The interest in piano and the desire to play, has increased tremendously in the past few years. Especially is this noticeable among adults who have either had some elementary piano instruction in their youth or have been denied this study for various reasons. This increased interest is partly due to the widespread influence of radio. Hearing music almost daily has become an integral part of our lives and it is this constant influence which has awakened a keen and natural desire to become an active participant. it is to the furtherance and stimulation of this natural desire that this course was planned. The adult approach has been kept constantly in mind, however not to the exclusion of certain basic principles which are necessary in order to make rapid and satisfactory progress. The logical and stepwise manner of progression in this course should prove of inestimable aid to both the student and teacher.

Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.

Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone "color", "wet" acoustics, or in Schoenberg's words, "the illusory stuff of our dreams." This multi-disciplinary approach to timbre assesses the acoustic, corporeal, performative, and aesthetic dimensions of tone color in Western music practice and philosophy. It develops a new theorization of timbre and its crucial role in the epistemology of musical materialism through a vital materialist aesthetics in which conventional binaries and dualisms are superseded by a vibrant continuum. As the aesthetic and epistemological questions foregrounded by timbre are not restricted to isolated periods in music history or individual genres, but have pervaded Western musical aesthetics since early Modernity, the book discusses musical examples taken from both "classical" and "popular" music. These range, in "classical" music, from the Middle Ages through the Baroque, the belcanto opera and electronic music to saturated music; and, in "popular" music, from indie through soul and ballad to dark industrial.

'Oh friends, not these sounds, let us instead strike up ones more pleasing and more joyful'. Written during the corona of 2020 and stretching into 2021, the sounds and words of music are here given a deeper and wider meaning. The words quoted above were Beethoven's own in the lockdown of his own deafness and just before letting the chorus loose to proclaim that 'all people become brothers'. The sounds he refers to are those of despair, exuberance, and utopian peace that his symphony has just portrayed. For him, and for us, the Ode is less the vision of an alternative world than an expression of a constant need to seek a joy which, beyond happiness and once-in-a-while cheerfulness, is a sense of doing something worthwhile with and, where possible, for others.

In die motto van hierdie reeks liedtekste vra Amanda Strydom: “Moet ek skryf oor die liefde / Moet ek skryf oor politiek / Oor die menslike kondisie / Oor ons blou planeet se siek?”

Dit is ook dan juis wat sy doen – haar vlymskerp lirieke ondersoek hierdie temas op ’n meesterlike wyse. Alhoewel Amanda op die verhoog ’n onvergeetlike belewenis is, bewys Kaalvoet dat haar woorde selfs sonder musiek ’n slag kan slaan.

Kaalvoet het die eerste keer in 2004 verskyn en die destydse drukoplaag het uitverkoop.

Classical music was never meant to be an art for snobs! In the 1700s and 1800s, classical music was popular music. People went to concerts with their friends, they brought snacks and drinks, and cheered right in the middle of the concert. Well, guess what? Three hundred years later, that music is just as catchy, thrilling, and emotional. From Bach to Mozart and Chopin, history's greatest composers have stood the test of time and continue to delight listeners from all walks of life. And in Classical Music For Dummies, you'll dive deeply into some of the greatest pieces of music ever written. You'll also get: A second-by-second listening guide to some of history's greatest pieces, annotated with time codes A classical music timeline, a field guide to the orchestra, and listening suggestions for your next foray into the classical genre Expanded references so you can continue your studies with recommended resources Bonus online material, like videos and audio tracks, to help you better understand concepts from the book Classical Music For Dummies is perfect for anyone who loves music. It's also a funny, authoritative guide to expanding your musical horizons--and to learning how the world's greatest composers laid the groundwork for every piece of music written since.