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(Piano Solo Personality). Stellar solo arrangements of a dozen smash hits from Coldplay: Clocks * Fix You * In My Place * Lost * Paradise * The Scientist * Speed of Sound * Trouble * Up in Flames * Viva La Vida * What If * Yellow.
This edition of Walton's celebrated Viola Concerto (1962 version) has been off-printed from the William Walton Edition full score, and combines the scholarship of the Edition with the practical benefits of the smaller format. An introduction is provided by the volume editor, Christopher Wellington. Orchestral material is available on hire/rental.
This book contains nine pieces from ABRSM's Grade 3 Piano Syllabus for 2019 & 2020, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. The enclosed CD features inspiring recordings of all 18 pieces on the Grade 3 syllabus, performed by Nikki Iles, Dinara Klinton, Robert Thompson, Anthony Williams and Richard Uttley. ABRSM also offers a range of apps to support musical learning, available from www.abrsm.org/apps.
Symphony No. 9 in E minor was the last symphony written by Ralph Vaughan Williams and was premiered by the Royal Philharmonic Orchestra conducted by Malcolm Sargent on 2nd April 1958. It is described in The New Grove Dictionary of Music and Musicians as 'the most impressive achievement' of the composer's final decade. This scholarly edition replaces the original 1958 edition, and includes detailed preliminary matter comprising a preface, sources and editorial method, and detailed textual notes. Orchestral material is available on hire/rental.
for SATB wordless chorus, viola solo, and orchestra A suite for solo viola, wordless chorus (SATB), and small orchestra, Flos Campi is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon, the chorus never articulates a single word. Instead, it serves as a section of the orchestra, creating an elegant vocal texture and backdrop to the viola's haunting solo lines. The work was premiered in October 1925 by the violist Lionel Tertis, singers from the RCM, and the Queen's Hall Orchestra, directed by Sir Henry Wood.
Contents are: Study Points for Volume 2 * Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (T.H. Bayly) * Waltz, Op. 39, No. 15 for Piano (J. Brahms) * BourrA(c)e from Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini).
Leo Fender's guitars have arguably had the greatest influence on modern music than any other make of guitar. Over 250 guitars in every model, style and finish are lovingly photographed and detailed, from the greatest to the rarest - Strats, Teles and the infamous Marauder. Includes hundreds of never-before-seen images from recently unearthed archives and specially commissioned shoots around the world. Working with a worldwide network of collectors each model has been photographed specially for the book and alongside these exceptionally rare guitars are reproductions of Fender ephemera - the largest collection anyone will have ever seen. Tracing the history and influence of the company, in an easy-to-read format, with a level of detail no other book can rival. These vintage guitars are among the most loved and collectible instruments in the world.
(Instrumental Folio). This monstrous collection includes instrumental solos of more than 70 Disney classics: Beauty and the Beast * Can You Feel the Love Tonight * Friend like Me * It's a Small World * Mickey Mouse March * A Pirate's Life * Reflection * The Siamese Cat Song * A Spoonful of Sugar * Trashin' the Camp * Under the Sea * We're All in This Together * Written in the Stars * You've Got a Friend in Me * Zip-A-Dee-Doo-Dah * and dozens more.
This wonderful anthology presents a fascinating survey of music by African composers, both those living in Africa and those now resident elsewhere in the world. The music, much of which is published here for the first time, includes a kaleidoscope of different styles, moods, genres, and colours. You will find works influenced by the blues, jazz, and ragtime and works built on exotic scales, African folk-tunes, and drumming rhythms. The volumes are graded, ranging from beginner (Vol. 1) to advanced (Vol. 5). They provide exciting material for pianists just beginning their studies and for those who are looking for new and exciting recital repertoire.
for SSA and piano or strings Versions for unison and SATB are also available. Instrumental material is available on hire.
Titles: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro
molto) (J. Haydn). This volume contains a few smaller pieces that
could be used as warm-up exercises, but the majority of the edition
is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by
Franz Joseph Haydn. This work is perfect for students at the
intermediate/advanced level, and is a vital link to the unique
teaching philosophy that is Suzuki Volume 9 contains both the cello
score and the piano accompaniment.
Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki)
* French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of
the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come,
Little Children (Folk Song) * May Song (Folk Song) * Allegro
(Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) *
Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago
(T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi
Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The
Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann)
* Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena
Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major,
BWV 116 (J.S. Bach).
This is the story of one woman's decision to forfeit a brilliant career for the sake of mother-hood. Once a child prodigy, Gitta Gradova traveled the world as an internationally acclaimed concert pianist, performing recitals as well as appearing with prominent orchestras of her era. Her son Thomas J. Cottle uses written records, interviews, and personal reminiscence to reconstruct her life, as well as their own mother-son relationship. He is at times a storyteller, at times a psychologist, at times a son seeking to uncover those aspects of his mother's life he could never know, or perhaps, chose not to know until it was too late.
This volume reflects the huge upsurge of interest in the Near East and early Islam currently taking place among historians of late antiquity. At the same time, Islamicists and Qur'anic scholars are also increasingly seeking to place the life of Muhammad and the Qur'an in a late antique background. Averil Cameron, herself one of the leading scholars of late antiquity and Byzantium, has chosen eleven key articles that together give a rounded picture of the most important trends in late antique scholarship over the last decades, and provide a coherent context for the emergence of the new religion. A substantial introduction, with a detailed bibliography, surveys the present state of the field, as well as discussing some recent themes in Qur'anic and early Islamic scholarship from the point of view of a late antique historian. The volume also provides an invaluable introduction to recent scholarship, making clear the ferment of religious change that was taking place across the Near East before, during and after the lifetime of Muhammad. It will be essential reading for Islamicists and late antique students and scholars alike.
Lesson Book 2 starts as pre-reading, then moves to reading on the staff. After a review, the new concepts taught are: Dotted quarter note and 4/4 time, 4/4 time, Mezzo-forte, Staff and note reading, Steps and skips, Grand staff. New notes taught are F and G in the LH and RH, completing the Middle C position.
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