An inspiring look at the women who broke the glass ceiling in sports journalism. Women in sports journalism have faced an uphill battle to succeed within the "old boy" world of sports. The early trailblazers faced colleagues who ignored them, athletes who tried to humiliate them, fans who ridiculed them, and executives who kept them from doing their jobs--challenges many still face today. In Who Let Them In? Pathbreaking Women in Sports Journalism, Joanne Lannin recounts the stories of the tenacious and resilient female sportscasters and writers who paved the way for those that followed. Exclusive interviews with such pioneers as CBS Sports' Lesley Visser, NFL Today's Andrea Kremer, and Baseball Hall of Fame inductee Claire Smith reveal the many challenges these women faced as they sought to break down the gender-based barriers that kept them from press boxes, locker rooms, and broadcast booths. And while great strides have been made in the sports world to correct the gender imbalance, Lannin discusses how misogyny and sexual harassment continues to permeate the industry even today. Who Let Them In? offers compelling insight into how women sports journalists broke into this male-dominated field and managed to stay there, despite the many obstacles put in their way. It shows the sacrifices and commitment it takes to succeed in sports journalism and discusses what the future may hold for women in a media landscape that continues to evolve almost daily.

Humor is pervasive in contemporary culture, and is generally celebrated as a public good. Yet there are times when it is felt to produce intolerance, misunderstanding or even hatred. This book brings together, for the first time, contributions that consider the ethics as well as the aesthetics of humor. The book focuses on the abuses and limits of humor, some of which excite considerable social tension and controversy. "Beyond a Joke" is an exciting intervention, full of challenging questions and issues.

Living Oil is a work of environmental cultural studies that engages with a wide spectrum of cultural forms, from museum exhibits and oil industry tours to poetry, documentary film, fiction, still photography, novels and memoirs. The book's unique focus is the aesthetic, sensory and emotional legacies of petroleum, from its rise to the preeminent modern fossil fuel during World War I through the current era of so-called Tough Oil. LeMenager conceives Tough Oil as a bid for continuity with the charismatic lifestyles of the American twentieth century that carries distinct and extreme external costs. She explores the uncomfortable, mixed feelings produced by oil's omnipresence in cultural artifacts such as books, films, hamburgers, and Aspirin tablets. The book makes a strong argument for the region as a vital intellectual frame for the study of fossil fuels, because at the regional level we can better recognize the material effects of petroleum on the day-to-day lives of humans and other, non-human lives. Varied forms of art, too, localize the material impacts of petro-culture. The fluid mobility of oil carries the book outside the United States, for instance to Alberta and Nigeria, emphasizing how both international and domestic resource regions have been mined to produce the idealized modern cultures of the so-called American Century.

The 'Indian Techie' has become a global icon, taking its place alongside McDonalds and MTV as one of the key symbols of contemporary globalization. India and the IT Revolution explores the contemporary emergence of cosmopolitan, high-tech India as marking the arrival of a truly global cyberculture. It argues against the notion that globalization is a process of 'Westernization', which radiates out unilaterally from the core, imposing itself upon a passive, backward periphery. Instead, it conceives of global culture as a dynamic, innovative network, which proceeds primarily from its edges.

Using a unique combination of cultural studies research, neo-pragmatist philosophy, and psychoanalytic theory, the author sheds light on the formation of a social identity and the important role that mass media play in this process. Case studies covering a range of media and communities provide a model for developing a truly explanatory as well as descriptive account of self-media interaction that bridges the two opposing sides of the media audience debate and provides a significant new dimension to notions of "passive" and "active" media audiences.

More objects and devices are connected to digital networks than ever before. Things - from your phone to your car, from the heating to the lights in your house - have gathered the ability to sense their environments and create information about what is happening. Things have become media, able to both generate and communicate information. This has become known as 'the internet of things'. In this accessible introduction, Graham Meikle and Mercedes Bunz observe its promises of convenience and the breaking of new frontiers in communication. They also raise urgent questions regarding ubiquitous surveillance and information security, as well as the transformation of intimate personal information into commercial data. Discussing the internet of things from a media and communication perspective, this book is an important resource for courses analysing the internet and society, and essential reading for anyone who wants to better understand the rapidly changing roles of our networked lives.

This book uses global perspectives to address questions of media ethics and justice in a local and transnational global environment, and examines the common denominator running through such disparate investigations of theories and practices of media ethics and justice in the democracies of India, South Africa, Pakistan, and the United States.

Two major regulatory activities have framed global media policies since World War II: the New World Information and Communication Order (NWICO) and the more recent World Summit on the Information Society (WSIS). Through extensive research and testimonies from those involved, this book presents an in-depth account from the 1970s to today of the major issues concerning information flow in international geopolitics, including a look at the negotiations surrounding the major policy debates. Few studies of NWICO and WSIS have considered the continuity between the two activities--or included in the debate the crucial intermediary period between--and this book provides new insight into an issue of multilingual and multicultural importance.

This study is about new media, the crisis of democracy and political renewal. It asks: What is the political? How can we understand politics in a network age? Can we talk sensibly about generational change? Analysing four international case studies, this book gives an optimistic assessment of how digital media supports new forms of politics

This work examines the operation of the First Amendment, especially where it concerns freedom of the press, during the nineteenth century. It examines contemporary nineteenth century views on press freedom, placing them in the context of the issues that prompted and shaped them. Primary sources--pamphlets, speeches, sermons, letters, diaries, newspapers, and official documents--were used to highlight free press issues. It confirms that First Amendment rights were controversial issues for many nineteenth century Americans. The Course of Tolerance examines previously ignored issues such as the Postal Bill of 1836 and press freedom during the Reconstruction period in the South, making this the most comprehensive volume on its subject to date. Other topics included are libel, the War of 1812, abolitionism, the Civil War, and the Spanish-American War. Through treatment of these issues, the reader is introduced to a broad variety of the nineteenth century's writings, many of which have not been analyzed thoroughly in this century. Following the main body of the book is a selected bibliography and index. This volume will be of great interest to students of communications law, journalism history, and First Amendment theory and philosophy.

This book concentrates exclusively on the dialogic turn in the governance of science and the environment. The starting point for this book is the dialogic turn in the production and communication of knowledge in which practices claiming to be based on principles of dialogue and participation have spread across diverse social fields. As in other fields of social practice in the dialogic turn, the model of communication underpinning science and environmental governance is dialogue in which scientists and citizens engage in mutual learning on the basis of the different knowledge forms that they bring with them. The official aim is to involve citizens in processes of decision-making on scientific and environmental issues, including issues relating to the built environment such as urban planning. The attempt in this book has been made to build bridges across the fields of science and technology studies, environmental studies and media and communication studies in order to provide theoretically informed and empirically rich accounts of how citizen voices are articulated, invoked, heard, marginalised or silenced in science and environment communication.

This book identifies, documents, and analyzes the major dimensions of U.S. prime-time TV content. By exmining fictional TV series run in prime-time and on Saturday mornings over three seasons, the author and his research team have put together a fascinating study of American society according to television.

The importance of communication in health-related matters cannot be overemphasized. Despite modern global advancements, indigenous communication methods assume a large part of health practices in rural regions throughout the world, including areas in Africa and Asia. Indigenous language remains one of the strongest means of communication and a vital function in local communities across the globe. Emerging Trends in Indigenous Language Media, Communication, Gender, and Health is a collection of innovative research that vitalizes, directs, and shapes scholarship and global understanding in the aforementioned areas and provides sustainable policy trajectory measures for indigenous language media and health advocacy. This book will provide a better global understanding of the significance indigenous language still has in modern society. While highlighting topics including digitalization, sustainability, and health education, this book is ideally designed for researchers, anthropologists, sociologists, advocates, medical practitioners, world health organizations, media professionals, government officials, policymakers, practitioners, academicians, and students.

Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many ?migr? filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention. The introduction traces the development of TV noir and provides an overview and evaluation of the book's thirteen essays, each of which discusses an exemplary TV noir series. Realism, relativism, and integrity are discussed in essays on Dragnet, Naked City, The Fugitive, and Secret Agent. Existentialist themes of authenticity, nihilism, and the search for life's meaning are addressed in essays on Miami Vice, The Sopranos, Carnivale, and 24. The methods of crime scene investigation in The X-Files and CSI are examined, followed by an exploration of autonomy, selfhood, and interpretation in The Prisoner, Twin Peaks, The X-Files, and Millennium. With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right.

Since the rise of television, much radio consists of 'capsule' news and music formats which are heard as background to other activities. However the medium offers a great deal more. This collection of essays shows how in North America, the United Kingdom, Europe, Australia and the South Pacific, radio continues to provide distinctive forms of content for the individual listener, yet also enables ethnic and cultural groups to maintain their sense of identity. Ranging from radio among the primordial communities to digital broadcasting and the internet, these essays suggest that the benefits and gratifications which radio confers remain unique and irreplaceable in this multi-media age. Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of "Understanding Radio" (2nd edition 1994) and "An Introductory History of British Broadcasting" (2nd edition 2002).

Russia's interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the 'Evil Empire' of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book's structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.

This book is the first scholarly exploration of the daytime serial television drama. The primary focus is on the social world as reflected in soap operas. Among the major areas examined within the society of daytime drama are the people, their problems, environment, and interactions.

Focusing on freedom of speech, this text deals with the perennial problem of how a small country should react in the face of pressure threatening its sovereignty. Should it give way or resist? The author describes in detail how the Soviet Union operated both overtly and covertly in the propaganda war and discusses the reactions of the West, the United States, Great Britain, West Germany and Sweden.

We live in a media age where technologies become the sites and sources of our practices and beliefs, including those deeper values that guide decisions about how we should live. Practical Spiritualities in a Media Age explores how and why media become the site and source of spiritual expressions that address the mundane or everydayness of our lives. Including international case studies and essays from leading scholars such as Stewart Hoover and Graham Harvey, the book examines the ways and the places in which people have employed media and information technologies to weave spiritual meaning throughout the demands and pastimes of their lives. Topics range from food and sex to spiritual tourism. In doing so, the volume takes up a call from Paul Heelas' seminal work, Spiritualities of Life, to provide more examples, more richness and more depth to the variety of spiritual practices that exist in late modernity. Providing critical, scholarly explorations of the complexities and contradictions of late-modern spiritual practices, Practical Spiritualities in a Media Age is a must-read for anyone working in the intersection of media, religion or spirituality, and culture.

This highly original and lively study represents the first analysis of the dynamics of British press reporting of India and the attempts made by the British Government to manipulate press coverage as part of a strategy of imperial control. The press was an important forum for debate over India's future and was used by groups within the political elite to advance their agendas. Yet it also provided the wider British public with the information and images from which they formed their perceptions of the subcontinent. The repercussions of press reporting were therefore considerable, being felt not only in Britain, but also within India and the wider world. For this reason British imperial administrators felt the need to integrate press management with their approach to government. Kaul focuses on a period of critical transition in the history of the Raj, a period which witnessed the impact of the First World War, major constitutional reform initiatives, the tragedy of the Amritsar massacre, and the launching of Gandhi's mass movement. The war was also a watershed in official media manipulation, the Government's previously informal and ad hoc attempts to shape press reporting were placed on a more formal basis and explicitly incorporated into official strategy. This book will be essential reading for students of the British Empire, Indian history and the British press. It also offers important insights for students of media and communications studies and the history of political communication - and indeed anyone concerned with understanding the ever-deepening relationship between politics and the mass media today.

Anthropological interest in mass communication and media has exploded in the last two decades, engaging and challenging the work on the media in mass communications, cultural studies, sociology and other disciplines. This is the first book to offer a systematic overview of the themes, topics and methodologies in the emerging dialogue between anthropologists studying mass communication and media analysts turning to ethnography and cultural analysis. Drawing on dozens of semiotic, ethnographic and cross-cultural studies of mass media, it offers new insights into the analysis of media texts, offers models for the ethnographic study of media production and consumption, and suggests approaches for understanding media in the modern world system. Placing the anthropological study of mass media into historical and interdisciplinary perspectives, this book examines how work in cultural studies, sociology, mass communication and other disciplines has helped shape the re-emerging interest in media by anthropologists.

This book throws light on ideologies, practices and sociocultural developments currently shaping language use in Japan by departing from the more common investigation of language in private contexts and examining aspects of the language found in a range of significant public spaces, from the material (an international airport, the streets of Tokyo, the JSL classroom in Japan and courtrooms) to the electronic (television dramas, local government web pages and cyberspace). Through its study of the language encountered in such settings, the volume provides a deeper understanding of multifaceted aspects of linguistic diversity, both in terms of the use of languages other than Japanese and of issues relating to the Japanese language itself. The variety of theoretical approaches brought to bear by contributing authors ensures a substantial intellectual contribution to the literature on language in contemporary Japan. This book was published as a special issue of Japanese Studies.

First published in 1994, this book examines the extent to which television affects the people who watch it. Television is frequently blamed for increased violence, shortened attention spans, the decline of literacy and political indoctrination. In this book, the author considers the theories and evidence against television and argues that much of the panic is unfounded. Instead, he asserts that the danger of television is that it is the central apparatus of consumer society. He states that the success of television is measured not in terms of the enjoyment we get from programs, but by how much money we spend as a result of watching them.

This book looks at how media coverage reinforces gender stereotyping and influence the public evaluations of women leaders' candidacies and performance. Through the analysis of several examples and experiences illustrating specific issues, like the double bind; the trivialization effect and personal politics, readers will be introduced to the controversial yet familiar question of why there are so few women in power and why the glass ceiling seems still so difficult to break.The book also analyzes the consequences of recent developments in political communication for female leadership. Processes such as the popularization and the personalization of politics as well as the advent of the new media are changing the nature and the scope of leadership in contemporary democracies. The book discusses some of the implications of such a complex framework in terms of possible changes in the style of female political leadership.