Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Arylide 10GClassification: Synthetic OrganicColour Index: PY3 (11710)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0816Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium Zinc SulphideClassification: Synthetic InorganicColour Index: PY35 (77205)Vehicle: Linseed OilHiding power: OpaquePigment Loading: NormalConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0819Series: 5

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Natural Iron OxideClassification: Natural InorganicColour Index: PBr7 (77491)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 1-3 daysASTM: IProduct Code: 0824Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PR101 (77491)Vehicle: Linseed OilHiding power: OpaquePigment Loading: Normal-highConsistency: Dense butterDrying rate: 2-5 daysASTM: IProduct Code: 0826Series: 1

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PY42 (77492)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 2-4 daysASTM: IProduct Code: 0827Series: 1

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Antimony TitanateClassification: Synthetic InorganicColour Index: PY53 (77788)Vehicle: Safflower OilHiding power: OpaquePigment Loading: HighConsistency: StiffDrying rate: 3-6 daysASTM: IProduct Code: 0832Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PBr6 (77492)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 2-4 daysASTM: IProduct Code: 0834Series: 1

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: QuinacridoneClassification: Synthetic OrganicColour Index: PV19 (73900)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: NormalConsistency: StiffDrying rate: 2-5 daysASTM: IProduct Code: 0836Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo ComplexClassification: Synthetic OrganicColour Index: PY150 (12764)Vehicle: Linseed OilHiding power: TransparentPigment Loading: Medium-HighConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0851Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Natural Iron OxideClassification: Natural InorganicColour Index: PY43 (77491)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: Soft butterDrying rate: 2-4 daysASTM: IProduct Code: 0853Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Sodium Sulphosilicate / Amorphous CarbonClassification: MixtureColour Index: PB29 / PBk6 (77891)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0855Series: 1

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: PhthalocyanineClassification: Synthetic OrganicColour Index: PB15:3/PG7Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: StiffDrying rate: 2-5 daysASTM: IProduct Code: 0861Series: 3

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Arylide 10G / PhthalocyanineClassification: Synthetic OrganicColour Index: PG7/PY3Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0862Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo/Arylide/ PhthalocyanineClassification: MixtureColour Index: PY150/PY74/PG7Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IIProduct Code: 0865Series: 3

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cobalt AluminateClassification: Synthetic InorganicColour Index: PB28 (77346)Vehicle: Safflower OilHiding power: Semi-OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0866Series: 6

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Nickel Azo / QuinacridoneClassification: MixtureColour Index: PY150 / PV19Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0870Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Zinc Oxide / PhthalocyanineClassification: MixtureColour Index: PW4 / PB15.3Vehicle: Safflower OilHiding power: Semi-OpaquePigment Loading: NormalConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0875Series: 2

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium Zinc Sulphide / Sodium SulphosilicateClassification: MixtureColour Index: PY35 / PB29Vehicle: Linseed OilHiding power: OpaquePigment Loading: NormalConsistency: Short-butterDrying rate: 3-6 daysASTM: IProduct Code: 0876Series: 5

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Prepared Iron OxideClassification: Synthetic InorganicColour Index: PY42 (77492)Vehicle: Linseed OilHiding power: OpaquePigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0877Series: 4

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium SulphoselenideClassification: Synthetic InorganicColour Index: PO20 (77202)Vehicle: Linseed OilHiding power: OpaquePigment Loading: Medium-HighConsistency: Short ButterDrying rate: 3-6 daysASTM: IProduct Code: 0880Series: 5

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: DioxazineClassification: Synthetic OrganicColour Index: PV23 (51319)Vehicle: Linseed OilHiding power: TransparentPigment Loading: MediumConsistency: ButteryDrying rate: 2-4 daysASTM: IProduct Code: 0892Series: 4

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Pure white, semi-opaque in relation to titanium white. Ideal for lightening multicoloured shades.

Pigment: Zinc OxideCI number: PW 4

Lightfastness: *****

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Titanium white with ultrafine primary grain, providing a semi-transparent effect. Forms fine white haze effects which display a milky blue shimmer in glancing light. An ideal colour to create atmospheric perspectives.

Pigment: Zinc oxide, Titanium dioxideCI number: PW4, PW6

Lightfastness: *****

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.