The Jewish practice of bar mitzvah dates back to the twelfth century, but this ancient cultural ritual has changed radically since then, evolving with the times and adapting to local conditions. For many Jewish-American families, a child's bar mitzvah or bat mitzvah is both a major social event and a symbolic means of asserting the family's ongoing connection to the core values of Judaism. Coming of Age in Jewish America takes an inside look at bar and bat mitzvahs in the twenty-first century, examining how the practices have continued to morph and exploring how they serve as a sometimes shaky bridge between the values of contemporary American culture and Judaic tradition. Interviewing over 200 individuals involved in bar and bat mitzvah ceremonies, from family members to religious educators to rabbis, Patricia Keer Munro presents a candid portrait of the conflicts that often emerge and the negotiations that ensue. In the course of her study, she charts how this ritual is rife with contradictions; it is a private family event and a public community activity, and for the child, it is both an educational process and a high-stakes performance. Through detailed observations of Conservative, Orthodox, Reform, and independent congregations in the San Francisco Bay Area, Munro draws intriguing, broad-reaching conclusions about both the current state and likely future of American Judaism. In the process, she shows not only how American Jews have forged a unique set of bar and bat mitzvah practices, but also how these rituals continue to shape a distinctive Jewish-American identity.

The Parting of the Ways is James Dunn's classic exploration of the important questions that surround the emergence of Christian distinctiveness and the pulling apart of Christianity and Judaism in the first century of our era. The book begins by surveying the way in which questions have been approached since the time of F C Baur in the nineteenth century. The author then presents the four pillars of Judaism: monotheism, election and land, Torah and Temple. He then examines various issues which arose with the emergence of Jesus: Jesus and the temple; the Stephen affair; temple and cult in earliest Christianity; Jesus, Israel and the law; 'the end of the law'; and Jesus' teaching on God. The theme of 'one God, one Lord', and the controversy between Jews and Christians over the unity of God, lead to a concluding chapter on the parting of the ways. The issues are presented with clarity and the views and findings of others are drawn together and added to his own, to make up this comprehensive volume. James Dunn was Lightfoot Professor of Divinity at the University of Durham until his recent retirement. He is the author of numerous best-selling books and acknowledged as one of the world's leading experts on New Testament study.

Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details.

The fifteenth through the eighteenth centuries were truly an Age of Secrecy in Europe, when arcane knowledge was widely believed to be positive knowledge that extended into all areas of daily life, from the economic, scientific, and political spheres to the general activities of ordinary people. So asserts Daniel Jutte in this engrossing, vivid, and award-winning work. He maintains that the widespread acceptance and even reverence for this "economy of secrets" in premodern Europe created a highly complex and sometimes perilous space for mutual contact between Jews and Christians. Surveying the interactions between the two religious groups in a wide array of secret sciences and practices-including alchemy, cryptography, medical arcana, technological and military secrets, and intelligence-the author relates true stories of colorful "professors of secrets" and clandestine encounters. In the process Jutte examines how our current notion of secrecy is radically different in this era of WikiLeaks, Snowden, et al., as opposed to centuries earlier when the truest, most important knowledge was generally considered to be secret by definition.

Shaykh Fadhlalla Haeri provides a lucid and inspiring account of life, death and the hereafter, according to an Islamic Sufi perspective. The book opens with a wide-ranging sweep of death and dying as viewed in other cultures and religions - from ancient Mesopotamian, Egyptian and Zoroastrian sources through to Judaism and Christianity. Based on the Quran and the Prophetic message, this book offers a splendid collection of revelations and spiritual teachings that map a basic path towards a wholesome way of living without forgetting death. There is both physical and spiritual death, and death in both instances is seen as a natural bridge from the suffering and delusions of this life to a unifying and clear abode. As the reader is led from birth of the ephemeral self on earth through an unfolding progression towards higher consciousness and awakening to the eternal soul within, constant awareness of one's intimate dual nature takes away much of the fear of death and makes it seem like a familiar companion.

Drawing on original fieldwork, Carl Morris examines Muslim cultural production in Britain, with a focus on the performance-based entertainment industries: music, comedy, film, television and theatre. It is a seminal study that charts the growing agency and involvement of British Muslims in cultural production over the last two decades. Morris sets this discussion within the context of wider religious, social and cultural change, with important insights concerning the sociological profile, religious lives and public visibility of Muslims in contemporary Britain. Morris draws on theoretical considerations concerning the mediatization of religion and cosmopolitanization in a globally-connected world. He argues that a new generation of media-savvy and internationalist Muslim cultural producers in Britain are constructing counter narratives in the public sphere and are reshaping everyday religious lives within their own communities. This is having a profound impact upon areas that range from Islamic authority and religious practice, to political and public debate, and understandings of Muslim identity and belonging.