Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PY154, PO43Opacity: Semi-opaque Lightfastness: At least 100 years lightfast under museum conditions

Pigment classification : Natural ochre

Colour index : a.s.

Colour index number : a.s.

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

Imitation of the particularly brilliant Sienna earths, which are virtually unobtainable today, with selected ferrous oxides.

Pigment: Hydrated iron oxide-Red iron oxideCI number: PY 42/PR 101

Lightfastness: *****

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

10 x 40ml tubes in the following colours:1 x Titanium White no. 2 (PW 6 & PW 4, Average Drying Speed, Excellent Lightfastness, Opaque/High Tint Power, Low Oil Content)1 x Cadmium Yellow (PY 35, Average/Fast Drying Speed, Slightly Transparent but Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Cadmium Yellow Deep (PY 35, Average/Fast Drying Speed. Slightly Transparent but Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Permant Orange (PO 73, Slow Drying Speed, Slightly Opaque/Transparent, High Tint Power, Excellent Lightfastness, High Oil Content)1 x Cad Red Deep (PR 108, Fast Drying Speed, Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Alizarin Claret (PR 177 Anthranaquinone, Slow Drying Speed, Transparent, High Tint Power, Good Lightfastness, High Oil Content)1 x Ultramarine Blue (PB 29, Average Drying Speed, Transparent, Average Tint Power, Excellent Lightfastness, Average Oil Content)1 x Cobalt Blue (PB 28, Very Fast Drying Speed, Semi-Opaque, Excellent Lightfastness, Average Oil Content)1 x Cobalt Green1 x Permant Sap Green (PG 7 & PBr 6, Fast Drying Speed, Semi-Transparent, Excellent Lightfastness, High Oil Content)

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-Natural ochre

Colour Index: PW4-PW6-PY43

Colour index number:77947-77891-77492

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Cobalt phosphate

Colour Index: PV14

Colour index number: 77360

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural earth

Colour Index: PY43

Colour index number: 77942

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural ochre-Burnt animal bone black

Colour Index: a.s.-PBL9

Colour index number: a.s.-77266

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Azomethine cu-complex

Colour Index: PY129

Colour index number: 48042

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Monoazo-Phthalocynine-Nickel titanate

Colour Index: PW4-PY3-PG36-PY53

Colour index number: 77947-11710-74265-77788

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Oxides of cobalt an tin

Colour Index: PB35

Colour index number: 77368

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The sticks are handmade in small batches, carefully milled and molded. Only the purest traditional materials are used: linseed oil, pure pigment, and natural waxes (beeswax & plant wax). R&F are the only brand of oil sticks that employ only natural waxes, which allows for a minimum amount of wax. This results in a lipstick-soft consistency and a greater paint film strength.

This is a 100ml R&F Pigment Stick in the following colour: Scarlet Extra Pale II (262J).

PY3 & PG7 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

Another blend of organic lake colours ( Arylide yellow and Phthalo Green) with the two whites to give a safe and permanent substitute for the original Emerald Green, the notorious Copper Aceto-Arsenite, a brilliant green introduced circa 1810 and long since abandoned as being impermanent, highly reactive with other pigments and highly poisonous! My blend has none of these disadvantages. Some artists detest this uniquely strident colour, others love its acerbic tang, which invites an almost Fauve series of related mixes.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Nickel titanate

Colour Index: PY53

Colour index number: 77788

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Pigment classification : Cadmium zinc sulphide-Chromium hydroxide

Colour index : PY35-PG16

Colour index number : 77205-77289

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The sticks are handmade in small batches, carefully milled and molded. Only the purest traditional materials are used: linseed oil, pure pigment, and natural waxes (beeswax & plant wax). R&F are the only brand of oil sticks that employ only natural waxes, which allows for a minimum amount of wax. This results in a lipstick-soft consistency and a greater paint film strength.This is a 100ml R&F Pigment Stick in the following colour: Green Earth II (2628).pdf=rfpigment.pdf Material Safety Data Sheetyoutube=ESKeGsnSwW8youtube=5yFjbe9AKL0

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Natural iron oxide-Natural iron oxide-Phthalocyanine

Colour Index: PR101-PY42-PG7

Colour index number: 77491-77492-74260

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Semi-transparent

High quality, slightly yellow oil made in the USA. Extracted without the use of heat. Increases gloss and transparency and reduces brushmarks. Highly recommended for grinding pigments.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colors. You can add it with a brush or knife to achieve extra body.

It has an average drying speed and increases the transparency of oil colors. Pigment can be added and ground to make your own oil paints and has a pleasant linseed oil smell.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PG7, PY154Opacity: Semi-opaqueLightfastness: At least 100 years lightfast under museum conditions

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.