One of the only volumes that brings the humanities, social sciences and even the natural sciences under one remit to look at how they can be researched in an integrated and useful way, with policy and real world implications in terms of how we relate in and to the world. Interdisciplinarity and Transdisciplinarity have been around for a long time, but as as we move through a digital age they are becoming more and more important and interesting to the scholarly community and beyond. There is nothing on the market that pulls all of these subjects across disciplines together and works out a framework to construct the analysis in a way that asks and answers useful questions.

This multi-disciplinary anthology provides new perspectives on the journalist's role in knowledge generation in the newspaper age-covering diverse topics from fake news to new technologies. Fake news, journalistic authority, and the introduction of cutting-edge technologies are often viewed as new topics in journalism. However, these issues were prevalent long before the twenty-first century. Connecting for the first time two burgeoning strands of research-a newly perceived history of knowledge and the study of journalism-Journalists and Knowledge Practices provides insights into the journalist's role in the world of knowledge in the newspaper age (ca. 1860s to 1970s). This multi-disciplinary anthology asks how journalists conducted their work and reconstructs histories of journalistic practices in specific regional constellations in Europe and North America. From fake news writing to inventing psychological concepts, integrating electric telegrams to fabricating photographs, explaining pandemics to creating communities, these case studies written by distinguished scholars from various disciplines in the humanities show how notions of fact and truth were shaped, new technologies integrated, and knowledge transfers arranged. This book is crucial reading for scholars and students interested in the historically changing relationships between journalistic practices and the generation and dissemination of knowledge. This volume is crucial reading for scholars and students interested in the history of journalistic practice.

This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda, and Makoto Shinkai operate as expressions of and, potentially, catalysts for transcendence of various kinds, particularly during the Heisei era (1989-2019), when Japan experienced severe economic hardship and devastating natural disasters. The book's approach to aesthetics and religion employs the multifaceted concepts of ma (structuring intervals, liminal space-time), ku (emptiness, sky), mono no aware (compassionate sensibility, resigned sadness), and musubi (generative interconnection), examining the dynamic, evolving nature of these ancient principles that are at once spiritual, aesthetic, and philosophical. Scholars and enthusiasts of Japanese cinema (live action and anime), religion and film, cinematic aesthetics, and the relationship between East Asian religions and the arts will find fresh perspectives on these in this book, which moves beyond conventional notions of transcendental style and essentialized approaches to the multivalent richness of Japanese aesthetics.

This concise volume offers an accessible introduction to state-of-the-art artificial intelligence (AI) language models, providing a platform for their use in textual interpretation across the humanities and social sciences. The book outlines the affordances of new technologies for textual analysis, which has historically employed established approaches within the humanities. Neuman, Danesi, and Vilenchik argue that these different forms of analysis are indeed complementary, demonstrating the ways in which AI-based perspectives echo similar theoretical and methodological currents in traditional approaches while also offering new directions for research. The volume showcases examples from a wide range of texts, including novels, television shows, and films to illustrate the ways in which the latest AI technologies can be used for "dialoguing" with textual characters and examining textual meaning coherence. Illuminating the potential of AI language models to both enhance and extend research on the interpretation of texts, this book will appeal to scholars interested in cognitive approaches to the humanities in such fields as literary studies, discourse analysis, media studies, film studies, psychology, and artificial intelligence.

Richard Carr's Charlie Chaplin places politics at the centre of the filmmaker's life as it looks beyond Chaplin's role as a comedic figure to his constant political engagement both on and off the screen. Drawing from a wealth of archival sources from across the globe, Carr provides an in-depth examination of Chaplin's life as he made his way from Lambeth to Los Angeles. From his experiences in the workhouse to his controversial romantic relationships and his connections with some of the leading political figures of his day, this book sheds new light on Chaplin's private life and introduces him as a key social commentator of the time. Whether interested in Hollywood and Hitler or communism and celebrity, Charlie Chaplin is essential reading for all students of twentieth-century history.

As social media is increasingly becoming a standard feature of sociological practice, this timely book rethinks the role of these mediums in public sociology and what they can contribute to the discipline in the post-COVID world. It reconsiders the history and current conceptualizations of what sociology is, and analyzes what kinds of social life emerge in and through the interactions between 'intellectuals', 'publics' and 'platforms' of communication. Cutting across multiple disciplines, this pioneering work envisions a new kind of public sociology that brings together the digital and the physical to create public spaces where critical scholarship and active civic engagement can meet in a mutually reinforcing way.

Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez—one of the first successful Latin-American Hollywood stars, who swept past the xenophobia of Old Hollywood to pave the way for future icons from around the world. Her career began in the silent era when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than such legends as Greta Garbo, Katharine Hepburn, and Gloria Swanson. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934). In the 1940s, Velez's popularity peaked after appearing as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's well-documented fiery personality. Nicknamed "the Mexican Spitfire" by the media, Velez's personal life was as colorful as her screen persona. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with such figures as Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy. In Strictly Dynamite: The Sensational Life of Lupe Velez, author Eve Golden uses extensive research to parse fact from fiction and offer a thorough, riveting, and comprehensive examination of the real woman underneath the gossip columns' caricature. Through astute analysis of the actress's iconic filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when her distinctive accent was an obstacle, yet very few published books have focused entirely on Velez's life and career. Written with even-handedness, humor, and empathy, Golden has finally given the remarkable Mexican actress the uniquely nuanced portrait she deserves.

This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people's understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions Offering an important contribution to understanding the historical trajectory and recent developments of East Asian media, this book will interest students and scholars of media, communication, popular culture, cultural studies, Asian studies, politics and sociology

This book proposes a model of internal communication based on empirical research to demonstrate how contemporary organizations strategize, organize, perform, and measure it. Internal communication is the management of communication between an organization and its members to inform, motivate, engage, and cocreate meanings to make organizations more effective. The book presents key concepts defining the successful implementation and execution of internal communication: internal communication satisfaction, employee engagement, employer branding, organizational support, and psychological contract fulfillment. Including an extensive literature review and informed by in-depth interviews conducted with corporate communication directors and human resource management directors in 25 Croatian organizations, the book uses original research to give practical guidance on internal communication best practices. The book is an ideal resource for researchers and advanced students of public relations and corporate communication broadly and internal and employee communication specifically.

This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth. Drawing on philosophical and psychological approaches, Fischer's unique analysis offers unparalleled case studies for comprehending emotion in the movies. The book provides the reader with an opportunity to contemplate what notion of a particular emotion is advanced onscreen; to describe how the unique tools and aesthetics of cinema are utilized to do so; to place such representations in dialogue with film theory as well as philosophical and psychological commentary; and to illustrate the important dichotomy between filmic portrayals and audience response. Beyond film and media scholars and students, this book will have resonance for academics and practitioners in several fields of psychology, including social work, psychiatry, and therapy.

It provides an in-depth analysis of a universally popular film that is also a great critical success. It situates the film in the genre of youth movies and in feminist film practice, making it ideal for students and researchers looking at wider dialogues and discourses about feminism, philosophy, gender and independent filmmaking. It is written by an expert on American independent cinema and the dynamics of World Cinema and it combines contextual analysis with a keen sense of film form and a deep knowledge of American culture, literature and philosophy.

This textbook offers an interdisciplinary, comprehensive and state-of-the-art overview of the media linguistics approaches to explain and understand digital communication and multimodality. Linking the fields of communication studies, applied linguistics and journalism, it grounds communication practices in a deep understanding of the social and societal implications of language use in digital media. The tools to analyse multimodal texts are analysed in light of the advantages and constraints that different communication modes pose, both individually and in combination. Aimed at upper level undergraduates and graduates in applied linguistics, communication and media studies, including journalism and PR, this textbook contains case studies and professional examples highlighting the interplay between language use and digital communication and encouraging the reader to reflect on the themes covered, and put the acquired knowledge into practice. Online resources for students include videos, writing techniques, a guide to multimodal texts analysis, additional case studies and a glossary.

In How Machines Came to Speak Jennifer Petersen constructs a genealogy of how legal conceptions of "speech" have transformed over the last century in response to new media technologies. Drawing on media and legal history, Petersen shows that the legal category of speech has varied considerably, evolving from a narrow category of oratory and print publication to a broad, abstract conception encompassing expressive nonverbal actions, algorithms, and data. She examines a series of pivotal US court cases in which new media technologies-such as phonographs, radio, film, and computer code-were integral to this shift. In judicial decisions ranging from the determination that silent films were not a form of speech to the expansion of speech rights to include algorithmic outputs, courts understood speech as mediated through technology. Speech thus became disarticulated from individual speakers. By outlining how legal definitions of speech are indelibly dependent on technology, Petersen demonstrates that future innovations such as artificial intelligence will continue to restructure speech law in ways that threaten to protect corporate and institutional forms of speech over the rights and interests of citizens.

Unlocking a vital understanding of how literary studies and media studies overlap and are bound together A synthetic history of new media reception in modern and contemporary Japan, The New Real positions mimesis at the heart of the media concept. Considering both mimicry and representation as the core functions of mediation and remediation, Jonathan E. Abel offers a new model for media studies while explaining the deep and ongoing imbrication of Japan in the history of new media. From stereoscopy in the late nineteenth century to emoji at the dawn of the twenty-first, Abel presents a pioneering history of new media reception in Japan across the analog and digital divide. He argues that there are two realities created by new media: one marketed to us through advertising that proclaims better, faster, and higher-resolution connections to the real; and the other experienced by users whose daily lives and behaviors are subtly transformed by the presence and penetration of the content carried through new media. Intervening in contemporary conversations about virtuality, copyright, copycat violence, and social media, each chapter unfolds with a focus on a single medium or technology, including 3D photographs, the phonograph, television, videogames, and emoji. By highlighting the tendency of the mediated to copy the world and the world to copy the mediated, The New Real provides a new path for analysis of media, culture, and their function in the world.

First published in 1980, Steel-Engraved Book Illustration in England is a detailed and comprehensive survey of the steel engravings that were so popular in the nineteenth century. With an extensive range of illustrations, the book refutes the assumption that steel engravings are of little artistic value or importance, a common attitude rooted largely in the connection between steel engravings and mass-produced books. Beginning with an exploration of the identification problems and early history of steel engravings, it moves through the production and printing of the plates and on to a study of several engravers and artists, as well as of the books themselves. Steel-Engraved Book Illustration in England will appeal to anyone interested in the history of printing and illustration.

- Written specifically for beginning students. The sometimes personal, sometimes intellectual and speculative form of the essays will be refreshing to readers accustomed to the more technical, jargon-laden approach of many academic texts. - Brings aesthetics back into the contemporary discourse about art and architecture - not in order to escape the necessity of political or historical understandings of art and architecture, but to ground such approaches in our actual lived experience of works. - This book will appeal to readers who might not have much, or any, background in the plastic arts. An important premise of this book is the idea that highly nuanced aesthetic concepts can be explored and presented in fairly simple and accessible prose and thus made accessible to this audience. - Takes an interdisciplinary approach, considering canonical works of art, but also many buildings, gardens, and works of design, arguing that well-designed functional objects can establish a special bridge between the fine arts and our everyday lives.

A unique examination of the role architecture plays in the media-politico spectacle which plays out in today's mass media. Written by 14 influential academics, it draws on case studies from across timeframes and across nations including the US, UK, China, Eastern Europe, South Korea, Belgium and Austria. Illustrated with over 30 black and white illustrations

- The first sustained scholarly study of black horror films, now updated to include the last decade. - Tells a unique social history of African Americans through changing representation in horror films. - Chronological, decade-by-decade survey of black horror films from mainstream Hollywood, to art-house and independent films.

This book examines the various film festivals where Korean cinema plays a significant role, both inside and outside of Korea, focusing on their history, structure and function, and analysis of successful festival films. Using Korean film festivals and Korean cinema at international film festivals as its primary lens, this interdisciplinary volume explores the shifting relationships between the multi-media genre of film and the fast-growing changing world of film festival cultures. It examines the changing aesthetics of Korean film in a transcultural context and historical (dis)continuity from a variety of angles from film and media studies, literary and cultural studies, Korean studies, Japanese studies, and also from film festival practice. Moreover, through comprehensive examinations of both domestic and international film festivals from the perspectives of production, distribution and marketing it highlights the reception of Korean cinema outside of Korea in an increasingly globalised industry. Featuring the contributions of expert scholars of international film and Korean cinema, in addition to interview material with a practicing film professional, this book will be of huge interest to students and scholars of Korean and Asian film and media studies, as well as those interested in the impact of film festivals more generally.

Comprehensive volume that provides an expert overview of current scholarship in the field. Reflects current challenges and perspectives. Essential resource for students and researchers in PR, communication, marketing, media, and cultural studies.

Information available through traditional business and competitive resources can be complimented by information gained through social media tools. Social Information is a must-have book for competitive and business researchers in any discipline including librarians, information professionals, intelligence analysts, students and marketing personnel, and explores how more traditional resources can be complimented by social media tools. The book outlines different categories of social tools, competitive and business applications of these tools, and provides example searches with screenshots. The book provides concrete search examples, as well as strategies and approaches for searching social tools that may be available today or that may emerge tomorrow. Readers will learn ways to quickly develop new search strategies as new tools and features emerge. The future of social tools and information, and the lasting impact that these tools have had on how information plays a part in our lives, our businesses and our careers is discussed. The title is structured into seven chapters, covering: the impact of social media, and the approach of the book; a brief history of business and competitive information and the rise of social tools; blogs and microblogs; video, audio and images; social search engines; and the future of social information.
The book specifically explores business and competitive information and approaches using social media toolsWritten by a highly knowledgeable and long-time practitioner and researcher in the fieldProvides both practical and strategic search approaches, so that the skills learned will be readily transferable to other social tools, and to social tools as they evolve"

It is a truism to suggest that celebrity pervades all areas of life today. The growth and expansion of celebrity culture in recent years has been accompanied by an explosion of studies of the social function of celebrity and investigations into the fascination of specific celebrities. And yet fundamental questions about what the system of celebrity means for our society have yet to be resolved: Is celebrity a democratization of fame or a powerful hierarchy built on exclusion? Is celebrity created through public demand or is it manufactured? Is the growth of celebrity a harmful dumbing down of culture or an expansion of the public sphere? Why has celebrity come to have such prominence in today s expanding media? Milly Williamson unpacks these questions for students and researchers alike, re-examining some of the accepted explanations for celebrity culture. The book questions assumptions about the inevitability of the growth of celebrity culture, instead explaining how environments were created in which celebrity output flourished. It provides a compelling new history of the development of celebrity (both long-term and recent) which highlights the relationship between the economic function of celebrity in various media and entertainment industries and its changing social meanings and patterns of consumption.

-- Longstanding Routledge author; award-winning sociology/media scholar -- Represents synthetic summation of scholar's work in media- and political sociology -- Connects key theory developed by author and extends analysis/application to Trump's presidential term -- Important diagnosis of political and media ecology of the US -- Strong potential for course use in sociology, media, and poli sci courses

The internet and the web are among the largest human-made technological artefacts ever created. Many facets of how these inventions came into being have been depicted in books and journal articles about the histories of the internet and the web. But the voices of those who took part in the creation and development of these technologies that have changed our culture and societies profoundly have only occasionally found a home. Oral Histories of the Internet and the Web brings together a number of interviews with people who in various ways have affected the establishing and evolution of the internet and the web, and in contrast to the historical accounts these interviews give a sense of lived and living history. The interviews were originally published in the interdisciplinary journal Internet Histories: Digital Technology, Culture and Society between 2017 and 2022.

-Public speaking textbook grounded in traditional rhetorical theory with historical and contemporary examples -Core text for public speaking or rhetoric courses -Distinguished from other public speaking texts by its grounding in traditional rhetoric and its focus on speaking as an engaged citizen on matters of public concern, compared with texts more focused on business communication -Online resources include instructor's manual with discussion and test questions, web links, and sample materials