Immigrant Moroccan Women in Spain: Honor and Marriage provides an ethnographic study of Moroccan Muslim immigrant women in Spain that captures the predicaments and strategies used in their adaptation to Spanish society. Moroccan immigrant women s social and emotional connections to honor and duty affect familial relations, identity, and the sense of belonging. Although the women have kept transnational ties to friends and families Morocco, the establishment of new relationships and networks presents them with information, ideas, and opportunities that result in a complex process of altering their imported ideas and practices. This book also reveals and explores the geopolitical tension that affects these women s interactions and negotiations with various Spanish institutions and how the representations of Islam affect the Spanish reception and treatment of Moroccans. Working as domestic workers and agricultural laborers in Spain, Moroccan immigrant women illuminate the problems associated with gender, labor, modernity, and globalization.

The role of human sacrifice in the ancient Mediterranean world and its implications continue to be topics that fire the popular imagination and engender scholarly discussion and controversy. This volume aims to advance the discussion by providing balanced and judicious treatments of the various facets of these topics from a cross-disciplinary and cross-cultural perspective. It provides nuanced examinations of ancient ritual, exploring the various meanings that human sacrifice held for antiquity, and examines its varied repercussions up into the modern world. The book explores evidence to shed new light on the origins of the rite, to whom these sacrifices were offered, and by whom they were performed. It presents fresh insights into the social and religious meanings of this practice in its varied biblical landscape and ancient contexts, and demonstrates how human sacrifice has captured the imagination of later writers who have employed it in diverse cultural and theological discourses to convey their own views and ideologies. It provides valuable perspectives for understanding key cultural, theological and ideological dimensions, such as the sacrifice of Christ, scapegoating, self-sacrifice and martyrdom in post-biblical and modern times.

Drawing upon law, politics, sociology, and gender studies, this volume explores the ways in which the Muslim body is stereotyped, interrogated, appropriated and demonized in Western societies and subject to counter-terror legislation and the suspension of human rights. The author examines the intense scrutiny of Muslim women's dress and appearance, and their experience of hate crimes, as well as how Muslim men's bodies are emasculated, effeminized and subjected to torture. Chapters explore a range of issues including Western legislation and foreign policy against the 'Other', orientalism, Islamophobia, masculinity, the intersection of gender with nationalism and questions about diversity, inclusion, religious freedom, citizenship and identity. This text will be of interest to scholars and students across a range of disciplines, including sociology, gender studies, law, politics, cultural studies, international relations, and human rights.

This title presents an analysis of 'messianism' in Continental philosophy, using a case study of Levinas to uncover its underlying philosophical intelligibility. There is no greater testament to Emmanuel Levinas' reputation as an enigmatic thinker than in his mediations on eschatology and its relevance for contemporary thought. Levinas has come to be seen as a principle representative in Continental philosophy - alongside the likes of Heidegger, Benjamin, Adorno and Zizek - of a certain philosophical messianism, differing from its religious counterpart in being formulated apparently without appeal to any dogmatic content. To date, however, Levinas' messianism has not received the same detailed attention as other aspects of his wide ranging ethical vision. Terence Holden attempts to redress this imbalance, tracing the evolution of the messianic idea across Levinas' career, emphasising the transformations or indeed displacements which this idea undergoes in taking on philosophical intelligibility. He suggests that, in order to crack the enigma which this idea represents, we must consider not only the Jewish tradition from which Levinas draws inspiration, but also Nietzsche, who ostensibly would represent the greatest rival to the messianic idea in the history of philosophy, with his notion of the 'parody' of messianism. This groundbreaking series offers original reflections on theory and method in the study of religions, and demonstrates new approaches to the way religious traditions are studied and presented. Studies published under its auspices look to clarify the role and place of Religious Studies in the academy, but not in a purely theoretical manner. Each study will demonstrate its theoretical aspects by applying them to the actual study of religions, often in the form of frontier research.

Ancient Magic and the Supernatural in the Modern Visual and Performing Arts examines the impact of ancient religious, mythological and magical models on modern mentalities and ideologies as expressed in the visual and performing arts.To what extent did mythological figures such as Circe and Medea influence the representation of the powerful "oriental" enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films? The heroes, gods and demons of the ancient world always played a prominent role in the post-classical imagination.Similarly, the great adventures and the love affairs between gods and mortals have always influenced the reception of Classical culture and still features prominently in modern constructions of antiquity. Examples such the use of magic in Medea's myth as a symbol of cultural and political strangeness, the transformation of Circe in a femme fatale, the reshaping of the oriental cults of the Roman Empire as a menace to new-born Christianity and the revival and adaptation of ancient myths and religion in the arts provide an important backdrop for the exploration of contemporary fears, hopes and ideals across centuries. The volume further aims to deconstruct certain scholarly traditions by proposing original interdisciplinary approaches and collaborations and to show to what extent the visual and performing arts of different periods interlink and shape cultural and social identities.This book offers an original approach to different media - from comics to film, from painting to opera - by authors from different fields and countries. The volume provides the reader with a clear insight into mechanisms of re-elaboration and reception which can be steadily seen at work in artistic and commercial productions. It also supplies new approaches to the most debated questions of the relationship between magic, religion and superstition in the ancient and in the modern worlds. It shows and discusses the shifting and biased interpretations of these concepts in modern visual culture.

Yezidis in Syria: Identity Building among a Double Minority traces the development of Yezidi identity on the margins of Syria's minority context. This little known group is connected to the community's main living area in northern Iraq, but evolved as a separate identity group in the context of Syria's colonial, national, and revolutionary history. Always on the bottom of the socio-economic hierarchy, the two sub-groups located in the Kurdagh and the Jezira experience a period of sociological and theological renewal in their quest for a recognized and protected status in the new Syria. In this book, Sebastian Maisel transmits and analyzes the Yezidi perspective on Syria's policies towards ethnic and religious minorities.