"New Lad culture" boomed in the 1990s with the publication of men's magazines such as loaded, FHM and Maxim. What were the commercial roots of this boom and what did it say about contemporary masculinity and the dynamics of cultural production?Applying a cultural-economic approach and drawing on interviews with key figures at the sector's leading products, Crewe unwraps the means through which publishing companies comprehended and addressed the men's magazine audience in the 1990s. He argues that it was informal knowledge about cultures of masculinity held by editorial practitioners that was decisive in constituting individual magazines and the overall character of the sector. In exploring the cultural resources, identifications and ambitions around which the market crystallized, Crewe provides an in-depth comparison of the editors and editorial identity of loaded, the pioneer of the 'mass market', with those of Esquire and Arena, magazines associated with the sector's initial reformation. Clear and comprehensive, this work sheds new light on the commercial assessment and representation of modern masculine culture.

Sonic Thinking attempts to extend the burgeoning field of media philosophy, which so far is defined by a strong focus on cinema, to the field of sound. The contributors urge readers to re-adjust their ideas of Sound Studies by attempting to think not only about sound [by external criteria, such as (cultural) meaning], but to think with and through sound. Series editor Bernd Herzogenrath's collection serves two interconnected purposes: in developing an alternative philosophy of music that takes music serious as a 'form of thinking'; and in bringing this approach into a fertile symbiosis with the concepts and practices of 'artistic research': art, philosophy, and science as heterogeneous, yet coequal forms of thinking and researching. Including contributions by both established figures and younger scholars working on cutting edge material, and weaving artistic responses and interventions in between the more theoretical texts, Herzogenrath's collection provides a lively introduction to a fresh debate.

Aggressive policy, enthusiastic news coverage and sensational novelistic style combined to create a distinctive image of Britain's Empire in late-Victorian print media. The New Journalism, the New Imperialism and the Fiction of Empire, 1870-1900 traces this phenomenon through the work of editors, special correspondents and authors.

After the fall of the Iron Curtain in 1989, millions of Romanians emigrated in search of work and new experiences; they became engaged in an interrogation of what it meant to be Romanian in a united Europe and the globalized world. Their thoughts, feelings and hopes soon began to populate the virtual world of digital and mobile technologies. This book chronicles the online cultural and political expressions of the Romanian diaspora using websites based in Europe and North America. Through online exchanges, Romanians perform new types of citizenship, articulated from the margins of the political field. The politicization of their diasporic condition is manifested through written and public protests against discriminatory work legislation, mobilization, lobbying, cultural promotion and setting up associations and political parties that are proof of the gradual institutionalization of informal communications. Online discourse analysis, supplemented by interviews with migrants, poets and politicians involved in the process of defining new diasporic identities, provide the basis of this book, which defines the new cultural and political practices of the Romanian diaspora.

The growth of developmental and intercultural communication in recent years has prompted scholars to focus their attention on communication systems in non-Western nations, especially those in the Third World. This volume advocates and demonstrates the need to consider continuity and change as the fundamental principle in the development of communication systems. It constitutes the first attempt to critically review the use of indigenous communication systems, as continuing from the past, for plannned change.

What is the nature of the relationship between; early cultural citizenship and consumerism; ideology and economics; militant politics and constitutional reforms; class and gender?
Gender, Citizenship and Newspapers offers the reader an opportunity to look at the full range of ways in which gender is articulated and constructed in and through the press, both textually and professionally, in different national contexts.
The gendered nature of the relationship between the press and the emergence of cultural citizenship from the 1860s to the 1930s is explored through empirical data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity. This original, international research provides a helpful contribution to both media history, gender research, sociology and media studies.

In our request "to be in the know" are we compromising our capacity for unadultered thought? In this startling book, Dr. Wilson Bryan Key exposes the devious and sophisticated strategies that advertisers use in newspapers, magazines and television to manipulate and seduce our thoughts and senses. He explores how the media establishes our "reality" and why, subsequently, Americans are the most manipulated people in the world. This provocative book will forever change the way you view the world around you.

The Kingfish and the Constitution is an in-depth analysis of the poisonous relationship that evolved between Huey "Kingfish" Long, legendary governor of Louisiana, and the state's daily newspapers. Long's political battle over the newspaper tax in the Louisiana legislature in 1934 and the subsequent battle over the constitutionality of his attempt at censorship by taxation culminated in the U.S. Supreme Court decision in Grosjean v. American Press Co. in 1936, a landmark decision that laid the basis for the protection of modern freedom of the press in America. This fascinating study will be of interest to scholars and students of political science, constitutional law, and American history.

Nemeth (communications, Purdue U.) presents case studies, discussing such aspects as the news ombudsman as internal and external critic at the Washington Post and as complaint manager and weekly columnist at the Sacramento Bee, two approaches in the Twin Cities, the evolution of the first modern ne

The ongoing News International phonehacking scandal has made abundantly clear that the media's influence over politics is both immense and largely hidden from public scrutiny. As the scandal grows, a question arises: even when they stay on the right side of the law, to what extent do the media influence the political process? In "Democracy under Attack," one of the media's own--Malcolm Dean, the "Guardian'"s long-standing chief monitor of social policy--expertly indicts his fellow journalists, revealing the ways their distorted coverage undermines democracy. Based on four decades of upperlevel UK government briefings and interviews with over one hundred senior policy makers, "Democracy under Attack" overflows with incisive observations and colorful stories, culminating in a damning list of the seven deadly sins of modern journalists. Dean's long experience and insider status inform his detailed and disturbing account of news production in Britain, revealing the connections between what goes on in newsrooms, lobbyists' offices, and Parliament as well as how those connections decisively shape government policy.

Exploring the transition of celebrities into institutional-electoral politics, the book argues that many insights developed by genre theorists could be highly instrumental to understand the celebrity politics phenomenon. It analyzes the historical and cultural specificity of celebrity politics as it evolved through different countries and cultures.

Focusing on British, French and Russian television news coverage of Islam as a security threat, this book provides the first comparative account of how television broadcasting in different geo- and socio-political environments integrates discourses on Islam into nationally oriented, representational systems.

John Hill traces the history of film production in Northern Ireland from the beginnings of a local film industry in the 1920s and 1930s, when the first Northern Irish 'quota quickies' were made, through the propaganda films of the 1940s and 1950s and on to the cinema of the 'Troubles'.

This co-edited volume is the first book to incorporate a transdisciplinary approach that examines transnational Mexican cultural productions through a variety of analytical perspectives. The authors propose a multilayered reading of contemporary transnational cultural manifestations in which it is possible to recognize challenges and cultural strategies that transnational Mexican communities conceive in order to claim cultural, political, and social agency. The essays, interviews, and poetry included in this volume elaborate on the creation of new forms of citizenship that reshape the long history of exclusion that has marked the experience of these particular groups not only in the United States but also in what is geopolitically defined as Mexico.

At the time of Marshall McLuhan's death in 1980, his was a major voice in our understanding on media and society. And yet, few analyses of his impact have been written. In clarifying McLuhan, Neill provides a critical, yet sympathetic assessment of McLuhan's work and impact. While the author dismisses McLuhan's basic theory that the medium is the message, he points to McLuhan's importance, and argues for a re-examination of McLuhan as an artist and a poet.

Youth Fantasies is a collection of studies conducted in cross-cultural collaboration over the past ten years that theorizes “youth fantasy” as manifested through the media of TV, film, and computer games. The collection includes case studies of “X-Files” fans, the influence of computer games and the “Lara Croft” phenomenon, and the reception of western television by Tanzanian youth. This book is a much needed reconciliation between cultural studies and Lacanian psychoanalysis, and highlights why Lacan is important to note when exploring youth fantasy and interest in the media, especially in shows like “X-Files”.

In 2017, the new journal Internet Histories was founded. As part of the process of defining a new field, the journal editors approached leading scholars in this dynamic, interdisciplinary area. This book is thus a collection of eighteen short thought-provoking pieces, inviting discussion about Internet histories. They raise and suggest current and future issues in the scholarship, as well as exploring the challenges, opportunities, and tensions that underpin the research terrain. The book explores cultural, political, social, economic, and industrial dynamics, all part of a distinctive historiographical and theoretical approach which underpins this emerging field. The international specialists reflect upon the scholarly scene, laying out the field's research successes to date, as well as suggest the future possibilities that lie ahead in the field of Internet histories. While the emphasis is on researcher perspectives, interviews with leading luminaries of the Internet's development are also provided. As histories of the Internet become increasingly important, Internet Histories is a useful roadmap for those contemplating how we can write such works. One cannot write many histories of the 1990s or later without thinking of digital media - and we hope that Internet Histories will be an invaluable resource for such studies. This book was originally published as the first issue of the Internet Histories journal.

This volume examines journalism and memorialization in the age of social media, with a particular emphasis on communication in times of crisis. Recognizing that individuals are sharing more actively than ever before, this book investigates the implications of this emerging practice for journalism and mass communication.

"A brief survey cannot do justice to Staiger's rich, rewarding work. The writing style is refreshingly lucid, even while she negotiates complicated ideas and diverse spectator positions."--"JUMP CUT"

"One of the best contemporary American film scholars over the past decade. Janet Staiger points towards new directions which the study of cinema must consider in the coming years."
"--Henry Jenkins, Massachusetts Institute of Technology"

Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires.

In Perverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works like "JFK," "The Silence of the Lambs," "The Texas Chain Saw Massacre," "Psycho," and "A Clockwork Orange," Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information.

Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates, Perverse Spectators constitutes a compelling case for areconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies.

Taking on widely influential theories and scholars, Perverse Spectators is certain to spark controversy and help redefine the study of film as it enters the new millennium.

This study advances a model for critical discourse analysis (CDA) which draws on evolutionary psychology and cognitive linguistics, applied in a critical analysis of immigration discourse. It will be of special interest to students and researchers with which to explore new perspectives in CDA.

Alison Horbury investigates the reprisal of the myth of Persephone - a mother-daughter plot of separation and initiation - in post-feminist television cultures where, she argues, it functions as a symptom expressing a complex around the question of sexual difference - what Lacan calls 'sexuation', where this question has been otherwise foreclosed.

The mass media, press and television have always been central in the formation of corporate identity and the promotion of business image and reputation. This volume provides a new perspective into the interrelationships between media and organisations across three dimensions: Media as Business, Media in business and Business in the media.

Popular Media Cultures explores the relationship between audiences and media texts, their paratexts and interconnected ephemera. Authors focus on the cultural work done by media audiences, how they engage with social media and how convergence culture impacts on the strategies and activities of popular media fans.

"His work is insightful and provocative, linking ideas from a number of disciplines while he asks readers to consider the moral and ethical frameworks within which decisions are made about the publciation of disturbing photos."--"Journal of Mass Media Ethics"

What compels us to look at shocking photographs or, alternatively, to look away? Should the media use disturbing images to inform, at the risk of offending? How is our sense of politics, morality, and culture affected when we are exposed to gruesome images of accidents and disasters, murder and execution, grief and death?

In Body Horror, John Taylor addresses these questions by examining how the media presents unsettling pictures, especially those of dead and injured "foreigners." Drawing on recent experiences in the Gulf, Bosnia and Rwanda, Taylor argues that documentary photography, for all the horror it reproduces, ultimately defines a democracy.

Fully aware of the voyeuristic aspects of photojournalism, Taylor probes the difficulty of applying moral imperatives when separating the utility of showing images of suffering and violence from the risk of either insulting or gratifying public sensibilities. A compelling documentary of photography's cultural and political power, Body Horror analyzes the moral responsibility attached to publishing and bearing witness to photographs of violence, and the historical amnesia that arises when such imagery remains unseen.

Emerging from Inside Film, a project that helps prisoners and people on probation make their own films, this book discusses the need for working class people to represent themselves and challenge mainstream stereotypes and assumptions about them. This project gave prisoners and parolees the technical skills necessary to make their own films and tell their own stories in order to counter the ways they have been misrepresented. The author demonstrates that film and television are key means by which socioeconomically marginalized groups are classified according to hegemonic norms, as well as the ways such groups can undermine these misrepresentations through their use of the media. As a theoretical reflection on the Inside Film project and the relationship between filmmaking and education, this book explores what radical pedagogy looks like in action.