M. Graham's Green Earth is a traditional transparent green with an almost black mass tone and soft warmth in the undertone. Subtle in tints.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Lamp Black is a very cool tinting carbon black with great strength.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Maroon Perylene is a deep, warm and earthy transparent red. It has fiery undertones in glazes and a great depth in mass-tone. Perfect to reduce intensity in any green.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Mars Black is the most opaque black in this range, with a neutral tint. Not as black as Ivory Black, it has a firm feeling under the brush and good flow.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Mineral Violet is a soft, reddish semi-transparent violet. It is a unique mauve in glazes, while in combination with other colors it makes lush grey mixtures.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

This is a primary red close to Cadmium Red Light in masstone, with a clean, intense tint.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

M. Graham's Nickel Azo Yellow has a warm, deep yellow mass-tone and a vibrant yellow undertone. Translucent in heavier applications and very transparent in glazes. It yields a bright sunny, glowing yellow when tinted with white.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Nickel Quinacridone Gold is a red shade, golden russet glazing color. It has a rich muted mass-tone and a fiery golden undertone.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Olive Green is a subdued earthen green glazing color. Perfect for reducing the chromatic intensity of glazing reds such as Quinacridones.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

M. Graham's Permanent Green Pale has a stunning lime green mass-tone blended with a strong yellow-green undertone. Light and spring like.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Phthalocyanine Blue Red Shade has a deep vibrant mass tone and a pure clean transparent red undertone. A perfect glazing blue with exceptional tinting strength.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Phthalocyanine Green is a strong blue shade of green with exceptional intensity and transparency.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

An emerald shade Phthalocyanine with exceptionally dark mass-tone and radiant yellow undertones. A luminous glazing green.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Quinacridone Red is a cool, lightfast red with a high key tint. More yellow in masstone than Quinacridone Rose.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Quinacridone Rose has a bluish-red mass tone with a distinct blue tint.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Raw Umber is a deep, dark and cool earth color. Dries very rapidly.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Sap Green (Permanent) is a dark green with a yellow glaze tone and fluorescent lime green tint.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

M. Graham's Turquoise has a deep mass tone and a green blue under tone capable of producing gem-like transparent blue glazes.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Ultramarine Purple is a deep red shade violet. Creates gentle grey violets.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Chromatically subtle glazing violet with strong hints of blue. Creates wonderful cool grey.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Zinc White is a semi-opaque tinting and scumbling white. Produces cool tints with excellent resistance to yellowing.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

This range consists of seventy-five carefully crafted colors, all made with Walnut Oil apart from a Fast-drying White, which contains an alkyd resin, and a Titanium White which uses Sunflower Oil.

Most modern paintmakers use Linseed Oil as a binder for their oil paints, occasionally making use of non-yellowing oils such as Safflower or Poppyseed oil for whites and pale colors. M. Graham Artists’ Oil Paints are made with Walnut Oil, a clear, free-flowing, slow-drying and non-yellowing oil which was used extensively by the artists of the European Renaissance. The pure American Walnut Oil used by M. Graham dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

These excellent quality oil paints can be mixed with any other oil paints and mediums (even those that contain alkyd resins), and are all solvent-free. They flow more freely from the tube than most artist oils, and remain wet for longer.

This set includes five M. Graham oil paints in 37ml tubes: Azo Yellow, Ultramarine Blue, Napthol Red, Phthalocyanine Green and Titanium White. Also included are two 59ml M. Graham oil painting mediums: Walnut Oil Medium, a slow-drying oil which increases fat and flow; and Walnut Alkyd Oil Medium, which combines the advantages of Walnut Oil (enhanced flow; a reduction of yellowing) with the quick-drying time of an alkyd oil.

PY3 (but soon to be changed). Slow Drying. Transparent. Very Good Lightfastness. High Oil content.

An Arylide organic lake pigment, of itself very fat and transparent, but which has an enormous tint power, shooting right through mixes with a pervasive range of bottle green undertones. Beginners should handle it with care when adding it to other paints. It can heighten the Phthalo lakes without making them opaque, and when it is made itself opaque with the addition of white the results are almost luminous.

PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic pigments and also one of the most controversial. The earlier and less purified versions had a mixed reputation; they were said to fade in hues, or even to migrate or leech through succeeding paint layers. But modern standards of washing have dispensed with the tendency to fade, and the migratory properties ascribed to this colour are no longer reported. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. Its inky depth when unmixed is belied by a range of uniquely intense blues resulting from hues, particularly with Zinc White. On its own and in more concentrated mixes it exhibits a slight bronzy sheen which can be used almost like a complementary glaze.

PBr 7. Very Fast Drying. Transparent. Excellent lightfastness. Average oil Content.

Raw Umber is calcined to make this pigment, and the extent of Manganese Dioxide mixed with the Iron Oxide determines the range of undertones; here much warmer than is usual.