Colour: Cadmium Red Light (Hue)
Pigment Index: PO34 PR112
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Colour: Brilliant Rose
Pigment Index: PR5 PR112 PW6
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

A low-odour alternative to turpentine, ideal when working in a confined space or for those artists who find turpentine too strong. Also used to clean palettes and brushes.

Pigment classification : Dihydroxyanthraquinone

Colour index : PR83:1

Colour index number : 58000:1

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Transparent

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Brown Red:Transparency: Transparent Lightfastness: ExcellentPigment Index: PBr25ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according to the international colour system of Munsell, Ostwald, and the Natural Colour System. The range consists of 109 colours, many of which are single pigmented. This ensures clean mixing and the resulting hues will be bright and vivid. All ShinHan art materials carry the AP Non-Toxic and CL health label and are in full compliance with ASTM D-4236 standards. Colours that may be harmful are clearly identified for the safety of the artist. High quality artists' pigments and refined oils A high degree of lightfastness 109 brilliant colours Please note: due to trading agreements we are unable to ship ShinHan products to Russia.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Condensed azo

Colour Index: PR214

Colour index number: 200660

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PW7, PY154, PBr24Opacity: OpaqueLightfastness: At least 100 years lightfast under museum conditions

Whatever oil colour technique you choose, this pasty paint gives a beautiful result. Choose from a wide and balanced palette. In addition to the lively colours, you above all opt for the certainty of a good oil paint. The fineness, the colour intensity, the high content of pigment and durability contribute to the ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in two tube sizes.

Cadmium Yellow Light: Cadmium Yellow Light is a bright, cool chemically pure Cadmium colour - one step warmer than Gamblin's Cadmium Lemon. Excellent opacityPigment: Concentrated cadmium zinc sulfide (PY 35)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Yellow Cadmiums Data Sheet.pdf Gamblin Artists Oil Yellow Cadmiums Data Sheet

Hansa Yellow Deep: While this colour has not been tested for Lightfastness by ASTM, it is being used to paint the yellow stripe on city streets! Golden yellow, warmest of the Gamblin Hansas.Pigment: Arylide yellow (PY 75)Vehicle: Alkali refined linseed oilLightfastness NT, Series 3, SEMI-TRANSPARENT

Transparent Earth Orange: A color prized by contemporary masters, this is a truly transparent version of Burnt Sienna. These new hydrated Mars colors give painters more clarity in transparency and higher tinting strength. Excellent for glazing.Pigment: Transparent Mars Yellow, Transparent Mars Red (PY 42, PR 101)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT

pdf=Gamblin Artists Oil Transparent Earth Orange Data Sheet.pdf Gamblin Artists Oil Transparent Earth Orange Data Sheet

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Cadmium zinc sulphide-Cadmium seleno sulphide

Colour Index: PY35-PR108

Colour index number: 77205-77202

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Zinc oxide-Titanium dioxide-Natural ochre

Colour Index: PW4-PW6-PY43

Colour index number: 77947-77891-77492

Lightfastness Lightfast pigment according to ASTM

Category 1 and 2

Opacity/transparency : Opaque

PG7. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.

Polychloro Copper Phthalocyanine probably ties with Phthalo Blue as the strongest pigment in the range. Atomic tint power, add it with great care! Ferocious acidy blue-green hues and blue undertones which come to prominence in mixes with yellows. In common with the Blue it displays, on drying and when used virtually unmixed, a certain tendency to show surface bronzing.

Colour: Michael Harding Warm Light YellowPigment Index: PY44 PW6OpaqueLightfastness: ExcellentPrice Series: 2This soft colour is perfect for mixing colours, using in portraits landscapes and non-figurative works.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Naples Yellow Hue: A pale opaque earthy yellow.Pigment: Zinc oxide, concentrated cadmium sulfide, natural hydrated iron oxide (PW 4, PY 37, PY 43)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUE

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Cadmium zinc sulphide

Colour Index: PY35

Colour index number: 77205

Lightfastness: Lightfast pigment according to ASTM category 1 and 2

Opacity/Transparency: Opaque