A new compact format from best-selling music author Jake Jackson. 20 scales per key, organised with notation and TAB, this is a simple, direct solution for anyone learning the guitar or needing a quick reminder. Great for beginners and intermediate players, and for those needing a straightforward reference.

For those who prefer a compact book here's a solution from the bestselling music learning author Jake Jackson. 20 chords per key, organised as a chord per page, this is a simple, direct solution for anyone learning the guitar or needing a quick reminder. Great for beginners, and for those playing with others needing a straightforward reference.

for SATB unaccompanied and optional flute This warm and tender carol sets an evocative text by Norman Nicholson depicting Mary's gentle nurturing of her child. There is a beautiful simplicity in Chilcott's setting, which features sumptuous harmonies, lyrical melodies, and an optional part for flute that weaves in and out of the texture. The flute part is printed in the vocal score.

For those who prefer a compact book here's a solution from the bestselling music learning author Jake Jackson. Left and right-hand chords, organised as a chord per spread, this is a simple, direct solution for anyone learning the piano or keyboard, or needing a quick reminder. Great for beginners, and for those playing with others needing a straightforward reference.

for cello Cello Time Joggers is a landmark book in the popular Cello Time series, which is enjoyed by students and teachers all over the world. It contains Kathy and David Blackwell's trademark attractive and engaging compositions that appeal to learners of all ages. Lively original pieces, traditional tunes, and easy duets take the learner from open strings to all fingers down in finger pattern 0-1-34. Appealing and exciting play-along tracks, with live band, are available on major streaming platforms or to download from a companion website. Stylish piano and cello accompaniments are also available in separate books.

Simply Porter is a collection of the most famous compositions by Cole Porter. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: Another Op'nin', Another Show * Anything Goes * Begin the Beguine * Blow, Gabriel, Blow * Don't Fence Me In * Easy to Love * Ev'ry Time We Say Goodbye * I Get a Kick Out of You * I Love Paris * I've Got You Under My Skin * In the Still of the Night * It's De-Lovely * Just One of Those Things * Let's Do It (Let's Fall in Love) * Love for Sale * Miss Otis Regrets (She's Unable to Lunch Today) * Night and Day * So in Love.

Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His TheKoln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: a remarkable achievement for any jazz record, but an unprecedented feat for a two-disc set of solo piano performances featuring no well-known songs.
In Keith Jarrett's The Koln Concert, author Peter Elsdon seeks to uncover what it is about this recording, about Keith Jarrett's performance, that elicits such success. Recognizing The Koln Concert as a multi-faceted text, Elsdon engages with it musically, culturally, aesthetically, and historically in order to understand the concert and album as a means through which Jarrett articulated his own cultural and musical outlook, and establish himself as a serious artist. Through these explorations of the concert as text, of the recording and of the live performance, Keith Jarrett's The Koln Concert fills a major hole in jazz scholarship, and is essential reading for jazz scholars and musicians alike, as well as Keith Jarrett's many fans."

Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society.

Igor Stravinsky left behind a complex heritage of music and ideas. There are many examples of discrepancies between his literate statements about music and musicians and his musical compositions and activity. Per Dahl presents a model of communication that unveils a clear and logical understanding of Stravinsky's heritage, based on the extant material available. From this, Dahl argues the case for Stravinsky's music and his ideas as separate entities, representing different modes of communication. As well as describing a triangular model of communication, based on a tilted and extended version of Ogden's triangle, Dahl presents an empirical investigation of Stravinsky's vocabulary of signs and expressions in his published scores - his communicative mode towards musicians. In addition to simple statistics, Dahl compares the notation practice in the composer's different stylistic epochs as well as his writing for different sizes of ensembles. Dahl also considers Stravinsky's performances and recordings as modes of communication to investigate whether the multi-layered model can soften the discrepancies between Stravinsky the literary and Stravinsky the musician.

The Sonata No. 8 in C Minor, Op. 13, is an important milestone, not only in Beethoven's piano sonatas but also in the development of the keyboard sonata. It is dramatic and emotional to the extent seldom approached by composers of the day as suggested by the term "pathtique" attached to the title of the first edition. Dr. Stewart Gordons editions of Beethoven's most popular piano sonatas provide the key to a stylistic performance. Thorough research of the earliest available sources has enabled Dr. Gordon to produce the most accurate reflection of the composers intent. Each sonata contains helpful fingering suggestions and performance recommendations. Other editors conclusions are noted where performance options are open to interpretation.

With a host of accessible, quality new settings, and with pieces based on all the major hymn tunes, these volumes are a must for every church organist's library.

38 really easy arrangements of the best-loved familiar tunes you will recognize from recordings, radio, and TV. The witty cartoons will bring a smile to the lips of even the most jaded piano pupil.

Originally published in 1913. A concise and comprehensive step by step instruction book on all aspects of piano playing. Many of the earliest books on music, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

for SATB and piano/small orchestra Christmas Lullaby was commissioned in 1989 by the Bach Choir in celebration of the seventieth birthday of its conductor, Sir David Willcocks. The haunting melody of the verses and the reflective refrain of 'Ave Maria' have made this an immensely popular carol.

for SATB and four-piece ensemble (flute, oboe, harp, organ) Four-piece chamber ensemble accompaniment to Rutter's carol arrangement. Pack includes full score and set of parts. Compatible with the accompanied version, available as a leaflet or in the carol collection Joy to the World. Not compatible with the unaccompanied version in the carol collection O Holy Night.

Movie Heroes for Students, Book 2, is arranged at the early-intermediate level. Sixteenth notes and triplets have been avoided. Key signatures are limited to one sharp or flat. Chords contain a maximum of three notes in either hand and simple meters of 4/4 or 3/4 allow for greater accessibility. Titles: Batman Theme * Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) * He's a Pirate (from Walt Disney's Pirates of the Caribbean: The Curse of the Black Pearl) * Iron Man * James Bond Theme * Princess Leia's Theme (from Star Wars) * Raiders March (from Raiders of the Lost Ark) * Star Wars (Main Theme) * Theme from Superman * Wonder Woman.

This volume contains valuable practice material for candidates preparing for the ABRSM Grade 2 Piano exams. The book is written in attractive and approachable styles and representative of the technical level expected in the exam.

This book introduces every important aspect of the Elizabethan music world. In ten scrupulously researched yet accessible chapters, Lord examines the lives of composers, the evolution of musical instruments, the Elizabethan system of musical notation, and the many textures and traditions of Elizabethan music. Biographical entries introduce the most significant and prolific composers as well as the members of royal society who influenced Elizabethan musical culture. Both familiar and obscure instruments of the era are described with focus on their musical and social contexts. Various types of music are defined and illustrated, along with an explanation of the musical notation used during this era. Chapter bibliographies, glossaries, and an index provide additional tools for both the novice and the experienced student of music and music history. When Elizabeth ascended to the throne in 1558, England was undergoing tremendous upheaval. Power struggles between Protestants and Catholics shaped the English music world as musicians' livelihoods were directly linked to their religious allegiances. Music became a form of strategy within court politics, and secular music evolved through the musical and poetic influences of the Italian Renaissance. Events of the day were told and retold through music, class and social differences were sung with relish, and rituals of love and life were set to story and song. When England defeated the vaunted Spanish Armada in 1588, a victorious nation expressed its jubilance through music.