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Arts & Crafts > Fine Art Supplies > Oil Painting
Cadmium Chartreuse: This opaque greenish-yellow, close to the "line" between yellow and green, fills a gap in colour space between Cadmium Lemon and Cadmium Green. Cadmium Chartreuse is among the most intense colours in the Gamblin palette.Pigment: CP cadmium zinc sulfide, phthalo emerald (PY 35, PG 36)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUE
Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.
Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.
Colour: Michael Harding Pale VioletPigment Index: PB29 PV23 PW6OpaqueLightfastness: ExcellentPrice Series: 2Pale Violet adds vibrancy to any sky and also has a place for still life, room interiors and shadows.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.
PY3 & PG36 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.
Quick Dry White: This buttery white is useful for painter who want their paintings to set up more quickly. Quick Dry White is not as fast drying as FastMatte Titanium White, and has a glossier surface quality.Pigment: Titanium dioxide (PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 1, OPAQUE
PO 20. Fast Drying. Opaque. Excellent Lightfastness. Low Oil Content.
PB27. Very Fast Drying. Transparent. Very Good Lightfastness. High Oil Content. Ferri-ammonium Ferrocyanide, discovered in Berlin in 1704 and introduced through the early 18th century, was one of the first synthetic inorganic pigments and also one of the most controversial. The earlier and less purified versions had a mixed reputation; they were said to fade in hues, or even to migrate or leech through succeeding paint layers. But modern standards of washing have dispensed with the tendency to fade, and the migratory properties ascribed to this colour are no longer reported. At any rate, Prussian Blue, like Alizarin, is one of those colours some painters find essential. Its inky depth when unmixed is belied by a range of uniquely intense blues resulting from hues, particularly with Zinc White. On its own and in more concentrated mixes it exhibits a slight bronzy sheen which can be used almost like a complementary glaze.
PY 43. Fast drying, semi-transparent.French Yellow Ochre is a glowing natural yellow. Ochre, an iron oxide earth pigment, can be traced back to paintings from the Middle Stone Age. Landscapes painters and portrait painters alike will find uses for this soft, natural yellow pigment.
Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Cadmium SulphoselenideClassification: Synthetic InorganicColour Index: PO20 (77202)Vehicle: Linseed OilHiding power: OpaquePigment Loading: Medium-HighConsistency: Short ButterDrying rate: 3-6 daysASTM: IProduct Code: 0880Series: 5
PV15. Average Drying. Transparent. Excellent Lightfastness. Average Oil Content.
CI Name: PW6, PW4, PR112, PY154, PV19Pigment Name: Titanium Dioxide Rutile, Zinc Oxide, Naphthol AS-D, Benzimidazolone Yellow H3G, QuinacridoneLightfastness: ASTM II - GoodOpacity: OpaqueGrind: Very FineA rich, intense colour with extremely good covering power. Like an old world rose with a slight cool, bluish glow, but with a heart of orange.Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminium tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.
Colour: Michael Harding Alizarin ClaretPigment Index: PR177Transparency: TransparentLightfastness: ExcellentPrice Series: 3Perfect for portraitures, landscapes and non-figurative works due to its versatility and beauty.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.
In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.
Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.
Series number: 4
PW4, PW6 & PR209. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.
Series number: 1
Pigment classification : Natural earth
Winsor & Newton Liquin Oleopasto is a quick drying impasto medium, semi-matt for oil and impasto colours. Soft gel consistency with some brush drag. Allows rapid overpainting. Levels brushmarks. Translucent. Good resistance to yellowing. Extends tube colour.Was discontinued but they brought it back because so many artists loved it. Speeds drying (touch dry in 1-6 days depending on colour & film thickness). Suitable for impasto & texture work.Resists yellowing.Not suitable as a varnish or final coat. pdf=liqoleo.pdf Data Sheet Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.
Quinacridone Magenta: Coolest quin red. Makes high key tints and in mixtures makes beautiful transparent violets.Pigment: Quinacridone Y (PR 122)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT, MSDS
Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.
Alizarin Crimson: Cool, slightly bluish red with smoky glaze. 19th century "lake" colour made by the fusing a dye on to a substrate. Only Alizarin Crimson is still commonly used by painters today.Pigment: Synthetic 1:2 dihydroxyanthraquinone on alumina (PR 83), Vehicle: Alkali refined linseed oilLightfastness III, Series 3, TRANSPARENT, MSDS
PG36. Fast Drying. Transparent. Excellent Lightfastness. High Oil Content.
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