Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast. These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character. These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents. pdf=JacksonsArtistOilColourChart20. pdf Jackson's Artist Oil Colour Chart.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

We are happy to introduce the new Michael Harding Starter Set, available at a vastly discounted price. These starter packs give artists the opportunity to try a selection of Michael Harding colours. They are also an ideal gift! The Starter Set contains 6 colours in 40ml tubes: 102 - Titanium White No.2 113 - Ultramarine Blue 205 - Scarlet Lake 110 - Yellow Lake 118 - Yellow Ochre Deep 126 - Burnt Umber

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

With over 100 years of experience in crafting the finest artist quality canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the properties of the weave on this particular canvas means that the priming may have tiny pinholes on its surface, but they don't cause any issues when painting on the canvas.

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Dala Artists' Turpentine is a diluent for artists' oil colourIt allows for the alteration of the paints consistency. It reduces the paints gloss and accelerates drying time. It can be useful in diluting other oil painting mediums as well as cleaning brushes.

Dala Artists' Turpentine is a diluent for artists' oil colourIt allows for the alteration of the paints consistency. It reduces the paints gloss and accelerates drying time. It can be useful in diluting other oil painting mediums as well as cleaning brushes.

Dala Artists' Stand Oil is a clear, thick carrier oil for artists' oil colourIt is a thicker version of Artists' Linseed Oil that improves gloss and enhances the paints colour intensity, producing an enamel like finish. It also enhances flexibility and encourages levelling on the painted surface. Can be diluted with artists' turpentine to increase the flow of the paint. It is resistant to yellowing

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919. 

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to it's composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.