Michael Harding Oil Paints are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold pressed linseed oil. They are completely free of fillers, extenders or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.

First manufactured in 1982, Michael Harding Artists' Oil Paints are of exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin. A blend of two Cobalt pigments and Titanium White. A modern recreation of a historic blue pigment used in the 17th century.

Langridge Safe-clean-up is a solvent free, non-toxic hand and brush cleaner for safely removing oil and acrylic paint.

It can be worked into the brush bristles and washed under running water to remove paint. Even dried paint can be removed by soaking brushes in Safe-Clean-up overnight.

PY3 (but soon to be changed). Slow Drying. Transparent. Very Good Lightfastness. High Oil content.

An Arylide organic lake pigment, of itself very fat and transparent, but which has an enormous tint power, shooting right through mixes with a pervasive range of bottle green undertones. Beginners should handle it with care when adding it to other paints. It can heighten the Phthalo lakes without making them opaque, and when it is made itself opaque with the addition of white the results are almost luminous.

Cadmium Yellow Light is a brilliant, primrose shade of yellow. Excellent for landscape painters.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Jackson’s Oil Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of 230gsm Natural White paper with a canvas texture, which is sized for oil painting. The paper is made with cotton and lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s paper block range includes blocks for watercolour, oil, and acrylic, and each paper is designed to provide excellent adhesion for each medium.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

M. Graham's Hansa Yellow Deep is a warm, sunny, semi-transparent yellow with a bright clean tint. A perfect secondary mixing color for any artists’ palette.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Isaro Oil Paint: Yellow Ochre
Pigment Index: PY43
Transparency: Semi-Transparent
Lightfastness: Excellent

This is a basic earthy yellow, ideal for glazes but also with great coverage.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

PR 149 Average Drying. Transparent. Excellent Lightfastness. High Oil Content. Average Tint Power

This is an organic lake which has to be used thinly, or at least with regard to its very high oil content, which forms a slick surface when dry. A very fast drier, makes a great range of strawberry pinks, but I am presently researching a substitute which will upgrade its lightfastness, particularly when it is dispersed in hues.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Amorphous CarbonClassification: Natural OrganicColour Index: PBk6 (77266)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: LowConsistency: SoftDrying rate: 4-9 daysASTM: IProduct Code: 0803Series: 1

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Cobalt Green is rich, subtle and opaque, with a touch of yellow.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

PR 170. Average Drying. Semi-Opaque. Excellent Lightfastness. High oil Content.

An organic red, Naphthol Red F5RK, which though a lake dye, has a strength appropriate to a granular pigment. It is a strong, slightly bluish red which in small additions can noticeably cut through mixes to yield low, smouldering scarlet undertones. Its hues are strong and cool, almost lipsticky.

Michael Harding paints are made by hand, using techniques which date back to the days of the Old Masters. Harding will not claim that his paints will turn you into a great painter, but he does promise they will have a profound effect on your work. Your colors will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.

Michael Harding Miracle Medium Quick Dry Dammar Glaze (MM2) is a solvent-free, plant-based alternative to traditional Dammar glaze mediums. This vegan-friendly medium incorporates Michael Harding’s specialised Dammar glaze to create beautiful gloss and depth within oil paint layers.

Miracle Medium Dammar Quick Dry Glaze is made by dissolving Dammar crystals in Michael Harding Miracle Medium and combining stand oil. This medium dries quickly for rapid layering techniques. Add between 10 to 20% of medium to oil colours for optimal results.

This solvent-free paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

PG7. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.

Polychloro Copper Phthalocyanine probably ties with Phthalo Blue as the strongest pigment in the range. Atomic tint power, add it with great care! Ferocious acidy blue-green hues and blue undertones which come to prominence in mixes with yellows. In common with the Blue it displays, on drying and when used virtually unmixed, a certain tendency to show surface bronzing.