Dala Painting Pads consist of 20 canvas textured sheets that are suitable for oils, acrylic and craft paint applications.

Alkali refined linseed oil, low acid and pale in colour. Increases gloss, thins paint and slows drying time. Add to painting mediums to increase 'fat'.

It is is advised to store Jackson's Oil Medium at a stable temperature. Storage in an overly hot or cold environment will affect the consistency of the product.

Clean brushes with White Spirit.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The compact sets are an easy and inexpensive way of getting started with new painting techniques. Each set contains 12 selected colours, respectively chosen for each technique. Hobby artists are inspired by the high pigmentation and extraordinary brilliance of the colours which can be applied dirctly from tube. The different product features open up new ways of application possibilities.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Start with oil painting.
Daler-Rowney Simply Oil colours are a perfect starting point for artists looking to experiment with oils. These soft-bodied colours can be used straight from the tube as they wet easily onto the surface, or thinned down to create glazes. Available in a wide variety of colours, Simply Oil offers great value for money, and together with other products from the Simply Oil range, an easy entry point for artists to begin working with oils.

Made in England.
Daler-Rowney is particularly proud to continue the long heritage of manufacturing Simply Oil Colours in the United Kingdom.

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective semi-gloss surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Canson® Graduate Oil & Acrylic pads feature thick white paper, with a high-performance, durable and absorbent coating. Containing 20 sheets of 290gsm paper, they are perfect to learn oil and acrylic techniques and achieve optimal results!

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Arches Oil is a French made 300 gsm (140 lb), 4 deckled edge paper specially formulated for oil painting, yet it maintains the look and feel of traditional Arches papers. The paper features a powerful & efficient oil barrier that absorbs water, solvents, and binders evenly while allowing the paint and pigment to remain on the surface.• Ready to use - no need to gesso; no preparation required!• Painting on Arches Oil paper is extremely convenient. It's easy to store, easy to frame,lightweight to transport.• Arches has created and manufactured professional artist papers in France since 1492. This new and revolutionary surface is essential for any professional oil painter looking to capture their oil painting on paper all while saving time. Oil painting students will love the convenience and ease of use that this paper offers. You can paint on either side of the paper, both are primed.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Gamblin Solvent-Free Gel Oil Painting Mediums offer you a range of possibilities without draw backs, it increases the flow of your paint and its transparency. Fast drying time Increased gloss Use in moderation with oil colours, at a ratio of no more than 25% of medium to oil Completely non-toxic, containing no gamsol or petroleum distillates Increased flow and transparency but also holds brush marks Made from safflower oil and alkyd resin.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Gamvar saturates and gives greater depth to the colours in your painting and gives your work a unified and protective semi-gloss surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odourless and ready to apply. Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast. These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character. These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents. pdf=JacksonsArtistOilColourChart20. pdf Jackson's Artist Oil Colour Chart.

Series number: 1

Chemical Description: Titanium dioxide

Colour index name: PW6

Colour index number: 77891

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O

As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.

Colour: Michael Harding Titanium White No.1 (SO)Pigment Index: PW6OpaqueLightfastness: ExcellentPrice Series: 1The most brilliant white in the range - suitable for cool, opaque light hues.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Colour: Michael Harding Warm White (Lead White Alternative)Pigment Index: PY42 PW6OpaqueLightfastness: ExcellentPrice Series: 1This warm and opaque white is excellent for artists who want a lead like paint. Great mixing colour. Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

PB29 Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content. An obviously beautiful mid blue.