Perfect transparent marriage of blue and green, this transparent Turquoise has high tinting strength and makes a high key tint. Excellent for painting tropical water.Pigment: Copper phthalocyanine, chlorinated copper phthalocyanine (PB15:2, PG 7)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Oil Phthalo Turquoise Data Sheet.pdf Gamblin Artists Oil Phthalo Turquoise Data Sheet

Phthalo Emerald (Green Yellow Shade): Had this warm version of Phthalo Green been made first, Phthalo Emerald would be a very popular colour today.Pigment: Chlorinated and bromated copper phthalocyanine (PG 36)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Oil Cadmium Green, Phthalo Green, Sap Green Data Sheet.pdf Gamblin Artists Oil Cadmium Green, Phthalo Green, Sap Green Data Sheet

Payne's Grey: Coolest Gamblin black. Moderate tinting strength. Excellent match to popular watercolor.Pigment: Complex silicate of sodium & aluminum, bone black with sulfur, synthetic iron oxide (PB 29, PBk 11, PY 42)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Payne's Grey Data Sheet.pdf Gamblin Artists Payne's Grey Data Sheet

Portland Grey LightPigment: Titanium dioxide, zinc oxide, iron oxide, synthetic black iron oxide(PW 6, PW 4, PBr 7, PBk 11)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, VALUE 8/OPAQUE

pdf=Gamblin Artists Portland Grey Data Sheet.pdf Gamblin Artists Portland Grey Data Sheet

Portland Grey MediumPigment: Titanium dioxide, zinc oxide, iron oxide, synthetic black iron oxide(PW 6, PW 4, PBr 7, PBk 11)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, VALUE 6/ OPAQUE

pdf=Gamblin Artists Portland Grey Data Sheet.pdf Gamblin Artists Portland Grey Data Sheet

Prussian Blue: First synthetic colour of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Cool blue with more muted tint than Phthalo Blue. It has a high tinting strength, is lightfast, and is especially beautiful in its transparency.Pigment: Ferri-ammonium ferrocyanide (PB 27:1)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet.pdf Gamblin Artists Oil Phthalo Blue, Ultramarine Blue, Prussian Blue, Ultramarine Violet Data Sheet

Terre Verte: Historically used as a bole for gilding and as underpainting for flesh tones in Medieval painting (verdaccio), Terre Verte, or green earth, was made from volcanic celadonite and/or a mineral of sedimentary origin; Robert Gamblin mixed this color because true natural green earth pigment is unpredictable in colour and availability. Gamblin Terre Verte is an excellent colour for grisaille; it has a weak masstone and very muted tint.Pigment: Natural hydrated iron oxide, hydrated chromium oxide, bone black (PY 43, PG 18, PBk 9)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT

pdf=Gamblin Artists Oil Terre Verte Data Sheet.pdf Gamblin Artists Oil Terre Verte Data Sheet

Transparent Earth Orange: A color prized by contemporary masters, this is a truly transparent version of Burnt Sienna. These new hydrated Mars colors give painters more clarity in transparency and higher tinting strength. Excellent for glazing.Pigment: Transparent Mars Yellow, Transparent Mars Red (PY 42, PR 101)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT

pdf=Gamblin Artists Oil Transparent Earth Orange Data Sheet.pdf Gamblin Artists Oil Transparent Earth Orange Data Sheet

Van Dyke Brown: Warmest Gamblin black. Good glazing color and useful for adding "gallery tone." Gamblin Van Dyke Brown, named for the great painter who loved this dark transparent color, matches the 18th c. original in masstone and tint but ours, unlike the peat moss-based original, is a permanent color.Pigment: Bone black, iron oxide (PBk 9, PBr 7)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Van Dyke Brown Data Sheet.pdf Gamblin Artists Oil Van Dyke Brown Data Sheet

Venetian Red: (formerly called Iron Red Light) Also a Mars Colour, Venetian Red is lighter, more of a brick red. Dense, with great hiding power.Pigment: Synthetic red iron oxide (yellowish shade) (PR 101)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Earth Colours Data Sheet.pdf Gamblin Artists Oil Earth Colours Data Sheet

Titanium-Zinc White: Most useful all-purpose oil painting white. An excellent mixing white, T-Z White combines the soft texture and opacity of Titanium with the creamy transparency of Zinc for less "chalky" mixtures. Consider using T-Z White for colour-mixing because it takes so much colour to tint Titanium.Pigment: Titanium dioxide, zinc oxide (PW 6, PW 4)Vehicle: Safflower OilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet

Gamblin Flake White Replacement: The first true nontoxic alternative to Flake White. It's the leanest of the Gamblin whites and a terrific underpainting white. Its beautiful opalescent quality is of special interest to portrait painters. Flake White Replacement has all the working properties of traditional Flake White: long ropey stroke, warm colour, translucency and short brush mark. Not only does our FWR come without the lead but it also doesn't suffer from the fast drying time of traditional formulations, which contributes to the cracking of oil paintings over time.Pigment: Titanium dioxide (PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet

Zinc White: The most transparent white, Zinc is recommended for glazing, scumbling and alla prima painting. Compared with all other whites, Zinc White has less hiding power. Zinc White dries slowly, so painters who want to paint wet into wet over a long time will find it useful. Because it's brittle, painters should not consider it as a general painting white unless painting on panel.Pigment: Zinc oxide (PW 4)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, SEMI-TRANSPARENT

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet

Quick Dry White: This buttery white is useful for painter who want their paintings to set up more quickly. Quick Dry White is not as fast drying as FastMatte Titanium White, and has a glossier surface quality.Pigment: Titanium dioxide (PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Quick Dry White Data Sheet.pdf Gamblin Artists Oil Quick Dry White Data Sheet

Radiant BluePigment: Ultramarine Blue, Titanium dioxide, (PB 29, PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUE

pdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet

Pigment: Phthalo Green Y. S., Hansa Yellow Light, Titanium dioxide, (PG 36, PY 3, PW 6)Vehicle: Alkali refined linseed oilLightfastness II, Series 2, OPAQUE

pdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet

Copper: Made from real metal powder and an alkyd resin binder. Copper looks like crushed pennies. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.Pigment: Copper powder(PM 2)Vehicle: Oil Modified Alkyd ResinLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Copper Data Safety Sheet.pdf Gamblin Artists Oil Copper Data Safety Sheet

Rich Gold: Made from real metal powder and an alkyd resin binder, Rich Gold is rose gold. Use it in place of gold leaf, painted over Venetian Red. Excellent for painting frames. Can be mixed with transparent oil colors or thinned out and used for a sparkling glaze. Thin with a combination of Galkyds and OMS. Do not thin with straight solvent.Pigment: Bronze powder(PM 2)Vehicle: Oil Modified Alkyd ResinLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Golds Data Safety Sheet.pdf Gamblin Artists Oil Golds Safety Data Sheet

PY 43. Fast drying, semi-transparent.French Yellow Ochre is a glowing natural yellow. Ochre, an iron oxide earth pigment, can be traced back to paintings from the Middle Stone Age. Landscapes painters and portrait painters alike will find uses for this soft, natural yellow pigment.

PR 101. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.

An Iron Oxide manufactured to such small pigment particle size that it shows, like its Yellow counterpart, almost lake-like characteristics. Terrific tint power which produces wonderful results in mixes with yellows, and which can give gravity to mid-red tones.

Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

PB29 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

A deeper version of the blend above, useful for such features as architectural modelling in backgrounds.

Includes a selection of 15 x 18ml tubes of oil colours, 3 brushes, 2 bottles of medium, 2 palette cups, charcoal and a wooden palette in a wooden travel box.This stain resistant beech wood travel box has a tin lined drawer with adjustable metal dividers that allows artists to customise their storage. The compartments are ideal for storing paints, brushes, and other art materials. The box is held by a leather handle for easy transportation.Wooden Box Size:Internal: 20x30cm (8â€�x12â€�)External: 33.5x25.5x7.5cm - (10â€�x13â€�x3â€�)Weight: 1.5kg (3lbs)Contents Include:15 x 18ml Old Holland Oil Tubes1 x Titanium White 001 1 x Zinc White 0021 x Old Holland Yellow Light 006 1 x Scheveningen Yellow Light 0121 x French Ultramarine Light 0371 x Scheveningen Green Deep 049 1 x Yellow Ochre Light 0531 x Burnt Sienna 061 1 x Burnt Umber 0701 x Ivory Black 074 1 x Flesh Tint 1151 x Old Holland Red Gold Lake 133 1 x Alizarin Crimson Lake Extra 1631 x Old Holland Magenta 181 1 x Caribbean Blue 2321 x Manganese Blue Deep 241 1 x Cobalt Blue 2502 x Bottles of Medium2 x Brushes2 x Palette Knives2 x Pallet Cups1 x Charcoal1 x Wooden Travel box

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.