Indian Red is an opaque red colour with blue undertones. Originally made of natural red iron oxides found in earth, it is one of the oldest pigments and is favoured for its permanence.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Magenta is a rich deep violet red colour. It is a transparent pigment. The name Magenta comes from a lake colour named in 1859 after the battle in Magenta, Italy.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

A rich dark brown pigment, Burnt Umber is made from natural brown clays found in earth. It was named after Umbria, a region in Italy where it was mined. Burning the raw pigment intensifies its colour.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Cadmium Orange Hue is composed of several pigments closely resembling genuine Cadmium Orange. It is a versatile bright mid-range orange colour.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Light Red is a red earth pigment based on natural and synthetic iron oxide. It is an opaque colour with a brown undertone and is permanent.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Burnt Sienna is a rich brown pigment made by burning Raw Sienna. Named after Siena in Italy, where the pigment was sourced during the Renaissance, it is a transparent pigment with red-brown tones.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Cadmium Yellow Hue is a warm yellow colour. It is a versatile rich mid-range yellow.

Bright and beautiful, this accessible range of 55 colours is perfect for artists who need large quantities of colour. All of the paints have been carefully made to bring out the best of each pigment, so you can create bold and lightfast artworks. We think you'll be very pleased with the results.

Made from high-quality pigments, Winton Oil Colours are durable, lightfast and permanent. Delivering consistent colour every time, their ready-to-use formulation in means you can effortlessly work at any scale. Increasing the choice and range with eight new accessible colours, your palette can be broader than ever. Explore the enhanced spectrum for yourself.

Jackson’s Oil Paper Blocks are ideal for use in the studio or for creating work on the go.

Each block contains 15 sheets of 230gsm Natural White paper with a canvas texture, which is sized for oil painting. The paper is made with cotton and lignin-free wood pulp and is acid-free, FSC Certified, and vegan-friendly.

Jackson’s paper block range includes blocks for watercolour, oil, and acrylic, and each paper is designed to provide excellent adhesion for each medium.

Sennelier Brilliant Picture Varnish for oil painting.

Sennelier Brilliant Picture Varnish for oil painting.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

When creating their Artists’ Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues. Gamblin Artists’ Oil paints are made with the finest grades of pigments available and are completely non-toxic. Most of the oils in the range are made with alkali-refined linseed oil binder and the others with a safflower oil binder. Compared with cold press linseed oil (a traditional oil paint binder), alkali-refined linseed oil yellows significantly less whilst also creating a strong, flexible paint film. Not only are both the vegetable oils used in Gamblin Artists’ Oils completely non-toxic, but they are commonly used in health and beauty products, so their safety for use in paints is of no concern. pdf=GamblinArtistsOilColourChart.pdf Gamblin Artists Oil Colour Chart

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.