Here is a luscious and haunting, romantic-styled original waltz which will make a lovely recital piece for 2 intermediate-level pianists. Written in the key of A-minor, the texture and rhythms are nicely varied, but not excessively complex, and the pages are nicely laid out in large, easy-to-read notation. Ms. Rollin makes good use of the arpeggio and chromaticism, and both performers are given opportunities to play the melody line and contribute other important contrasting musical elements to the performance. A Federation Festivals 2014-2016 selection.

Put together for the first time in one book, the artist approved Radiohead: The Electric Guitar Songbook contains over 20 of the greatest guitar songs from Radiohead. Spanning their entire career to date, each song is transcribed for electric guitar in standard notation and tab, with melody line and chord boxes.

Contents are: Study Points for Volume 2 * Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (T.H. Bayly) * Waltz, Op. 39, No. 15 for Piano (J. Brahms) * BourrA(c)e from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini).

(Music Sales America). Since 1901, Otakar Sevcik's works have formed the basis of many schools of string playing around the world. Thousands of players continue to find Sevcik an invaluable aid to technical development. In practicing Sevcik, as in playing scales, etudes, or pieces there are always four main headings to consider: purity of intonation, evenness of tone, exactness of rhythm and physical freedom and ease. Opus 1 Part 1 focuses on exercises in the first position.

Featuring standard notation and tablature, this new book & CD package introduces basic accompaniment patterns, how to use the thumb and fingers, "Travis" picking, and much more. Readers learn the applications of folk, blues, ragtime and new age styles to solo guitar while learning beautiful new chord voicings.

This book contains nine pieces from ABRSM's Grade 2 Piano Syllabus for 2019 & 2020, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of all 18 pieces on the Grade 2 syllabus, performed by Nikki Iles, Dinara Klinton and Anthony Williams. ABRSM also offers a range of apps to support musical learning, available from www.abrsm.org/apps.

(Willis). Major, minor, augmented and diminished triads pose no problems for the student who has mastered intervals in the Chord Speller. Inversions, cadence chords and dominant and diminished sevenths follow in progressive order. The student is taught to recognize all chords by sound as well as by sight.

(Willis). This popular 3-book series features original Gillock piano solos that progress from elementary to early intermediate level. All the pieces in the first book include memorable lyrics to help the beginner in retention. 14 pieces, including * Circus Clown * Clocks and Watches * Daddy's Rocking Chair * Flying Carpet * Glass Beads * Puppy Dog * Wind in the Bamboo Tree.

Spectacular symphonic suite, scored for large orchestral forces and a wordless chorus, is divided into seven movements, the music of each embodying the astrological and mystical qualities of a different planet. Remarkable emotional sweep and innovative techniques have made the work a staple of the orchestral repertoire. Only full-size score available.

(Faber Piano Adventures ). Designed for the teenager or transfer student, this technique course combines "Technique Secrets" from both the Primer and Level 1 with new exercises that correlate with Accelerated Piano Adventures Lesson Book One. The integration of technique and artistry gives students the tools for expressive performance. "Technique Secrets" develops a technical foundation, while the "Artistry Magic" page at the end of each unit explores expressive playing.

Alfred's Basic Prep Course, Lesson Book A is specifically designed for beginners who are five years old and up. Through the use of appealing music and attractive illustrations, it is no wonder that Lesson Book A is the most widely used young beginner's piano book now available. This course takes into consideration the normal attention span, as well as the small-sized hands of the young beginner. Shortly after beginning, the young student will be able to play "Merrily We Roll Along." The complete Prep Course consists of six books (Levels A through F). This course is most effective when used under the direction of a piano teacher or experienced musician.

The Universal Edition is designed for all English-speaking countries outside of the United States, including Canada, the U. K. and Australia. This edition uses the British system of terminology for rhythmic values such as "crotchet" for quarter note.

This edition contains all the scales and broken chords required for the Grade 4 ABRSM Piano exam. Provides suggested fingering and a helpful introduction including advice on preparing for the exam.

Music today relies on technology: we use technology to make music, to record music, to hear music. Music students study technology to understand music and thanks to technology more amateur musicians than ever before can create their own professional quality recordings.

But what if you are blinded by technology? What if you don't understand even the basics? Paul White's new series of pocket sized guides to basic music technology has the key. Full glossary of terms included in each pocket guide.

The experience of decades in a few pages: how microphones work, what the various types do, and how to use them in just about any musical situation.

Now for the left hand guitarist, introducing a major new feature for print books: sound! With your mobile, scan the QR code to launch flametreemusic.com and listen to the chord as a strum, or an arpeggio. Of course, Flame Tree'e easy-to-use diagrams make this a fantastic new book for home, studio, writing and rehearsal.

This book contains valuable material to help players strengthen their sight-reading skills in preparation for the ABRSM Grade 2 exam. Featuring preparatory exercises that gradually introduce key new elements encountered at Grade 2, along with a comprehensive selection of sample sight-reading pieces, More Piano Sight-Reading supports students with the transition between grades, and encourages them to integrate sight-reading into their daily practice. More Piano Sight-Reading is available for ABRSM Grades 1 to 8, offering additional support for the sight-reading requirements of the current syllabus.

An incredible audio/book/charts package which features an all-star band including Dave, Chick Corea, Michael Brecker, John Patitucci, and Steve Lukather. A studio chart is included for each of the nine songs, plus a detailed book in which Dave describes his grooves and fills, and his analysis of each chart.

Among the great names in the history of harpsichord making, that of the Ruckers is probably the most famous. This dynasty of makers, represented by four generations active in Antwerp between c.1580 and c.1680, exerted a predominant influence in Western Europe. Their harpsichords and virginals, synonyms of extraordinary workmanship, acquired a tremendous reputation that extended beyond European borders and lasted until well after their active period. The envy they inspired was such that it gave rise to large-scale counterfeiting, probably the most significant in the field of instrument making up to then. The MIM, the Musical Instruments Museum, Brussels, owns eighteen instruments considered at the time of their acquisition to be Ruckers. Given the considerable patrimonial interest of this collection, a project centred on its conservation, study, restoration and enhancement was set up. The present publication sums up this fascinating research and sheds new light on this outstanding heritage.