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Books > Arts & Architecture > Music
Once the domain of a privileged few, the art of record production
is today within the reach of all. The rise of the ubiquitous DIY
project studio and internet streaming have made it so. And while
the creative possibilities available to everyday musicians are
seemingly endless, so too are the multiskilling and project
management challenges to be faced. In order to demystify the
contemporary popular-music-making phenomenon, Marshall Heiser
reassesses its myriad processes and wider sociocultural context
through the lens of creativity studies, play theory and cultural
psychology. This innovative new framework is grounded in a diverse
array of creative-practice examples spanning the CBGBs music scene
to the influence of technology upon modern-day music. First-hand
interviews with Jerry Harrison (Talking Heads), Bill Bruford (King
Crimson, Yes) and others whose work has influenced the way records
are made today are also included. Popular Music, Power and Play is
as thought provoking as it will be indispensable for scholars,
practitioners and aficionados of popular music and the arts in
general.
Andy Darlington has been interviewing Rock's luminaries and legends
for several decades-spurred on as a child in the late-sixties by
testosterone, the napalm that was Elvis and hopes to bed hippie
chicks. "I Was Elvis Presley's Bastard Love-Child "collects
together his timeless and engaging conversations with a diverse
selection of artists and band members, amongst whom are included:
Led Zeppelin, Fleetwood Mac, Country Joe McDonald, Grace Slick,
Kraftwerk, Cabaret Voltaire, The Byrds, Can, The Kinks, Mott The
Hoople, The Fall, Siouxie And The Banshees, The Stone Roses, and
Skunk Anansie.
This book follows Australian musician Kim Salmon, from bands The
Scientists, Surrealists and Beasts of Bourbon, from childhood in
Perth through his many bands, albums, tours, family upheavals,
triumphs and disappointments and examines the characters of the
music business he collaborates with along the way.
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Guitar Method
(Paperback)
Led Zeppelin, Ron Manus, L. C Harnsberger
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R634
R588
Discovery Miles 5 880
Save R46 (7%)
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Ships in 10 - 15 working days
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Through the years Jimmy Page's guitar playing has inspired
countless music fans to play guitar. The Led Zeppelin Guitar
Method, the first method to feature Led Zeppelin songs, teaches you
everything you need to know to get started playing---even if you
have never touched a guitar before. Start by learning the basics
like how to hold the guitar and how to read standard music notation
and TAB. By the time you complete the book, you will be playing
authentic arrangements of classic Led Zeppelin songs. This
easy-to-use beginning course will prepare you to play from sheet
music and get you ready to play in a band. Historical facts and
photos of Led Zeppelin are featured throughout to keep you
inspired. The included enhanced CD demonstrates all the songs and
exercises in the book and the Tone 'N' Tempo changer is an
invaluable tool in your journey to learn the guitar.
"Overall, the Led Zeppelin Guitar Method is a standout and well
welcomed addition to the ever growing library of guitar method
books out there, and would definitely be an excellent part to any
guitarist's personal library."
William ClarkGuitar International magazine
Titles: Babe I'm Gonna Leave You * The Battle of Evermore * Boogie
with Stu * Bring It on Home * Bron-Y-Aur Stomp * Communication
Breakdown * Dazed and Confused * Going to California * Good Times
Bad Times * Heartbreaker * How Many More Times * Immigrant Song *
The Lemon Song * Living Loving Maid (She's Just a Woman) * Misty
Mountain Hop * Moby Dick * Out on the Tiles * Over the Hills and
Far Away * Rock and Roll * Stairway to Heaven * Thank You * What Is
and What Should Never Be * When the Levee Breaks * Whole Lotta Love
* You Shook Me.
"Overall, the Led Zeppelin Guitar Method is a standout and well
welcomed addition to the ever growing library of guitar method
books out there, and would definitely be an excellent part to any
guitarist's personal library."
-William Clark, guitarinternational.com
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