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Arts & Crafts > Fine Art Supplies > Oil Painting
Pigment Index: PR177 Colour Lightfastness: Good Colour Transparency: Transparent Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
Pigment Index: PB29 PW6 PBk9 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours. With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Daler Rowney’s Damar varnish has a low gloss finish and is removable. It dries within a few hours, when applied thinly, and will create a hard, clear film. This varnish can be removed with turpentine or white spirit and is compatible with both oils and acrylics.
Space saving bags such as these, are excellent for both transportation and storage. The ability to squeeze the air out of your primer pouch for storage between uses, reduces the dried up edges that can crumble in and contaminate the rest of your gesso. Imagine no more dried up lumps in your primer! A primer of high opacity and an intense white. Suitable for most surfaces including canvas, wood, board, etc. Very flexible and ready for use undiluted. Dries quickly with a matt, slightly textured surface. Suitable for acrylic and oil paintings. No sizing required. Instructions: 1. Stir contents before use. 2. Surface to be primed should be clean and free of loose particles. 3. Do not size ground before application. When final coat is thoroughly dry, a second may be applied. Ready for use after 24 hours 4. Glossy or smooth surfaces should be slightly roughed to improve adhesion before applying primer. 5. Avoid exposure to frost and do not apply at temperatures below 5C.
There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-
Cobalt Green: An undervalued cool green with moderate masstone and very muted tint. No combination of blue and yellow will yield this unusual colour of the American Southwest.Pigment: Oxides of cobalt and zinc (PG 19)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, SEMI-TRANSPARENT
Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.
Gamblin's version is an excellent recreation of the original colour, successfully replacing an obsolete pigment. Cool, transparent blue with green undertone; especially useful for painting sky and water.Pigment: Copper phthalocyanine (PB 15:4)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT
In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.
A clear oil medium to mix with and reduce light colours. Less inclined to yellow than Linseed Oil, but slower drying. Enhances gloss and flow, but too high a proportion prevents the colour from thorough drying.
There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.Artisan is ideal for:-
Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.
Series number: 2
PW6& PW4. Average Drying. Very Opaque. Lightfastness Excellent. Very Low Oil Content. High tintpower. Non-toxic
PW6.1. Fast Drying. Opaque. Excellent Lightfastness. Low Oil Content.
Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.
The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.
With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.
Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.
The colour of the first shoots of spring grass-bright and warm.Pigment: Arylide yellow, chlorinated copper phthalocyanine (PY 74, PG 7)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, SEMI-TRANSPARENT
A great glazing colour, warm Ultra Blue is one of the few mineral colours that is completely transparent. Lightfast with moderate tinting strength. Consider using Alizarin Permanent instead of Alizarin Crimson to mix violets.Pigment: Complex silicate of sodium & aluminum with sulfur (PB 29)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, TRANSPARENT |
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