Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Cobalt Violet: Deep violet that is cool in its masstone (and less red than Manganese Violet), Cobalt Violet is a pure hue that cannot be mixed from other colours. Although very muted in its tint, it is a marvel as a top coat colour. Cobalt Violet greys down considerably when mixed with white.Pigment: Cobalt phosphate (PV 14)Vehicle: Alkali refined linseed oilLightfastness I, Series 6, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Violet Cobalts Data Sheet.pdf Gamblin Artists Oil Violet Cobalts Data Sheet

Series number: 1

Chemical Description: Zinc oxide

Colour index name: PW4

Colour index number: 77947

Permanence rating: AA

ASTM Lightfastness Rating: -

Transparency/Opacity: O



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Burnt Umber: Vigorous drier due to high manganese content. Burnt Umber is useful as an underpainting drawing color. Because of high oil content, use thinly in under layers.Pigment: Calcined natural iron oxide, containing manganese (PBr 7)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Earth Colours Data Sheet.pdf Gamblin Artists Oil Earth Colours Data Sheet

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast. These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character. These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents. pdf=JacksonsArtistOilColourChart20. pdf Jackson's Artist Oil Colour Chart.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Series number: 1

Chemical Description: Basics lead carbonate, Zinc oxide, Oxide of Chromium, Antimony, and Titanium

Color index name: PW!, PW4, PBr24

Color index number: 77597, 77947, 77310

Permanence rating: A

ASTM Lightfastness Rating: N/L

Transparency/Opacity: O







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Colour: Cobalt Blue
Pigment Index: PB28 PB29
Colour Lightfastness: Excellent
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Raw Sienna
Pigment Index: PY42 PR101
Colour Lightfastness: Excellent
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Alkali refined linseed oil is a pale oil extracted from the seeds of the flax plant. It is used in many of Michael Harding's paints because it produces the strongest paint film during the drying process and ensures the longevity of each painting.When mixed with oil paint, linseed oil will increase the gloss and transparency of the paint, and will thin the paint so that it flows more easily and does not hold brushmarks. It will also slow the drying time of the paint. Linseed oil is also highly suitable for use with dry ground pigments.Please note soft materials which have absorbed linseed oil should be stored in sealed containers, as the oil will oxidise when exposed to the air. This chemical reaction releases so much heat that the rags may spontaneously combust. Make sure the lid of the container is closed securely and store in a cool place. Brushes and tools used with linseed oil should be cleaned with white spirit.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Payne's Grey: Coolest Gamblin black. Moderate tinting strength. Excellent match to popular watercolor.Pigment: Complex silicate of sodium & aluminum, bone black with sulfur, synthetic iron oxide (PB 29, PBk 11, PY 42)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Payne's Grey Data Sheet.pdf Gamblin Artists Payne's Grey Data Sheet

Pigment Classification: Synthetic ultramarine

Colour Index: PB29

Colour index number: 77007

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PB27Opacity: TransparentLightfastness: At least 100 years lightfast under museum conditions

Colour: Raw Umber
Pigment Index: PBr7
Colour Lightfastness: Excellent
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Plastic palette, made of acrylic material for durability and longevity. 2mm thick.

Cobalt Teal: An elegant and intense pure hue that replaces Turquoise.Pigment: Oxides of cobalt and aluminum (PB28)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Cobalt Blue, Cobalt Teal Data Sheet.pdf Gamblin Artists Oil Cobalts Data Sheet