Welcome to Loot.co.za!
Sign in / Register |Wishlists & Gift Vouchers |Help | Advanced search
|
Your cart is empty |
|||
Arts & Crafts > Fine Art Supplies > Oil Painting
Colour: Michael Harding Vandyke BrownPigment Index: PBr8Semi TransparentLightfastness: ExcellentPrice Series: 1This dark brown is a solid alternative to blacks and is reminiscent of the backgrounds of Flemish portraits.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.
Cadmium Red Light: Orange/red first synthesized in 1910. Because of its muted tints, excellent colour for natural light painting.Pigment: Concentrated cadmium sulfo-selenide (PR 108)Vehicle: Alkali refined linseed oilLightfastness I, Series 5, OPAQUE
Series number: 4
Series number: 1
There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-
Series number: 1
Series number: 2
Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium Zinc SulphoselenideClassification: MixtureColour Index: PY35/PO20Vehicle: Linseed OilHiding power: OpaquePigment Loading: HighConsistency: ButteryDrying rate: 3-6 daysASTM: IProduct Code: 0817Series: 5
This translucent colour selection is ideal for you to experiment with. Packaged inside a 6.5" x 7.5" cradled Ampersand Gessobord. The set contains 6 x 38ml pigment sticks: • Alizarin Orange • Alizarin Crimson • Egyptian Violet • Indian Yellow • Ultramarine Blue • Viridian.
Series number: 2
Pigment Index: PB35 PB29 PB15 PW6 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Pigment Index: PY3 PG7 PY42 Colour Lightfastness: Good Colour Transparency: Semi-Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
Tradition. The original formula handed down through generations exactly as it had been conceived. Oil plus pigment, period. Faithfully carrying through time the elements required by master painters united in seeking fine execution and quality mediums. Historic tonalities, unattainable mixtures, tints now impossible to find whose roots are in the Italian painting that the whole world admires and extols. Like a force abiding by transcendent principles, flowing through the ages. Artisti still bears the label of the A series that Gianni Maimeri designed in 1923. One hundred and two colours, in a balanced division. Five differently toned whites. Seventeen natural earth tones. Three chrome yellows. No colours with low light resistance. No substance considered harmful is used.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
Pigment Index: PR177 Colour Lightfastness: Good Colour Transparency: Transparent Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Pigment Index: PB29 PW6 PBk9 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Vacuum bodied linseed oil
Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied. |
You may like...
|