PB28. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.

Introduced at about the same time as Ultramarine, Cobalt Aluminate is a synthetic inorganic spinel (i.e. a very high-fired metal compound). It is a more greenish blue than the latter, with a heavier, more mineral appearance when neat. The hues formed from it are correspondingly heavier and greyer. But it has a certain downright shade which the cheaper Ultramarine cannot quite match. The paint film when dry is quite soft.

PG19. Fast Drying. Semi-Opaque. Excellent Lightfastness. Low Oil Content.

A heavy, dense blue-green, with low tint power, introduced, with so many inorganic metallic pigments, 1830-40. It is a compound of Cobalt and Zinc Oxides, with grey-blue undertones which do not overturn mixes and form interesting effects when combined with the Yellow Lakes.

Colour: Michael Harding ViridianPigment Index: PG18Semi OpaqueLightfastness: ExcellentPrice Series: 5Landscapists and some portraitists still prefer this colour to the strong power of the Phthalo Greens. An interesting range of blue-greys are produced when combined with reds.Michael Harding Oil Colours are among the finest oil paints available to artists today. The colours have a high load of top quality pigments, ground in refined cold-pressed linseed oil. They are completely free of fillers, extenders, or driers, resulting in pure, rich, and vibrant colours that are lightfast and buttery.First manufactured in 1982, Michael Harding Artists' Oil Colours are exceptional quality and are made by hand. They are very popular with some of the world's finest artists, including David Hockney, Chris Ofili, and the late Sir Howard Hodgkin.pdf=michaelhardincacc.pdf Michael Harding Oil Colour Chart.

PB29, Average Drying, Semi Transparant, Low Oil Content, Average Tint Power, Non-Toxic There are a few special pigment colours in the range; an example is a genuine Afghan lapis lazuli. The first and most noticeable thing about the lapis lazuli compared to the modern synthetic equivalent ultramarine blue, is the considerably less tinting and covering power and its slightly dirtier colour, though neither of these traits should be seen to detract from the natural beauty.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.

Reduces consistency of oil paints while increasing gloss and transparency. Will dry slower than linseed oil, though it is paler and less inclined to yellow. Ideal for working wet-on-wet.Because of its slow drying properties, it is not advisable to use this oil when underpainting.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Alkali refined linseed oil is a pale oil extracted from the seeds of the flax plant. It is used in many of Michael Harding's paints because it produces the strongest paint film during the drying process and ensures the longevity of each painting.When mixed with oil paint, linseed oil will increase the gloss and transparency of the paint, and will thin the paint so that it flows more easily and does not hold brushmarks. It will also slow the drying time of the paint. Linseed oil is also highly suitable for use with dry ground pigments.Please note soft materials which have absorbed linseed oil should be stored in sealed containers, as the oil will oxidise when exposed to the air. This chemical reaction releases so much heat that the rags may spontaneously combust. Make sure the lid of the container is closed securely and store in a cool place. Brushes and tools used with linseed oil should be cleaned with white spirit.We cannot transport this product by air; some European destinations are available by road, but this will incur an additional delivery charge.

Linseed Stand Oil is a viscous, pale oil medium extracted from Linseed. It will level out brushstrokes in oil paint and slow the drying process. It has a honey-like viscosity and should be used sparingly.Please note, this product cannot be sent by air mail. Some European destinations are available by road, but this will incur an additional shipping charge.

Michael Harding's Oleo Impasto Medium (PM7) is a gel made from fumed silica and linseed oil which imparts great luminosity, particularly with transparent colours. You can add it with a brush or knife to achieve extra body. It has an average drying speed and increases the transparency of oil colours. Pigment can be added and ground to make your own oil paints. It has a pleasant linseed oil smell and is available in 3 sizes: 100ml, 250ml and 1000ml. This is a 100ml container of Michael Harding's Oleo Impasto Medium.

This set contains 10 x 35ml tubes of Mussini colour in a small, walnut tinted wooden set.Schmincke Mussini oil colours are unique throughout the world for their use of natural resin binders, instead of conventional oil binders. This allows for more luminous, stable colours.The recipe of Mussini oils is based on the oil paint formulations of the Old Masters. There are 108 colours in the range, including 7 gold shades. All of these offer intense pigment saturation and maximum lightfastness. 64 of the shades are single pigment shades, which are particularly easy to use when colour mixing.The set contains the following colours in 35ml tubes:103 Titanium White216 Lemon Yellow223 Indian Yellow346 Madder Lake Dark364 Vermilion Red Tone490 Prussian/Paris Blue491 Ultramarine Blue Light656 Attic Light Ochre666 Natural Burnt Umber780 Ivory Black

Colour Information:PW6/PW4, Series 1, Opaque, Lightfastness +++Rembrandt Oil Colours have an intense luminosity and depth due to the very fine grinding process, along with the highest possible concentration of pigments. Colours have the maximum degree of lightfastness and durability throughout the range.The range of Rembrandt oil paint consists of 120 colours with a balanced distribution between opaque and transparent colours. It also includes some specialised colours such as genuine cadmiums and shiny metallics. Each colour has a smooth, buttery texture and a rich intensity. Tubes are available in 40ml, 60ml, and 150ml.

Zinc White (Linseed Oil) - Colour Information:PW4, Series 1, Semi Opaque, Lightfastness +++Rembrandt Oil Colours have an intense luminosity and depth due to the very fine grinding process, along with the highest possible concentration of pigments. Colours have the maximum degree of lightfastness and durability throughout the range. The range of Rembrandt oil paint consists of 120 colours with a balanced distribution between opaque and transparent colours. It also includes some specialised colours such as genuine cadmiums and shiny metallics. Each colour has a smooth, buttery texture and a rich intensity. Tubes are available in 40ml, 60ml, and 150ml.

This charming set of the essential colours Talens Rembrandt oil colours, is the perfect size for trying out Talens or fitting neatly into your pochade box in a compact studio space or your plein air travel kit. The range of Rembrandt oil colours consists of 120 colours with a balanced distribution across over the various colour areas and a good balance between opaque and transparent colours. The oils are of an extra fine quality with the highest degree of lightfastness and have very pure and intense colours. These optimal colour strength with very high pigment concentration The complete range consists of 120 colours. This set contains: 1 x 105 Talens Rembrandt 15ml Oil paint 1 x 254 Talens Rembrandt 15ml Oil paint 1 x 284 Talens Rembrandt 15ml Oil paint 1 x 370 Talens Rembrandt 15ml Oil paint 1 x 395 Talens Rembrandt 15ml Oil paint 1 x 506 Talens Rembrandt 15ml Oil paint 1 x 530 Talens Rembrandt 15ml Oil paint 1 x 619 Talens Rembrandt 15ml Oil paint 1 x 411 Talens Rembrandt 15ml Oil paint 1 x 701 Talens Rembrandt 15ml Oil paint

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat