The main subjects of analysis in the present book are the stages of initiation in the grand scheme of Theosophical evolution. These initiatory steps are connected to an idea of evolutionary self-development by means of a set of virtues that are relative to the individual's position on the path of evolution. The central thesis is that these stages were translated from the "Hindu" tradition to the "Theosophical" tradition through multifaceted "hybridization processes" in which several Indian members of the Theosophical Society partook. Starting with Annie Besant's early Theosophy, the stages of initiation are traced through Blavatsky's work to Manilal Dvivedi and T. Subba Row, both Indian members of the Theosophical Society, and then on to the Sanatana Dharma Text Books. In 1898, the English Theosophist Annie Besant and the Indian Theosophist Bhagavan Das together founded the Central Hindu College, Benares, which became the nucleus around which the Benares Hindu University was instituted in 1915. In this context the Sanatana Dharma Text Books were published. Muhlematter shows that the stages of initiation were the blueprint for Annie Besant's pedagogy, which she implemented in the Central Hindu College in Benares. In doing so, he succeeds in making intelligible how "esoteric" knowledge was transferred to public institutions and how a broader public could be reached as a result. The dissertation has been awarded the ESSWE PhD Thesis prize 2022 by the European Society for the Study of Western Esotericism.

Analysis of the scroll fragments of the Qumran Aramaic scrolls has been plentiful to date. Their shared characteristics of being written in Aramaic, the common language of the region, not focused on the Qumran Community, and dating from the 3rd century BCE to the 1st century CE have enabled the creation of a shared identity, distinguishing them from other fragments found in the same place at the same time. This classification, however, could yet be too simplistic as here, for the first time, John Starr applies sophisticated statistical analyses to newly available electronic versions of these fragments. In so doing, Starr presents a potential new classification which comprises six different text types which bear distinctive textual features, and thus is able to narrow down the classification both temporally and geographically. Starr's re-visited classification presents fresh insights into the Aramaic texts at Qumran, with important implications for our understanding of the many strands that made up Judaism in the period leading to the writing of the New Testament.

The present book is a collection of essays written at different points of time and published in reputed journals and books. What blends them together is the use of the primary source material in the form of a vast compendium of Puranic literature (backed by epigraphic, archaeological and anthropological data), which has been utilized to arrive at conclusions pertaining to changes in Indian society and religion during the later half of first millennium AD when the major Puranas were being compiled. The period represents a watershed in Indian history, for it marked a transition from a commercially viable economic order to a closed feudal economy. The social and religious dimensions of the brahmanical system were particularly impacted by such a transition resulting in some innovative forms of restructuring. It has been the purpose behind most of the present articles to reassess and utilize the available Puranic evidence for getting fresh insights into the rationale and precise nature of these changes. The key areas of thrust in these articles are changes in material culture, awareness and mode of dealing with environmental issues, gender based differentiation, recent ritual formations such as Mahadana and Tirthas as well as the utilization of myth as a mode of expressing historical reality.

John Cage was among the first wave of post-war American artists and intellectuals to be influenced by Zen Buddhism and it was an influence that led him to become profoundly engaged with our current ecological crisis. In John Cage and Buddhist Ecopoetics, Peter Jaeger asks: what did Buddhism mean to Cage? And how did his understanding of Buddhist philosophy impact on his representation of nature? Following Cage's own creative innovations in the poem-essay form and his use of the ancient Chinese text, the I Ching to shape his music and writing, this book outlines a new critical language that reconfigures writing and silence. Interrogating Cage's 'green-Zen' in the light of contemporary psychoanalysis and cultural critique as well as his own later turn towards anarchist politics, John Cage and Buddhist Ecopoetics provides readers with a critically performative site for the Zen-inspired "nothing" which resides at the heart of Cage's poetics, and which so clearly intersects with his ecological writing.

Seventh and eighth-century papyri, inscriptions, and coins constitute the main evidence for the rise of Arabic as a hegemonic language emerging from the complex fabric of Graeco-Roman-Iranian Late Antiquity. This volume examines these sources in order to gauge the social ecology of Arabic writing within the broader late antique continuum. Starting from the functional interplay of Arabic with other languages in multilingual archives as well as the mediality of practices of public Arabic writing, the study correlates the rise of Arabic as an imperial language to social interactions: the negotiation between the Arab-Muslim imperial elite and non-Arabicized regional elites of the early Islamic empire. Using layout, formulae and technical terminology to trace common patterns and disruptions across sources from the Atlantic to Central Asia, the volume illuminates the distinctive formal varieties of official Umayyad and early Abbasid imperial documents compared to informal Arabic writings as well as to neighboring scribal traditions in other languages. The volume connects documentary practices to broader imperial policies, opening an unprecedented window into the strategies of governance that lay at the core of the early Islamic empire.

Presents oral histories and interviews of women who belong to Nation of Islam With vocal public figures such as Malcolm X, Elijah Muhammad, and Louis Farrakhan, the Nation of Islam often appears to be a male-centric religious movement, and over 60 years of scholarship have perpetuated that notion. Yet, women have been pivotal in the NOI's development, playing a major role in creating the public image that made it appealing and captivating. Women of the Nation draws on oral histories and interviews with approximately 100 women across several cities to provide an overview of women's historical contributions and their varied experiences of the NOI, including both its continuing community under Farrakhan and its offshoot into Sunni Islam under Imam W.D. Mohammed. The authors examine how women have interpreted and navigated the NOI's gender ideologies and practices, illuminating the experiences of African-American, Latina, and Native American women within the NOI and their changing roles within this patriarchal movement. The book argues that the Nation of Islam experience for women has been characterized by an expression of Islam sensitive to American cultural messages about race and gender, but also by gender and race ideals in the Islamic tradition. It offers the first exhaustive study of women's experiences in both the NOI and the W.D. Mohammed community.

Exodus in the Jewish Experience: Echoes and Reverberations investigates how the Exodus has been, and continues to be, a crucial source of identity for both Jews and Judaism. It explores how the Exodus has functioned as the primary model from which Jews have created theological meaning and historical self-understanding. It probes how and why the Exodus has continued to be vital to Jews throughout the unfolding of the Jewish experience. As an interdisciplinary work, it incorporates contributions from a range of Jewish Studies scholars in order to explore the Exodus from a variety of vantage points. It addresses such topics as: the Jewish reception of the biblical text of Exodus; the progressive unfolding of the Exodus in the Jewish interpretive tradition; the religious expression of the Exodus as ritual in Judaism; and the Exodus as an ongoing lens of self-understanding for both the State of Israel and contemporary Judaism. The essays are guided by a common goal: to render comprehensible how the re-envisioning of Exodus throughout the unfolding of the Jewish experience has enabled it to function for thousands of years as the central motif for the Jewish people.

While on Umrah, which is a visit to the holy land of Makkah and Madina, I was inspired to write a poem about my experience and this ended up being a stepping stone to a series of daily poems as every day in Makkah seemed to open new doors of understanding. This is exactly what I had prayed for and I felt truly blessed and inspired in those moments.

I shared these musings on the Hajj chat group and was encouraged by my wife Faheema and other Hujjaaj to collate and publish the series of poems. I pray that these will help the reader understand the Hajj journey even better that I felt I did.

The Hajj journey is truly unique to each person. Start by praying for understanding and end by praying for it's acceptance as the mandatory ibadah for those who are by the means. Many Muslims will not have the opportunity to go on Hajj unfortunately, so I encourage the writer and storyteller in everyone to use their God-given talents to share their experiences with others.