Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Artists' Oil Painting Medium is a drying medium for artists oil colour. It increases gloss and transparency, while accelerating drying time.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Cadmium Pigments - Cadmium pigments are brilliantly coloured, with good permanence and tinting power.  Cadmium yellow, orange and red have become familiar artists’ colours. The yellows were first used by artist’s in the 1840. Claude Monet’s famous yellow hues for example are painted in cadmium. The reds are relatively modern pigments only becoming commercially available in 1919.

Dala Artists' Oil Paint has a rich, buttery consistency that is attributed to its composite of quality pigments, as well as being triple milled. It has a high pigment loading, great archival properties and light-fastness. Use in conjunction with the many Dala Artists Oil Mediums for interesting paint alterations and effects.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Color number/code: 644

Series number: 1

Chemical Description: Titanium dioxide, Zinc oxide

Color index name: PW6, PW4

Color index number: 77891, 77947

Permanence rating: AA

ASTM Lightfastness Rating: I







Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.







Transparency/Opacity: O

Color number/code: 644

Series number: 1

Chemical Description: Titanium dioxide, Zinc oxide

Colour index name: PW6, PW4

Colour index number: 77891, 77947

Permanence rating: AA

ASTM Lightfastness Rating: I

Transparency/Opacity: O



Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the World's Finest Colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

Diluted with distilled water, PVA size is a contemporary size for fabric support. Conservation scientists recommend painters use neutral pH PVA size on linen and canvas instead of rabbit skin glue. PVA provides a good size layer that seals the fabric but does not re-absorb atmospheric moisture, swell and shrink like rabbit skin glue does. There are hundreds of different formulae of PVA. We acknowledge and appreciate the research of the Canadian Conservation Institute that helps painters and conservators identify the best PVA to use. Gamblin PVA Size is made from PVA that has a neutral pH and does not yellow. It also retains its flexibility and does not emit harmful volatiles.

pdf=Gamblin PVA Glue Data Sheet.pdf Gamblin PVA Glue Size Safety Data Sheet

There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:- Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine. Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents. Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour. Artists who work within a small home environment and wish to reduce the odour of oil painting. For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline). The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range. Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Colour: Flesh Tint
Pigment Index: PW4 PR101 PY42 PW6
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

Canson® Graduate Oil & Acrylic pads feature thick white paper, with a high-performance, durable and absorbent coating. Containing 20 sheets of 290gsm paper, they are perfect to learn oil and acrylic techniques and achieve optimal results!

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Series number: 2

Chemical Description: Complex sodium alumino-silicate containing sulphur

Colour index name: PB29

Colour index number: 77007

Permanence rating: A(iii)

ASTM Lightfastness Rating: I

Transparency/Opacity: T





Every Winsor & Newton Artists' Oil Colour is individually formulated to enhance each pigment's natural characteristics and ensure stability of colour. By exercising maximum quality control throughout all stages of manufacture, selecting the most suitable drying oils and method of pigment dispersion, the unique individual properties of each colour are preserved.

Combined with over 170 years of manufacturing and quality control expertise, the formulation of Artist's Oil Colour ensures the best raw materials are made into the world's finest colours.

Artists' Oil Colour uses the highest level of pigmentation consistent with the broadest handling properties. The quantity of pigment used provides covering power and tinting strength.

Colour: Permanent Mauve
Pigment Index: PV23
Colour Lightfastness: Good
Colour Transparency: Transparent

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

Colour: Blue Grey
Pigment Index: PB29 PW6 PBk9
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

With over 100 years of experience in crafting the finest artist quality canvases, Claessens is recognised worldwide as a leader in the field. Each Claessens canvas undergoes a rigorous treatment and process to meet different requirements for artists.First, all raw canvases are sized with a synthetic PVA glue. For oil primed canvases, the next step involves applying a primer of zinc white paint bound with linseed oil to the glued linen, by means of two knives. The canvas is then put into a drying room for three days where it air-dries naturally.After this first initial drying time, the canvas is then sanded and a coating layer based on titanium white is applied to the canvas by means of two knives and a roller. The canvas is then placed in the drying room for another ten days.Claessens' Oil Primed Canvases are suitable for oil paint.For a full description of the various processes which go into manufacturing a Claessens canvas, click herePlease note: the properties of the weave on this particular canvas means that the priming may have tiny pinholes on its surface, but they don't cause any issues when painting on the canvas.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast. These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character. These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents. pdf=JacksonsArtistOilColourChart20. pdf Jackson's Artist Oil Colour Chart.

This set contains:

Alizarin Crimson

Light Yellow

Ultramarine Blue

Titanium White

This reliable favourite is a general purpose semi-gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour & film thickness). Resists yellowing. Not suitable as a varnish or final coat. pdf=liqor.pdf Data Sheet

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Canson® Graduate Oil & Acrylic pads feature thick white paper, with a high-performance, durable and absorbent coating. Containing 20 sheets of 290gsm paper, they are perfect to learn oil and acrylic techniques and achieve optimal results!