Charvin has a long tradition of producing artists’ oil colour using high quality ingredients and traditional processes. Established in 1830 and based in Cannes on the French Riviera, Charvin slowly and expertly produces oil colour with a dedication to detail to ensure consistent and creamy colours that are full of character.

Charvin Extra Fine Artist Oil colours are made according to some of the oldest recipes still in use. The highest possible concentration of pigment is combined with the principle binder, poppy oil, which is non-yellowing and gives a creamy texture and richness. The extensive range of colours are permanent and lightfast, and are ideal for traditional and modern techniques.

Fantastic value oils. Great for beginners who want to experience quality pigments at an affordable price. Priced well under the well-known brand names these professional paints excel in every area. Highly pigmented incredibly rich colours that blend beautifully. Milled 3 - 5 times to make the ideal texture. Superb quality control and intense research and development mean consistent colours with an incredible level of permanence. Touch dry after 2 to 3 days while maintaining the same exquisite beauty as when they were first applied. ShinHan oils are AP health labelled and comply fully with the ASTM-4236 standards. Please note, due to trading agreements we are unable to ship ShinHan products to Russia.This set contains:Zinc White, Ivory Black, Ultramarine Blue, Cobalt Blue, Crimson Lake, Vermillion Hue, Yellow Ochre, Permanent Yellow Light, Permanent Green Pale, Viridian Hue, Burnt Umber, Burnt Sienna.

PR 101. Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.

An Iron Oxide manufactured to such small pigment particle size that it shows, like its Yellow counterpart, almost lake-like characteristics. Terrific tint power which produces wonderful results in mixes with yellows, and which can give gravity to mid-red tones.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Michael Harding Miracle Medium Resin Oil Wax (MM3) is a solvent-free, plant-based alternative to traditional resin oil wax mediums. This medium is a blend of pure beeswax (bleached), dammar resin and viscous linseed stand oil which produces a rich, satin sheen and subtle impasto effect within paint layers. Add between 5 to 10% of medium to colours as required.

This solvent-free paint medium eliminates exposure to harmful fumes commonly associated with traditional mediums for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Medium (MM0) is a low-toxic, plant-based alternative to traditional oil painting solvents such as turpentine and white spirit. This eco-friendly, biodegradable oil paint thinner will enhance the flow of oil paints for excellent blending capabilities, superb brush control, and effortless clean-up.

Miracle Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. As well as being an exceptional quality oil paint thinner it can also be used to clean brushes and remove excess oil from palettes and painting surfaces.

This low-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional solvents for a safer working environment without compromising on quality and performance.

Michael Harding Miracle Medium (MM0) is a low-toxic, plant-based alternative to traditional oil painting solvents such as turpentine and white spirit. This eco-friendly, biodegradable oil paint thinner will enhance the flow of oil paints for excellent blending capabilities, superb brush control, and effortless clean-up.

Miracle Medium is made from renewable vegetable sources and is odourless and non-flammable, making it a safer alternative for the oil painter’s studio. As well as being an exceptional quality oil paint thinner it can also be used to clean brushes and remove excess oil from palettes and painting surfaces.

This low-toxic paint medium eliminates exposure to harmful fumes commonly associated with traditional solvents for a safer working environment without compromising on quality and performance.

Colour: Michael Harding Crimson LakePigment Index: PR149Transparency: TransparentLightfastness: GoodPrice Series: 4This warm red has a very unique nature and produces interesting shades of pink when mixed with or glazed over whites.Michael Harding Oil Colours are among the finest oil paints available to artists today. Michael Harding's colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Still handground in the Blockx tradition with slowly rotating stone mills, these extra-fine artists' colours are made from the finest selection of pigments and oil.Only pure pigment is used for maximum lightfastness, buttery consistency and easy mixing on the canvas itself.All colours have a minimum lightfast rating 7 out of 8 on the blue wool scale. So they all can be considered perfectly lightfast.

Iron oxides, earths and blacks are ground with linseed oil. All other pigments are ground with poppyseed oil which is well-known for its lack of yellowing and the non-forming of wrinkles at the time of the drying.

Pigments: PW4

PB29 & PW4 & PW6. Average Drying. Opaque. Excellent Lightfastness. Low Oil Content.

This name was given by English manufacturers to Smalt, a Cobalt based pigment which was used in the 16th-17th centuries as a cheaper alternative to Lapis Lazuli. Unfortunately Smalt was very prone to fade into a light grey, as some Veronese skies demonstrate. But the introduction of Ultramarine made it obsolete, and so I can offer a completely reliable substitute blend which evokes the aerial effects of the great Venetian decorators.

PB29, Average Drying, Semi Transparant, Low Oil Content, Average Tint Power, Non-Toxic There are a few special pigment colours in the range; an example is a genuine Afghan lapis lazuli. The first and most noticeable thing about the lapis lazuli compared to the modern synthetic equivalent ultramarine blue, is the considerably less tinting and covering power and its slightly dirtier colour, though neither of these traits should be seen to detract from the natural beauty.

PBr 7. Very Fast Drying. Transparent. Excellent lightfastness. Average oil Content.

This pigment had lighter and redder characteristics than those it assumed when manufacture in bladders, and then tubes, began a century later. Raw Umber is calcined to make this pigment, and the extent of Manganese Dioxide mixed with the Iron Oxide determines the range of undertones; here much warmer than is usual.

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Isaro Oil Paint: Ancient Yellow
Pigment Index: P020, PW4, PY35
Transparency: Semi-Opaque
Lightfastness: Excellent

Antique Yellow is perfect for skin tones. It is a pinky yellow which is very close to Naples Yellow.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Cadmium Yellow Lemon
Pigment Index: PY35
Transparency: Opaque
Lightfastness: Excellent

This bright, highly luminous yellow is a very pure colour with a touch of green. It bears similarities with primary yellow.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Pyrrole Red Deep
Pigment Index: PR264
Transparency: Transparent
Lightfastness: Excellent

This is a deep rich red with a slightly pinkish undertone, when mixed with white it will produce a pinky hue. This red is also more transparent than Cadmium Red.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Phtalo Blue
Pigment Index: PB15
Transparency: Transparent
Lightfastness: Excellent

A strong blue. When mixed with Phthalo Green, it produces a luminous range of turquoise.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Indigo Blue
Pigment Index: PBR7, PB29, PB15
Transparency: Semi-Opaque
Lightfastness: Excellent

This blue is a mixture of three pigments and very useful for painting seascapes.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Raw Sienna
Pigment Index: PBR7
Transparency: Semi-Transparent
Lightfastness: Excellent

This yellowish-brown is darker than Yellow Ochre but has the same undertone. It can produce an outstanding transparent effect.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

A strong neutral black.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.

Isaro Oil Paint: Indian Yellow
Pigment Index: PY3, PO36
Transparency: Transparent
Lightfastness: Excellent

Its a good glazing colour with a beautifull orangey yellow hue.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Titanium White Pigment Index: PW6Transparency: OpaqueLightfastness: ExcellentThis is a very pure, cool, soft white.Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs. Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased. All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn. Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Titanium White: Reflecting 97.5% of all available light, this most opaque white is the perfect choice for direct painting. Monet would have loved it because he wanted his paintings to look soft, like velvet. The covering power of Titanium White is useful for creating opaque layers, but T-Z White is preferable for colour-mixing. Pigment: Titanium dioxide (PW 6) Vehicle: Alkali refined linseed oil Lightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet