Colour: Alizarin Crimson
Pigment Index: PR177
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Napthol Scarlet: Intense warm modern red that replaces Vermillion. Consider using Portland Greys instead of white to make tints.Pigment: Napthol AS-OL (PR188)Vehicle: Alkali refined linseed oilLightfastness II, Series 2, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Red Napthols Data Sheet.pdf Gamblin Artists Oil Red Napthols Data Sheet

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

PY74. Slow Drying. Transparent. Very Good Lightfastness. High Oil Content.

One of the oldest established organic lakes, Arylide Yellow G, this is a warmer version of Bright Yellow Lake, with similar properties. Deceptively transparent but with strong tint power, it runs through mixes with a milder and more golden range of undertones.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PW7, PR122, PV23Opacity: OpaqueLightfastness: At least 100 years lightfast under museum conditions

Series number: 1

Chemical Description: Copper phthalocyanine, Chlorinated copper phthalocyanine, Synthetic iron oxide

Color index name: PB15, PG7, PY42

Color index number: 74160, 74260, 77492

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Pigment classification : Synthetic ultramarine

Colour index : PB29

Colour index number :77007

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Semi-transparent

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Series number: 1

Chemical Description: Natural iron oxide, Synthetic iron oxide

Color index name: PY43, PY42

Color index number: 77492, 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: ST







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Colour: Titanium White
Pigment Index: PW6 PW4
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Transparent Yellow Ochre. Excellent for glazing.Pigment: Transparent Mars Yellow (PY 42)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT

pdf=Gamblin Artists Oil Van Dyke Brown Data Sheet.pdf Gamblin Artists Oil Van Dyke Brown Data Sheet

Roberson’s Fine Grain Marble Dust gives texture when added to acrylic mediums and primers. This product can be used in lime mortar and meets paint pigment specifications in its fine form.

Mesh Size: Fine (100)

Colour: Genuine White

PB15.3 Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.

A Chlorinated Copper invented in 1935, this was one of the first synthetic organic pigments to be accepted as reliably permanent. It is sometimes seen as a modern replacement for Prussian blue, but its unmixed colour is slightly more cyan, and in hues it exhibits a unique range of throbbing, intense, greenish blues which are quite distinct from the latter. Having the most powerful tint power of any colour in my range, this paint will blow any mix apart; if you wish to avoid doing so, add it in tiny quantities and with caution! Its ferrous content makes it a great drier, and like Prussian Blue it shows a tendency to bronze on drying.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PW6

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Colour: Underpainting White
Pigment Index: PW6 PW4
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Canson Figueras is a high-quality, resistant paper specially designed for oil painting. It has a high-performance barrier to absorb oil, bonding agents and water evenly, while guaranteeing superb resistance by the surface paint layer. It has a natural texture similar to canvas.This acid-free paper offers excellent longevity and can be kept for long periods. It is ready to use and lightweight, an ideal on-the-move medium equally at home in the wild or in your studio.It is also perfectly suitable for oil pastel and acrylic, with substantial impasto effects.Type: linen canvasWeight: 290g/m2Sheets: 10

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PW7Opacity: Semi-opaqueLightfastness: At least 100 years lightfast under museum conditions

Terre Verte: Historically used as a bole for gilding and as underpainting for flesh tones in Medieval painting (verdaccio), Terre Verte, or green earth, was made from volcanic celadonite and/or a mineral of sedimentary origin; Robert Gamblin mixed this color because true natural green earth pigment is unpredictable in colour and availability. Gamblin Terre Verte is an excellent colour for grisaille; it has a weak masstone and very muted tint.Pigment: Natural hydrated iron oxide, hydrated chromium oxide, bone black (PY 43, PG 18, PBk 9)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Oil Terre Verte Data Sheet.pdf Gamblin Artists Oil Terre Verte Data Sheet