Hansa Yellow Medium: Its masstone is very similar to Cadmium Yellow Medium but semi- transparent. Clean, bright tint. Use in place of Cadmium Yellow where higher key tint is desired. Also Hansa Yellows' transparencies make them useful for mixing cleaner, brighter secondaries.Pigment: Arylide yellow (PY 74)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, SEMI-TRANSPARENT

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Pigment classification : Oxides of cobalt-Nickel and titanium

Colour index : PG50

Colour index number : 77377

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.

Artisan is ideal for:-

• Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine.
• Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents.
• Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour.
• Artists who work within a small home environment and wish to reduce the odour of oil painting.
• For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline).
• The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Mixed metal oxide from the early 19th century with an important place on the mineral palette because blues are rarely shifted to the cool, green side, like this one. Very muted in its tint so most valuable as a pure hue.Pigment: Oxides of cobalt & tin (PB 35)Vehicle: Alkali refined linseed oilLightfastness I, Series 6, OPAQUE

pdf=Gamblin Artists Oil Cerulean Blue Data Sheet.pdf Gamblin Artists Oil Cerulean Blue Data Sheet

Pigment classification : Ammonium ferro(3+) hexa- cyano/C ferrat(4-)

Colour index : PB27-PB15

Colour index number :77510-74160

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Warm White: Perfect for painters working in warm light situations, such as painting at sunrise or sunset. Based on our Titanium Zinc White formula, it has a perfect balance of yellow and orange pigments to lighten and warm other colours, while maintaining their hue.

Pigment: Titanium dioxide, arylide yellow, monoacetolone, zinc oxide (PW 6, PY 75, PO 62, PW 4)Vehicle: Safflower oilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Warm White Data Sheet.pdf Gamblin Artists Oil Warm White Data Sheet

PY3 & PG7. Average Drying. Transparent. Very Good Lightfastness. High Oil Content.

A fruity, shouty, tropical green with exotic undertones, it almost fluoresces on its own, and cuts right into mixes to reveal light sappy yellows.

PB36. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

The Artisan Water Mixable Oil Colour Set of 20 contains twenty essential 12ml colours made from quality, fine art pigments.Artisan Water Mixable Oil Colour has been specifically developed to appear and work just like conventional oil colour. The key difference between Artisan oils and conventional oils is their ability to thin and clean up with water. Hazardous solvents are not necessary for Artisan oils and artists can enjoy a safer painting environment, making it ideal for artists who share a work space, schools or painting at home.The Artisan range consists of 40 colours and has a dedicated range of 11 Artisan solvents, oils, mediums and varnishes, allowing you to achieve all oil painting techniques.This set contains the following 12ml colours: Titanium White, Lemon Yellow, Cadmium Yellow Medium, Cadmium Orange Hue, Cadmium Red Hue, Cadmium Red Deep Hue, Permanent Rose, Magenta, Dioxazine Purple, French Ultramarine, Phthalo Blue (Red Shade), Cerulean Blue Hue, Phthalo Green (Yellow Shade), Phthalo Green (Blue Shade), Olive Green, Burnt Sienna, Raw Umber and Lamp Black.Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-

Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine.

Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents.

Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour.

Artists who work within a small home environment and wish to reduce the odour of oil painting.

For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline).

The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Series number: 1

Chemical Description: Dioxazine violet

Colour index name: PV23

Colour index number: 51319

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

A high level of pigmentation provides good covering power and tinting strength. While it can't match the superior pigment load of Artists' Oil Colour, the Winton range is much stronger than many other artists' quality ranges.The economical cost has been achieved through the use of moderately priced pigments rather than lessening the pigment content to an unacceptable level. Winsor & Newton formulation, manufacture and quality control ensure a product of absolute excellence. The Winton range has a more uniform consistency than Artists' Oil Colour and is slightly stiffer. It offers excellent retention of brush and palette knife strokes.

Series number: 1

Chemical Description: Natural iron oxide

Colour index name: PBr7

Colour index number: 77492

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: ST







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Colour: Michael Harding Italian Brown OchrePigment Index: PY42Semi TransparentLightfastness: ExcellentPrice Series: 2Italian Brown Ochre is an interesting natural earth with the most wonderful transparent under colour. Excellent for both portraits and landscapes.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Series number: 2

Chemical Description: Arylide yellow

Colour index name: PY74

Colour index number: 11741

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: ST



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

The oil stick from Sennelier is a composition of artist quality oil paint; a proportion of the oil is substituted with a neutral mineral, resulting in the stick appearance. The 55 artist colours are of top quality: pure pigments are ground into vegetable oils, selected for their low degree of yellowing with time. The choice and high concentration of pigments enables excellent light resistance to be achieved.

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.

70% Titanium Dioxide, 30% Zinc Sulfide. Combines the hiding power of Titanium with the clean tinting properties of Zinc.