African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of Ile-Ife, which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

This book offers a welcome solution to the growing need for a common language in interfaith dialogue; particularly between the three Abrahamic faiths in our modern pluralistic society. The book suggests that the names given to God in the Hebrew Bible, the New Testament and the Quran, could be the very foundations and building blocks for a common language between the Jewish, Christian and Islamic faiths. On both a formal interfaith level, as well as between everyday followers of each doctrine, this book facilitates a more fruitful and universal understanding and respect of each sacred text; exploring both the commonalities and differences between the each theology and their individual receptions. In a practical application of the methodologies of comparative theology, Maire Byrne shows that the titles, names and epithets given to God in the sacred texts of Judaism, Christianity and Islam contribute towards similar images of God in each case, and elucidates the importance of this for providing a viable starting point for interfaith dialogue.

In The Existential Philosophy of Etty Hillesum Meins G.S. Coetsier breaks new ground by demonstrating the Jewish existential nature of Etty Hillesum's spiritual and cultural life in light of the writings of Martin Buber, Emmanuel Levinas and Dietrich Bonhoeffer. Hillesum's diaries and letters, written between 1941 and 1943, illustrate her struggle to come to terms with her personal life in the context of the Second World War and the Shoah. By finding God under the rubble of the horrors, she rediscovers the divine presence between humankind, while taking up responsibility for the Other as a way to embrace justice and compassion. In a fascinating, accessible and thorough study, Coetsier dispels much of the confusion that assails readers when they are exposed to the bewildering range of Christian and Jewish influences and other cultural interpretations of her writings. The result is a convincing and profound picture of Etty Hillesum's path to spiritual freedom.

An introduction to the ways in which ordinary Muslim Americans practice their faith. Muslims have always been part of the United States, but very little is known about how Muslim Americans practice their religion. How do they pray? What's it like to go on pilgrimage to Mecca? What rituals accompany the birth of a child, a wedding, or the death of a loved one? What holidays do Muslims celebrate and what charities do they support? How do they learn about the Qur'an? The Practice of Islam in America introduces readers to the way Islam is lived in the United States, offering vivid portraits of Muslim American life passages, ethical actions, religious holidays, prayer, pilgrimage, and other religious activities. It takes readers into homes, religious congregations, schools, workplaces, cemeteries, restaurants-and all the way to Mecca-to understand the diverse religious practices of Muslim Americans. Going beyond a theoretical discussion of what Muslims are supposed to do, this volume focuses on what they actually do. As the volume reveals, their religious practices are shaped by their racial and ethnic identity, their gender and sexual orientation, and their sectarian identity, among other social factors. Readers gain practical information about Islamic religion while also coming to understand how the day-to-day realities of American life shape Muslim American practice.

Round Trip to Hades in the Eastern Mediterranean Tradition explores how the theme of visiting the Underworld and returning alive has been treated, transmitted and transformed in the ancient Greek and Byzantine traditions. The journey was usually a descent (katabasis) into a dark and dull place, where forgetfulness and punishment reigned, but since 'everyone' was there, it was also a place that offered opportunities to meet people and socialize. Famous Classical round trips to Hades include those undertaken by Odysseus and Aeneas, but this pagan topic also caught the interest of Christian writers. The contributions of the present volume allow the reader to follow the passage from pagan to Christian representations of Hades-a passage that may seem surprisingly effortless.

In Poetry and Memory in Karaite Prayer Joachim Yeshaya offers an edition of liturgical poems which the Karaite poet Moses Dar'i composed in twelfth-century Egypt as introductory poems for the Torah readings on each Sabbath. The Hebrew text and Judaeo-Arabic heading of each poem are provided in the original order attested in the manuscript NLR Evr. I 802, dated to the fifteenth century. Every poem comes with a commentary section consisting of English commentary essays and bilingual (Hebrew / English) line-by-line annotations. In the conclusion following this edition, Joachim Yeshaya demonstrates how Dar'i's liturgical poems are among the earliest examples of the introduction of poetry, Andalusian Rabbanite poetical norms, and the "memory" of being exiled from Jerusalem into Karaite prayer.

Bulus ibn Raja' (ca. 955-ca. 1020) was a celebrated writer of Coptic Christianity from Fatimid Egypt. Born to an influential Muslim family in Cairo, Ibn Raja' later converted to Christianity and composed The Truthful Exposer (Kitab al-Wadih bi-l-Haqq) outlining his skepticism regarding Islam. His ideas circulated across the Middle East and the Mediterranean in the medieval period, shaping the Christian understanding of the Qur'an's origins, Muhammad's life, the practice of Islamic law, and Muslim political history. This book includes a study of Ibn Raja''s life, along with an Arabic edition and English translation of The Truthful Exposer.

Over the past three decades, scholars, government analysts and terrorism experts have examined the relationship between Islam and politics. But specialists have tended to limit their analysis to a specific country or focus. Few works have provided a geographically comprehensive, in-depth analysis. Since 9/11, another wave of literature on political Islam and global terrorism has appeared, much of it superficial and sensationalist. This situation underscores the need for a comprehensive, analytical, and in-depth examination of Islam and politics in the post-9/11 era and in an increasingly globalizing world. The Oxford Handbook of Islam and Politics, with contributions from prominent scholars and specialists, provides a comprehensive analysis of what we know and where we are in the study of political Islam. It enables scholars, students, and policymakers to understand the interaction of Islam and politics and the multiple and diverse roles of Islamic movements, as well as issues of authoritarianism and democratization, religious extremism and terrorism regionally and globally.

European jihadism is a multi-faceted social phenomenon. It is not only linked to the extremist behavior of a limited group, but also to a much more global crisis, including the lack of a utopian vision and a loss of meaning among the middle classes, and the humiliation and denial of citizenship among disaffiliated young people in poor districts all over Western Europe. This book explores how European jihadism is fundamentally grounded in an unbridled and modern imagination, in an uneasy relationship with social, cultural, and economic reality. That imagination emerges among: young women and their longing for another family model; adolescents and their desire to become adults and to overcome the family crisis; people with mental problems for whom jihad is a catharsis; and young converts who seek contrast with a disenchanted secular Europe. The family and its crisis, in many ways, plays a role in promoting jihadism, particularly in families of immigrant origin whose relationship to patriarchy is different from that of the mainstream society in Europe. Exclusion from mainstream society is also a factor: at the urban level, a large proportion of jihadists come from poor, stigmatized, and ethnically segregated districts. But jihadism is also an expression of the loss of hope in the future in a globalized world among middle class and lower-class youth.

The manuscript S1 is one of the chief witnesses to the Sanskrit Yasna, containing the Avestan text of the Zoroastrian Yasna liturgy to chapter 46.19, together with a Sanskrit translation and commentary. This book contains the complete, full-colour set of facsimile images of S1. An introduction by Leon Goldman provides an overview of the Zoroastrian Sanskrit tradition together with a discussion of the S1 manuscript covering its physical appearance, its age and history, and for the first time, a detailed palaeographic analysis of the Avestan and Sanskrit text.

The volume demonstrates the cultural centrality of the oral tradition for Iranian studies. It contains contributions from scholars from various areas of Iranian and comparative studies, among which are the pre-Islamic Zoroastrian tradition with its wide network of influences in late antique Mesopotamia, notably among the Jewish milieu; classical Persian literature in its manifold genres; medieval Persian history; oral history; folklore and more. The essays in this collection embrace both the pre-Islamic and Islamic periods, both verbal and visual media, as well as various language communities (Middle Persian, Persian, Tajik, Dari) and geographical spaces (Greater Iran in pre-Islamic and Islamic medieval periods; Iran, Afghanistan and Tajikistan of modern times). Taken as a whole, the essays reveal the unique blending of oral and literate poetics in the texts or visual artefacts each author focuses upon, conceptualizing their interrelationship and function.

Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory - Wolfgang Iser, Gaston Bachelard, and Walter Benjamin - to the analysis of objects.

In this book, the author presents in historical outline, the genesis, development and structural analysis of the Tantric tradition in India and its place in the Indian religious and philosophical systems. It studies the different aspects of Tantrism, its vastness and intricacies, its heterogeneous and contradictory elements and gives a historical perspective to the conglomeration of ideas and practices through space and time. After an introduction to the meaning of Tantra, the work outlines the various texts which comprise Tantric literature. The development of Tantrism is traced from pre-Vedic times through the Vedic, post-Vedic, early Buddhist and Jain periods down to the evolution of the concept of Sakti in Indian religious thinking. The sequence is carried forward by a study of the development of Tantric Buddhism in India and Tantric Ideas and practices in medieval religious systems. The Lokayata tradition and its connection with Tantrism and finally the emergence of sophisticated Tantras with Sakta orientation completes this historical study of Tantrism through the ages. This important work also incorporates a review on Tantric art and a glossary of Tantric technical terms with reference to text, and intermeniaries.