Colour: Michael Harding Pale VioletPigment Index: PB29 PV23 PW6OpaqueLightfastness: ExcellentPrice Series: 2Pale Violet adds vibrancy to any sky and also has a place for still life, room interiors and shadows.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

PW6& PW4. Average Drying. Very Opaque. Lightfastness Excellent. Very Low Oil Content. High tintpower. Non-toxic

This paint is bound with Linseed Oil and contains a 25% addition of Zinc Oxide White in order to avert the tendency of pure Titanium Dioxide pigment to express or exude oil to the surface whilst drying, which then causes a more pronounced appearance of yellowing. Zinc Oxide incorporates this free oil more effectively, as well as adding a cooler brightness to the white. If you want a strong mixer which tends to lighten hues conspicuously, as well as making the Cadmiums rather chalky in appearance, then this is it. The handling qualities are not overly subtle, but this is the white most suitable for a bright and largely cool palette. It forms a strong film when dry.

Series number: 4

Chemical Description: Cadmium zinc sulphide

Colour index name: PY35

Colour index number: 77205

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Series number: 4

Chemical Description: Quinacridone

Colour index name: PR209

Colour index number: 73905

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/Opacity: T



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Chemical Description: Aluminium flake

Colour index name: PM1

Colour index number: 77000

Permanence rating: A

ASTM Lightfastness Rating: -

Transparency/
Opacity: SO







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Series number: 1

Chemical Description: Synthetic iron oxide

Colour index name: PR101

Colour index number: 77491

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

PY42. Very Fast Drying. Opaque. Excellent Lightfastness. Average Oil Content.

A higher-keyed and more greeny-gold shade of manufactured Iron Oxide. It hues well to yield mustardy yellows quite close to Genuine Naples Yellow Dark.

Series number: 1

Chemical Description: Zinc oxide, Copper phthalocyanine,Chlorinated copper phthalocyanine

Colour index name: PW4, PB15, PG7

Colour index number: 77947, 74160, 74260

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: O

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Colour: Coeruleum
Pigment Index: PB35 PB29 PB15 PW6
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Edding acrylic and oil pads are the ideal tool for any professional or recreational artist looking to try their hand on paper. The high-quality paper is characterised by its silky, canvas-like texture which retains the natural feel of the paper and ensures bold contrasts and bright colours

Edding acrylic and oil pad paper is acid-free, so you can be sure that your work will last a long time. Its texture, absorbency and weight (300 g/m²) combine to make the Edding acrylic painting pads the perfect basis for any acrylic or oil painting techniques. Perfectly complements the entire Edding acrylic range

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Pigment classification : Anthraquinone-Anthathrone-Condesation azo

Colour index : PR177-PR168-PBR23

Colour index number : 65300-59300-20040

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Transparent

Pigment classification : Phthalocyanine

Colour index : PB15

Colour index number :74160

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Mixed White (PW 6, PW 4, Series 1): : opaque, almost as strong in tinting colours as Titanium White, thinner in viscosity than Titanium and Zinc Whites, and easier for mixing.Lightfastness: III - ExcellentTransparency: Opaque

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PO20Opacity: OpaqueLightfastness: At least 100 years lightfast under museum conditions

This translucent colour selection is ideal for you to experiment with. Packaged inside a 6.5" x 7.5" cradled Ampersand Gessobord. The set contains 6 x 38ml pigment sticks: • Alizarin Orange • Alizarin Crimson • Egyptian Violet • Indian Yellow • Ultramarine Blue • Viridian.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Series number: 1

Chemical Description: Quinacridone, Dioxazine violet, Copper phthalocyanine

Colour index name: PV19, PV23, PB15

Colour index number: 73900, 51319, 74160

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T





Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Raw Sienna: Traditional earth yellow glazing color, originally mined in Tuscany. Consider using Gamblin Transparent Earth Yellow for more transparency.Pigment: Natural iron oxide (PBr 7), Vehicle: Alkali refined linseed oilLightfastness I, Series 1, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Earth Colours Data Sheet.pdf Gamblin Artists Oil Earth Colours Data Sheet

Colour: Michael Harding Warm Light YellowPigment Index: PY44 PW6OpaqueLightfastness: ExcellentPrice Series: 2This soft colour is perfect for mixing colours, using in portraits landscapes and non-figurative works.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.