi-media practice, addressing time, space, the resurgence of ephemerality, liveness and 'aura'. These chapters are interspersed with documentary artwork and essays by artists whose work continues to shape the field, including new articles from:

• Vito Acconci
• The Builders Association
• John Jesurun
• Pipilotti Rist
• Fiona Templeton.

Multi-media also reintroduces a major documentary essay by Paolo Rosa of Studio Azzurro in a new, fully illustrated form. This book combines sophisticated scholarly analysis and fascinating original work to present a refreshing and creative investigation of current multi-media arts practice.

This interdisciplinary collection of essays explores the impact of media, emerging technologies, and education on the resilience of the so-called post-truth society. This book explores if a return to civic participation, enhanced critical media literacy, journalism for the public good, techno-interventions and lifelong learning systems can collectively foster a more engaged global citizenry. The post-truth society is associated with a raft of terms that challenge the very notion of what should constitute a democratic and inclusive society: the decline and fall of reason; the disruption of the public sphere; the spread of misleading information; fake news; culture wars; the rise of subjectivity; the co-opting of language; filters, silos and tribes; attention deficits; trolls, polarisation and hyper-partisanship; the conversion of popularity into legitimacy; manipulation by "populist"; leaders, governments, and fringe actors; algorithmic control, targeted messaging and native advertising; surveillance and platform capitalism. The contributions from scholars, technologists, policy-makers and activists raise critical questions about the nature and power of knowledge in the 21st century. Readers are challenged to question their own role in perpetuating certain narratives and to also understand the lived context of people on all sides of a given debate. The diverse perspectives by geography, sector, gender and world-views will widen the appeal of this work to an international audience trying to understand the resilience of the post-truth society.

An Introduction to Global Media for the Twenty-First Century provides a thorough introduction to the field of global media today. The book presents the key changes taking place as the global media landscape evolves, and the main theories of the field, that explain these developments. Tracing, first, the formative development of an international and global media landscape throughout the 20th century from the telegraph, television and film export, and transnational television to the Internet, the book then focuses on developments in the 21st century. This includes: the digitization of the global media and communications sector; the popularization of the Internet and digital infrastructure such as the smartphone and platforms; the emergence of global online media and services; the production and distribution of digital media content; and the exploitation of user data. Case studies illustrate key developments throughout the book. The book shows how the field is characterized by a continuity of critical concerns in relation to power, influence, and domination; media user empowerment and exploitation; and social and sustainable development and democratic conditions, as well as geopolitical shifts, in a global context.

- This is the first book for academic podcasters. With theoretical background as well as detailed practical instructions, this book explores the what, why and how of academic podcasting. - Podcasting is becoming an ever-more popular form of both creating knowledge and disseminating research to reach both academic and non-academic audiences. - Competing titles are solely concerned with podcasting as an object of study or as a how-to guide. This book is unique in that it brings together research into a subfield of podcasting, with arguments about why it is a normatively good thing for academia before synthesising this knowledge by detailing how to do it. This is the only book specifically about academic podcasting.

This book examines cinematic practices in Bollywood as narratives that assist in shaping the imagination of the age, especially in contemporary India. It examines historical films released in India since the new millennium and analyses cinema as a reflection of the changing socio-political and economic conditions at any given period. The chapters in Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinemas also illuminate different perspectives on how cinematic historical representations follow political patterns and market compulsions, giving precedence to a certain past over the other, creating a narrative suited for the dominant narrative of the present. From Mughal-e-Azam to Padmaavat, and Bajirao Mastani to Raazi, the chapters show how creating history out of myths validate hegemonic identities in a rapidly evolving Indian society. The volume will be of interest to scholars of film and media studies, literature and culture studies, and South Asian studies.

The study of various types of programming is essential for critical analysis of the media and also offers revealing perspectives on society's cultural values, preoccupations, behavior, and myths. This handbook provides a systematic, in-depth approach to the study of media genres - including reality programs, game shows, situation comedies, soap operas, film noir, news programs, and more. The author addresses such questions as: Have there been shifts in the formula of particular genres over time? What do these shifts reveal about changes in culture? How and why do new genres - such as reality TV shows - appear? Are there differences in genres from one country to another? Combining theoretical approaches with concrete examples, the book reinforces one's understanding of the importance of genre to the creation, evolution, and consumption of media content. Each chapter in this reader-friendly book contains a detailed discussion of one of the theoretical approaches to genre studies, followed by Lines of Inquiry, which summarizes the major points of the discussion and suggests directions for analysis and further study. Each chapter also includes an example that illustrates how the particular theoretical approach can be applied in the analysis of genre. The author's careful linkage of different genres to the real world makes the book widely useful for those interested in genre study as well as media and culture, television studies, film studies, and media literacy.

The metaverse seems to be on everybody's lips - and yet, very few people can actually explain what it means or why it is important. This book aims to fill the gap from an interdisciplinary perspective informed by law and media and communications studies. Going beyond the optimism emanating from technology companies and venture capitalists, the authors critically evaluate the antecedents and the building blocks of the metaverse, the design and regulatory challenges that need to be solved, and commercial opportunities that are yet to be fully realised. While the metaverse is poised to open new possibilities and perspectives, it will also be a dangerous place - one ripe with threats ranging from disinformation to intellectual property theft to sexual harassment. Hence, the book also offers a useful guide to the legal and political governance issues ahead while also contextualising them within the broader domain of governance and regulation of digital technologies.

This book applies the historical materialist, or Marxist view of urban sociology and collates some fundamental sources of this perspective available. This book was first published in 1976.

New Urban Economics was first published in 1977.