Across the life course, new forms of community, ways of keeping in contact, and practices for engaging in work, healthcare, retail, learning and leisure are evolving rapidly. Breaking new ground in the study of technology and aging, this book examines how developments in smart phones, the internet, cloud computing, and online social networking are redefining experiences and expectations around growing older in the twenty-first century. Drawing on contributions from leading commentators and researchers across the world, this book explores key themes such as caregiving, the use of social media, robotics, chronic disease and dementia management, gaming, migration, and data inheritance, to name a few.

The Soviet collapse of 1991 - the Great August liberation - demonstrated the total exhaustion of Marxist Leninist agitation and propaganda. It was no longer possible to live on slogans. The failure of Soviet agitprop is also the failure of Soviet censorship the latter being a unique institution in anti-thought. This volume analyzes the consequences of censorship, before tackling the media legislation of the Russian Federation and the dangers to the free flow of information emerging both within and outside the Russian Federation.

This book breaks new ground in providing an in-depth critical assessment of cyborg cinema, arguing that it remains one of the most intriguing and provocative cycles to have emerged in contemporary screen culture. Tracing the cinematic cyborg's transition over the last two decades and evaluating the theoretical significance attributed to this figure, it asks what relevance the cyborg continues to have in terms of understanding human identity, as well as our relationship to technology and to one another.

Malovic and Selnow examine the evolution of the press-government relationship in Croatia from the Tito era to the present. Their story is one of three interacting players: the Croatian government which until recently has sat firmly in control, the compliant press which seemed little motivated to change, and the largely quiescent public which demanded little from its press or its government. A provocative, often first-hand account that will be of interest to scholars and researchers involved with Balkan current affairs, journalism, and politics.

Television was one of the forces shaping the cultural revolution of the 1960s and 1970s, when a blockbuster TV series could reach up to a third of a country's population. This book explores television's impact on social change by comparing three sitcoms and their audiences. The shows in focus - Till Death Us Do Part in Britain, All in the Family in the United States, and One Heart and One Soul in West Germany - centered on a bigoted anti-hero and his family. Between 1966 and 1979 they saturated popular culture, and managed to accelerate as well as deradicalize value changes and collective attitudes regarding gender roles, sexuality, religion, and race.

We who live at the end of the twentieth century are better informed--and more quickly informed--than any people in history. So why do we also seem more confused, divided and foolish than ever before? Some pundits criticize the news media for political bias. Other analysts worry that up-to-the-minute news reports on radio and television oversimplify complex realities. Still more critics point out that today's reporters can't possibly be experts on the wide variety of subjects they cover. Historian C. John Sommerville thinks the problem with news is more basic. Focusing his critique on the news at its best, he concludes that even at its best it is beyond repair. Sommerville argues that news began to make us dumber when we insisted on having it daily. Now millions of column inches and airtime hours must be filled with information--every day, every hour, every minute. The news, Sommerville says, becomes the driving force for much of our public culture. News schedules turn politics into a perpetual campaign. News packaging influences the timing, content and perception of government initiatives. News frenzies make a superstition out of scientific and medical research. News polls and statistics create opinion as much as they gauge it. Lost in the tidal wave of information is our ability to discern truly significant news--and our ability to recognize and participate in true community. This eye-opening book is for everyone dissatisfied with the state of the news media, but especially for those who think the news really informs them about and connects them with the real world. Read it and you may never again know the tyranny of the daily newspaper or the nightly news broadcast.

By using a wide diversity of theoretical and methodological approaches and by encompassing both cross-national and longitudinal analyses, this volume sheds new light on comparative political communication research, such as personalization, globalization, democratization, and the changing nature of journalism,

A historical survey of the Iraqi media from its beginning up to the present day, focusing on the post-2003 media scene and the political and societal divisions that occurred in Iraq after US-led occupation. Investigates the nature of the media outlets and offers an analysis of the way Iraqi satellite channels covered the 2010 general elections.

He left school at fifteen to work as a reporter and wound up, just a few years later, as associate editor at Newsweek. He helped William F. Buckley Jr. found the National Review, worked closely with Joseph McCarthy, and became chief speechwriter for Barry Goldwater.

But true to a conscience that caused him to question the claims and authority of others, Hess eventually rejected conservatism and embraced the libertarian politics of the New Left. He dabbled with drugs, rode motorcycles, worked with the Black Panthers, got arrested while protesting the war in Viet Nam, and published an article in Playboy that defined libertarianism and ignited a national debate. As an anti-Communist he cooperated with the FBI, but as a libertarian he fought the IRS until he was nearly destitute. Whatever his political leanings, he always despised conceit, exploded intolerance, and embraced life to the fullest. He was a man who traveled in influential circles, often close to power, but, in his own words, "mostly on the edge."

Karl Hess participated in many of the defining events of 20th-century America, a self-taught boy who became a self-made journalist. Mostly on the Edge chronicles the life education of Hess, who became a defiant tester of the prevailing ideas of each decade. He lived by trial and error, and was always willing to acknowledge his mistakes.

Like Franklin and Thoreau, Hess hoped to wake up America by questioning the moral majority, fighting the Kafkaesque intrusions of government, and encouraging his family, friends, and highly influential colleagues to think for themselves. Hess provides eyewitness accounts, unique personal observations, startling and valuable insights on leadership and dissent, and, in the end, leaves behind a clear path to realizing the dream of freedom.

A groundbreaking collection of essays looking at the concepts of 'intermediality' and 'multimodality' - the relationship between various forms of art and new media - and including case studies ranging from music, film and architecture to medieval ballads, biopoetry and Lettrism.

In many ways what is identified today as "cultural globalization" in Eastern Europe has its roots in the Cold War phenomena of samizdat ("do-it-yourself" underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media, and the use of new media in countries like China, Iran, and the former Yugoslavia.

From the blaming of Princess Diana's death on news photographers to the public apology by CNN over its erroneous Vietnam-nerve-gas story, journalism and the American media in general are being placed under the microscope. The media-now more powerful than ever before due to computer advances, cable television, and the internet-controls our opinions, tastes, and, as some would have us believe, our actions.
But has the media shed its ethics and gotten completely out of control? Has the quest to get the big scoop crippled the news media into believing "first" is better than factual? To whom is the media responsible-the public, the stockholders, the advertisers? Who decides what may "harm" an audience or what is unsuitable for children? Who, if anyone, should regulate the media? How do political agendas play into censorship (the FCC) and funding of the media?
These questions and more are probed in The Media and Morality, a wide-ranging selection of important essays that explores relationships between the media and its diverse audiences, its sponsors, stockholders, governments, and others. The authors attempt to define the obligations of the media in these relationships as well as the risks, benefits, and limits.
In addition to providing up-to-date commentary and opinion on the latest controversial and precedent-setting journalistic developments, this book will help readers toward an ethical analysis of the media in the Information Age.

Redirecting the Gaze is primarily concerned with the cinematic portrayals of women by women directors working outside corporate America and Europe. The book examines cinematic works of the 1980s and 1990s by women filmmakers from Argentina, Bolivia, China, Cuba, India, Mexico, Senegal, Tanzania, and Venezuela, as well as by independent Black American and Chicano women, most of whom are scarcely known in the United States and Europe.

Southern rhetoric is communication's oldest regional study. During its initial invention, the discipline was founded to justify the study of rhetoric in a field of white male scholars analyzing significant speeches by other white men, yielding research that added to myths of Lost Cause ideology and a uniquely oratorical culture. Reconstructing Southern Rhetoric takes on the much-overdue task of reconstructing the way southern rhetoric has been viewed and critiqued within the communication discipline. The collection reveals that southern rhetoric is fluid and migrates beyond geography, is constructed in weak counterpublic formation against legitimated power, creates a region that is not monolithic, and warrants activism and healing. Contributors to the volume examine such topics as political campaign strategies, memorial and museum experiences, television and music influences, commemoration protests, and ethnographic experiences in the South. The essays cohesively illustrate southern identity as manifested in various contexts and ways, considering what it means to be a part of a region riddled with slavery, Jim Crow laws, and other expressions of racial and cultural hierarchy. Ultimately, the volume initiates a new conversation, asking what would southern rhetorical critique be like if it included the richness of the southern culture from which it came? Contributions by Whitney Jordan Adams, Wendy Atkins-Sayre, Jason Edward Black, Patricia G. Davis, Cassidy D. Ellis, Megan Fitzmaurice, Michael L. Forst, Jeremy R. Grossman, Cynthia P. King, Julia M. Medhurst, Ryan Neville-Shepard, Jonathan M. Smith, Ashli Quesinberry Stokes, Dave Tell, and Carolyn Walcott.

Broadcasting is an indicator of a society's political, economical, social, cultural and geographical context. While currently at a crossroads, European broadcasting remains diverse due to the fragmentation of national policies. The book introduces the reader to the topic by providing and explaining facts, figures and techniques of analysis. The contributions to the first section examines the general theoretical framework. The articles in the second section map out European media cases. The book's twofold approach is reflected in the accompanying CD-ROM, which also contains examples and hyperlinks.

Message Received brings together the most recent research findings of the Glasgow Media Group. It focuses on major public issues such as the impact of fictional violence on children and media coverage of ethnic minorities, the developing world and disasters. It examines media representations of mental illness and public understanding of risks about this and about other areas such as health and food safety. The Group has also studied controversies in the media such as the BSE crisis and other major events such as the collapse of communism in Eastern Europe.

This book offers critical readings of issues in education and technology and demonstrates how researchers can use critical perspectives from sociology, digital media, cultural studies, and other fields to broaden the "ed-tech" research imagination, open up new topics, ask new questions, develop theory, and articulate an agenda for informed action.

This book explores ways in which passions came to be conceived, performed and authenticated in the eighteenth-century marketplace of print. It considers satire and sympathy in various environments, ranging from popular novels and journalism, through philosophical studies of the Scottish Enlightenment, to last words, aesthetics, and plastic surgery.

The book covers tools in the study of online social networks such as machine learning techniques, clustering, and deep learning. A variety of theoretical aspects, application domains, and case studies for analyzing social network data are covered. The aim is to provide new perspectives on utilizing machine learning and related scientific methods and techniques for social network analysis. Machine Learning Techniques for Online Social Networks will appeal to researchers and students in these fields.

This book conveys Thackeray's development as a book reviewer, journalist, art exhibition critic, short-story writer, satirical essayist and novelist a development that culminates in the creation of his masterpiece, Vanity Fair one of the glories of English imaginative writing. Articulating the connections between these vigorous and lively youthful works, and the growth of Thackeray as an increasingly profound participant observer, Harden reveals the exuberant imaginative growth and deepening understanding of a supremely perceptive critic of human social life.

Although Christians are lovers of the Bible, not all have learned and followed the venerable Christian custom of praying directly from Scripture. In this thoroughly readable and helpful book, Evan Howard shows Christians how to recover and reap the rewards of this vital practice. Praying the Scriptures features down-to-earth guidance on praying the Lord's Prayer and the Psalms, on praying out of the Scriptures for worship, thanksgiving, revival and personal needs. It includes a clear and thorough listing of biblical passages for a variety of prayers. Free of gimmickry but full of practical advice, this book is for new Christians and those who desire a deeper, more biblically saturated prayer life.

The mainstreaming of pornographic imagery into fashion and popular culture at the turn of the millennium in Britain and the US signalled a dramatic cultural shift in construction of both femininity and masculinity. For men and women, raunch became the new cool. This engaging book draws from a diverse range of examples including film, popular tabloids, campus culture, mass media marketing campaigns, facebook profiles, and art exhibits to explore expressions and meanings of porn chic. Bringing a cultural and feminist lens to the material, this book challenges the reader to question the sexual agency of the 12-year-old girl dressed to seduce in fashions inspired by Katie Price, the college co-ed flashing her breasts for a film maker during Spring break, and the waitress making her customer happy with chicken wings and a nice set of Hooters. Further it explores the raunchy bad boys being paid handsomely to tell the world about their sexual exploits, online, on film, and in popular press bestsellers. The book also contains thought-provoking artwork by Nicola Bockelmann which focuses on the permeable border between pornography and mainstream culture and urges viewers to question everyday explicitness. Balancing a popular culture approach and a strong analytic lens, Porn Chic will engage a wide audience of readers interested in popular culture, fashion, and gender studies.

How the provisions of the First Amendment pertain to high school publications is thoroughly examined in this practical reference manual. Ingelhart presents a comprehensive and useful review of nearly all court cases and legal provisions relating to high school newspapers, yearbooks, and magazines, as well as to the students producing them. The overall concept of a free press as provided for in the First and Fourteenth Amendments is discussed. Related free expression matters are presented as background for understanding the Constitutional protections provided for high school journalists. Court-approved restraints on or regulations of the high school press are examined in depth, as are other forms of expression considered outside First Amendment coverage. Special problems concerning printers, photographers, and suppliers are also considered, as are the legal quandries of advisers. The entire volume is carefully arranged into specific sections for quick and convenient use as a reference source. An annotated alphabetical listing of all cases referred to includes available legal citations and indicates the location of additional information.