Finely translucent, brilliant, blue-tinged, rich green which cannot be produced by mixing.

Pigment: Phthalocyanine greenCI number: PG 7

Lightfastness: *****

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Traditional deep black, opaque and lightfast. Formerly obtained from charred ivory pieces, now produced via the dry distillation of degreased bones.

On the basis of many years of scientific experience in the field of artists' colours, Schmincke continues to use a broad and diverse scope of artists' oils, which it combines with the most suitable natural dammar resin from Palembang, Indonesia. The amount of dammar resin which is added in colloidal solution depends on the oil requirements of the pigment concerned. The use of different variants of linseed oil purified by means of highly sophisticated processes also predominates in the Mussini artists' resin-oil-colours.The microscopic evaporation pores enable oxygen to penetrate more effectively into the inner layers, thus providing for more even drying of the surface and inner layers. This, in turn, reduces the danger of wrinkling and surface tension during the drying process.

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PW6, PW20, PR101Opacity: Semi-opaqueLightfastness: At least 100 years lightfast under museum conditions

Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.

Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used. Williamsburg's oil paints have gathered an international presence while preserving the handmade integrity of the paint. Tubes are available 37 ml and 150 ml sizes. This is a 37ml tube of Williamsburg Oil Paint in Cobalt Teal Greenish.

CI Name: PB29 Chemical Description: Polysulfide of Sodium Alumino-SilicateLight Fastness: IOpacity: Transparent

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Indanthrone Blue, PB60, is a very dark, semi-opaque, highly staining color that was discovered in 1901. Sometimes referred to as Anthraquinone Blue, it has an ASTM Lighfastness rating of I, making it a good alternative to the fade prone natural Indigo which it was originally meant to replace. Both have a deep blue violet hue that is not overly-saturated and lends itself as a component for making a 'blackless' black. Indanthrone is a strong mixing color that does not overpower the way Phthalo Blue can. The tint it produces is strong in saturation of color but is muted in brightness lending itself to an earthier feel.

Originating from the Williamsburg neighbourhood of Brooklyn, each oil colour is milled in small batches to bring out the best qualities of the pigment used. Williamsburg's oil paints have gathered an international presence while preserving the handmade integrity of the paint. Tubes are available 37 ml and 150 ml sizes. This is a 37ml tube of Williamsburg Oil Paint in Bohemian Green Earth.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

PB15.3 & PW4. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Bone black-Synthetic ultramarine

Colour Index: PBL9-PB29

Colour index number: 77267-77007

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

These fluorescent colours should not be considered permanent. They will degrade with exposure to ultraviolet light. The lifespan of such works can be expanded greatly if they are shielded from ultraviolet light.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

PR108. Fast Drying. Opaque. Excellent Lightfastness. Low Oil Content.

The deepest of the Cadmium range, this red has distinct bluish undertones which become very salient in some very purplish hues.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PY154Opacity: Semi-opaque Lightfastness: At least 100 years lightfast under museum conditions

Pigment classification : Anthraquinone-Anthathrone-Condesation azo

Colour index : PR177-PR168-PBR23

Colour index number : 65300-59300-20040

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Transparent