Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PR101Opacity: TransparentLightfastness: At least 100 years lightfast under museum conditions

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Radiant LemonPigment: Hansa Yellow Light, Titanium dioxide, (PY 3, PW 6)Vehicle: Alkali refined linseed oilLightfastness II, Series 2, OPAQUE

pdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet

Jackson's Professional Oil Paints are made by skilled artisans, using only the finest grade pigments and the purest refined oils to create colours that are rich and vibrant. The intense colour saturation and purity of this range is achieved by high pigment loading coupled with our traditional production process. We don't use drying modifiers to even out drying times and so you will find some variation across the range reflecting the natural drying characteristics of each pigment. MEK and MEKO are not used in any Jackson's oil paints.

PY42. Very Fast Drying. Opaque. Excellent Lightfastness. Average Oil Content.

A higher-keyed and more greeny-gold shade of manufactured Iron Oxide. It hues well to yield mustardy yellows quite close to Genuine Naples Yellow Dark.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast.

These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character.

These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents.

PW 6 Titanium Dioxide. PW4 Zinc Oxide. Very slow Dryer, Very Opaque, Excellent Lightfastness, High Tint Power, Non-toxic.

Safflower oil dries to a robust film, which means that this paint can be overpainted with a low risk of later cracking. It yellows comparably less to linseed oil, and handles in a similar way. This is the most brilliant non-toxic White in the range, suitable for cool, opaque light hues, and generally as a highly keyed mixer.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Daler-Rowney Graduate Oil is an affordable range of oil paints ideal for students and hobbyists looking for reliability and performance. Graduate Oil colours are smooth, easy to use, and mix well together, drying to a low gloss satin sheen within 5 days.

Colour: Cadmium Yellow
Pigment Index: PY35 PY74
Colour Lightfastness: Good
Colour Transparency: Opaque

Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all colours.

With a smooth and buttery consistency, Georgian Oil Colours are ideal for experimenting with different brush and knife techniques. They are intermixable and have high pigment loads, including traditional pigments such as cadmium and cobalt. Georgian Oil Colours generally require very limited quantities of medium, so they can be used straight from the tube. All colours are lightfast and rated as Excellent (****) or Good (***). The surface is typically dry in 4 to 5 days.

The best quality/price ratio on the market. Oil colour with performance superior to price. A fine, appropriate, satisfying investment. Rewarding for the disproportion between qualitative factors and purchase price. A product that repays. Artisanal, frequently used, superfine. Seventy-seven colours, an infinite assortment of yellows, reds, greens and blues. Absolutely no waxes or additives. Perfectly balanced drying times. The ideal combination of modern and traditional pigments, safe and stable.

Jackson's Artist Oil Paints are made in the UK by combining high-quality modern pigments and refined linseed oils to create colours that are permanent and lightfast. These colours are carefully considered to provide a full palette and are made to high standards, ensuring they are luminous, vibrant, and full of character. These intense colours can be squeezed from the tube and used as they are, or mixed with mediums to alter consistency and sheen. Jackson's Artist Oils do not contain metallic stearates, industrial fillers or anti-skinning agents. pdf=JacksonsArtistOilColourChart20. pdf Jackson's Artist Oil Colour Chart.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PW7, PB29, PBk9Opacity: OpaqueLightfastness: At least 100 years lightfast under museum conditions

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Pigment info: PO43Opacity: Semi-opaqueLightfastness: +++ (at least 100 years under museum conditions)Cobra Water Mixable Oil Colours provide all the features of traditional oil colour, but without the need to use strong solvents. They have a uniform drying time of 3-5 days and a uniform degree of gloss across all colours. Painting with Cobra paints is much like painting with traditional oils. The colour, as well as the brush stroke or applied texture, retains its full colour and brightness after the paint has dried. There’s no need for harsh solvents to clean your used brushes - just use soap and warm water to quickly remove the paint. Painters using Cobra Water Mixable Oil Colours (or any other brand of watermixable oils) might wish to try Cobra Watermixable Oil Mediums, which can be used to change the consistency, handling properties or appearance of Cobra colours without compromising their water-miscibility. Cobra can also be used with normal oils, oil mediums and solvents, but you will lose the water-miscibility if you do this.youtube=NUBp94ubH6Qyoutube=Y2SbX5qTBpYyoutube=hVDEZNvedogyoutube=wwda32jh9sA

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Titanium-Zinc White: Most useful all-purpose oil painting white. An excellent mixing white, T-Z White combines the soft texture and opacity of Titanium with the creamy transparency of Zinc for less "chalky" mixtures. Consider using T-Z White for colour-mixing because it takes so much colour to tint Titanium.Pigment: Titanium dioxide, zinc oxide (PW 6, PW 4)Vehicle: Safflower OilLightfastness I, Series 1, OPAQUE

pdf=Gamblin Artists Oil Whites Data Sheet.pdf Gamblin Artists Oil Whites Data Sheet

This oil colour set of 24 x 12 ml tubes offers a great variety of colours to create various paintings with. Save time on mixing custom colours with the extensive colour selection of this set!

Because of their convenient size, these tubes are ideal to have in your studio or to take with you while you travel.

Contents: 24 x 12 ml tubes (104 Zinc White – 105 Titanium White – 205 Lemon Yellow (Primary) – 200 Yellow – 235 Orange – 311 Vermilion – 334 Scarlet – 318 Carmine – 504 Ultramarine – 512 Cobalt Blue (Ultramarine) – 530 Sèvres Blue – 570 Phthalo Blue – 508 Prussian Blue – 662 Permanent Green – 615 Emerald Green – 616 Viridian – 620 Olive Green – 227 Yellow Ochre – 234 Raw Sienna – 411 Burnt Sienna – 409 Burnt Umber – 408 Raw Umber – 708 Payne’s Grey – 701 Ivory Black).

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PY184Opacity: Semi-opaqueLightfastness: At least 100 years lightfast under museum conditions

PBr 7.Very Fast Drying. Transparent. Excellent Lightfastness. Average Oil Content.

One of the fundamental Earths used as an Imprimitura pigment to draught out compositions on a Raw Sienna ground, as many Rubens sketches evidence. Depending on the degree of transparency, it can exhibit red or greenish undertones.

Cadmium Chartreuse: This opaque greenish-yellow, close to the "line" between yellow and green, fills a gap in colour space between Cadmium Lemon and Cadmium Green. Cadmium Chartreuse is among the most intense colours in the Gamblin palette.Pigment: CP cadmium zinc sulfide, phthalo emerald (PY 35, PG 36)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUE

pdf=Gamblin Artists Oil Yellow Cadmiums Data Sheet.pdf Gamblin Artists Oil Yellow Cadmiums Data Sheet

High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

PY3 & PG7. Average Drying. Transparent. Very Good Lightfastness. High Oil Content.

A blend of the organic pigments Arylide Yellow and Phthalo Green to fill the gap previously occupied by the Lead Chromate Greens, long discontinued by manufacturers because of their tendencies to darken or react with other paints. This paint differs from them not only in being a permanent Lake, but also in sheer power. A fruity, shouty, tropical green with exotic undertones, it almost fluoresces on its own, and cuts right into mixes to reveal light sappy yellows.