|
Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Music industry
|
Let Love Rule
(Paperback)
Lenny Kravitz, David Ritz
|
R453
R371
Discovery Miles 3 710
Save R82 (18%)
|
Ships in 9 - 15 working days
|
|
Let Love Rule is a work of deep reflection as Lenny Kravitz looks back at his life with candor, self-scrutiny, and humour.
'My life is all about opposites,' he writes. 'Black and white. Jewish and Christian. The Jackson 5 and Led Zeppelin. I accepted my Gemini soul. I owned it. I adored it. Yins and yangs mingled in various parts of my heart and mind, giving me balance and fueling my curiosity and comfort.'
Let Love Rule covers a vast canvas stretching from Manhattan's Upper East Side, Brooklyn's Bedford-Stuyvesant, Los Angeles's Baldwin Hills, Beverly Hills, and finally to France, England and Germany. It's the story of a wildly creative kid who, despite tough struggles at school and extreme tension at home, finds salvation in music. We see him grow as a musician and ultimately a master songwriter, producer, and performer.
We also see Lenny's spiritual growth-and the powerful way in which spirit informs his music. The cast of characters surrounding Lenny is extraordinary: his father, Sy, a high-powered news executive; his mother, Roxie Roker, a television star; and Lisa Bonet, the young actress who becomes his muse.
The central character, of course, is Lenny, who, despite his great aspirational energy, turns down record deal after record deal until he finds his true voice. The creation of that voice, the same voice that is able to declare 'Let Love Rule' to an international audience, is the very heart of this story.
'Whether recording, performing, or writing a book,' says Lenny, 'my art is about listening to the inspiration inside and then sharing it with people. Art must bring the world closer together.'
Nu Metal: Resurgence documents the groundbreaking movement from its
original inception, right up to the present day. Featuring fully
detailed band biographies that includes major players such as Korn,
Limp Bizkit, Linkin Park, Papa Roach, Rammstein and Slipknot, a
guide to 'The Nu Breed' of bands coming up like Cane Hill, DED,
Frontstreet and Lethal Injektion, and exclusive interviews with
members of classic Nu Metal bands that includes Alien Ant Farm,
Coal Chamber, Kittie, Nonpoint, Orgy, Spineshank and Taproot; as
well as record producer extraordinaire Ross Robinson- Nu Metal:
Resurgence confirms once and for all that Nu Metal is indeed here
to stay.
An evocative, clear-eyed, and revealing memoir by Bernie Taupin, the lyrical master and longtime collaborator of Elton John.
This is the memoir music fans have been waiting for. Half of one of the greatest creative partnerships in popular music, Bernie Taupin is the man who wrote the lyrics for Elton John, who conceived the ideas that spawned countless hits, and sold millions and millions of records. Together, they were a duo, a unit, an immovable object. Their extraordinary, half-century-and-counting creative relationship has been chronicled in biopics (like 2019's Rocketman) and even Elton John's own autobiography, Me. But Bernie, a famously private person, has kept his own account of their adventures close to his chest, until now.
In this exciting, multi-decade whirlwind, we ride shotgun with Bernie on his extraordinary life. We discover early '70s New York with Elton on the cusp of global fame. We spend late night hours with John Lennon, with Bob Marley, and hanging with Frank Sinatra in LA. We witness memorable encounters with Graham Greene, Salvador Dali , Andy Warhol and scores of notable misfits, miscreants, eccentrics, and geniuses, some of whom inspire the indelible lyrics to songs such as Tiny Dancer, Candle in the Wind, Bennie and The Jets, and so many more.
Written with honesty and candour, Scattershot bears witness to events unfolding from Taupin's singular perspective, always with an infectious energy that only a songwriter's vivid prose could offer - his imagination sparked by country music and cowboy culture. From his East Midlands childhood and early London days with Elton to the star-studded fishbowl of '70s and '80s Beverly Hills, it is an epic, picaresque journey across a landscape of unforgettable characters and locations, as well as a striking, first-hand account of a creative era like no other.
The music industry is one of the most exciting, glamorous and fun
places you could ever work in. It's also a fiercely competitive
world, both for jobseekers and those already on the inside. But
opportunities arise constantly, and are within the grasp of almost
anyone with a true passion for music and a hard-working attitude.
This book aims to help you take your first step into what will
hopefully be a long and satisfying career in an endlessly
fascinating world. Each chapter covers a field of work within the
music industry - from record companies to recording studios to
roadies - and is crammed with honest, realistic, practical and
helpful advice. Insider secrets and individual case studies throw
even more light on the subject. Contents: Acknowledgements;
Foreword by Alan McGee; Preface; 1. An overview of the Music
Industry; 2. Getting a Job; 3. Record Companies; 4. Music
Publishing; 5. Music PR and Plugging; 6. Artist Managers; 7. Live
Music: Booking Agents, Concert Promoters, Tour Managers and
Roadies; 8. Music Journalism; 9. Recording Studios: Record
Producers, Sound Engineers and Studio Managers; 10. Music Retail;
Glossary; Useful Addresses; Further Reading; Index.
Owning the Masters provides the first in-depth history of sound
recording copyright. It is this form of intellectual property that
underpins the workings of the recording industry. Rather than being
focused on the manufacture of goods, this industry is centred on
the creation, exploitation and protection of rights. The
development and control of these rights has not been
straightforward. This book explores the lobbying activities of
record companies: the principal creators, owners and defenders of
sound recording copyright. It addresses the counter-activity of
recording artists, in particular those who have fought against the
legislative and contractual practices of record companies to claim
these master rights for themselves. In addition, this book looks at
the activities of the listening public, large numbers of whom have
been labelled 'pirates' for trespassing on these rights. The public
has played its own part in shaping copyright legislation. This is
an essential subject for an understanding of the economic, artistic
and political value of recorded sound.
Dié boek is rock ’n roll in die binnewêreld van die legendariese liedjieboer, Anton Goosen. Hanlie Retief vertel Goosen se buitengewone lewensverhaal – van sy grootwordjare in die Vrystaat, die Musiek-en-Liriek-era, sensuur, hoogtepunte en teleurstellings . . . tot waar die vader van Afrikaanse Rock 'n terugblik gee op sy merkwaardige lewe.
’You never knew what you were going to be confronted with when
you went on Later…’ Nick Cave ‘Later… is a voyage of
discovery for us as well as the viewers’ Dave Grohl Dave Grohl
and Alicia Keys loved it, Björk treasured it, Ed Sheeran’s life
was changed by it, Kano felt at home while Nick Cave was horrified
but inspired, and they all kept coming back. This first-hand
account of the BBC’s Later… with Jools Holland takes you behind
the scenes of one of the world’s great musical meeting places.
Legends including Sir Paul McCartney, Mary J. Blige and David Bowie
found a regular welcome, alongside the next generation of
superstars including Adele, Ed Sheeran and Amy Winehouse. Part of
what has made the show so special is the format – all those
bands, singers, stars and newbies brought together to listen as
well as to perform in Jools’ circle of dreams. But there’s
always been plenty of mayhem alongside the magic of convening a
room full of musicians hosted by one of their own. Written by the
show’s co-creator and 26-year showrunner, music journalist Mark
Cooper, this is the story of how Later… grew into a musical and
TV institution. It was Mark who had to explain to Jay-Z why he
couldn’t just do his numbers and split, who told Seasick Steve
why he had to play ‘Dog House Boogie’ on the Hootenanny and
persuaded Johnny Cash that he simply had to come in, even when The
Man in Black wasn’t feeling well. From Stormzy to Björk, from
Smokey Robinson to Norah Jones, from Britpop to trip hop, here is
the word on how Later… began, evolved and has endured,
accompanied by exclusive interviews with some of the show’s
regular stars as well as the unique pictorial record of Andre
Csillag who photographed the show for over 20 years. A must-read
for music fans everywhere, Later… with Jools Hollandpulls back
the curtain on classic performances to reveal that the show is just
as magical, if even more chaotic, than you imagined.
Remediating Sound studies the phenomena of remixing, mashup and
recomposition: forms of reuse and sampling that have come to
characterise much of YouTube's audiovisual content. Through
collaborative composition, collage and cover songs to reaction
videos and political activism , users from diverse backgrounds have
embraced the democratised space of YouTube to open up new and
innovative forms of sonic creativity and push the boundaries of
audiovisual possibilities. Observing the reciprocal flow of
influence that runs between various online platforms, 12 chapters
position YouTube as a central hub for the exploration of digital
sound, music and the moving image. With special focus on aspects of
networked creativity that remain overlooked in contemporary
scholarship, including library music, memetic media, artificial
intelligence, the sonic arts and music fandom, this volume offers
interdisciplinary insight into contemporary audiovisual culture.
This incisive review analyses the most influential academic
research in a burgeoning subject - the economics of music. The
literature stems from both mainstream economics journals as well as
pertinent works from accountancy, sociology and management sources.
Topics discussed include live music, music production, labour
markets and ownership and music competitions. This review provides
a valuable resource for students and economists involved in this
fascinating field, as well as those seeking to enter it.
|
|