The deepest of the Isaro's Cadmium range. This red has a slight hint of violet as an undertone.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.

This pure and luminous bright red has a strong tinting power. Cadmium Red is obtained by replacing a tiny percentage of sulphur with selenium when combined with cadmium. This red has a very pure hue, if mixed with white the undertone is red and not pink such as with other organic reds.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.

Made by Sennelier, Rive Gauche is named after the Left Bank of Paris where Sennelier was founded in 1887. The special property of these oil paints is that they dry to a satin finish, twice as fast as conventional oil paint, while retaining the characteristic buttery texture of fine oil colours. This allows the artist to work twice as fast

Alizarin Crimson has a unique rich red Cabernet mass tone with the smallest touch of warmth, combined with a vibrant cool undertone.

These excellent quality oil paints are rich, luminous and full of pigment. The American Walnut Oil used in M. Graham Artists’ Oil Paint dries to a clear film which will not yellow, allowing the true color of the pigments to shine through.

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Please note: Langridge 300ml Oil Colours are provided in a cartridge, not a tube. We recommend using a Cartridge Gun to dispense your paint.Pigment: Calcined Raw SiennaClassification: Natural InorganicColour Index: PBr7 (77491)Vehicle: Linseed OilHiding power: OpaquePigment Loading: NormalConsistency: SoftDrying rate: 2-5 daysASTM: IProduct Code: 0823Series: 2

Art Spectrum Artists Oil Paints are made in Australia from the finest quality pigments, specially selected for their lightfastness. These pigments are then milled into high-grade Linseed Oil (except for the whites, which are milled in Sunflower Oil, a paler, slower-drying oil which is less prone to yellowing over the centuries). Unique to the range are a series of special hues which are perfect for capturing sun-baked Australian landscapes, including Australian Leaf Green Blue, Australian Leaf Green Light, Pilbara Red and Australian Green Gold. A high proportion of the colours are single pigment colours, which aids clarity in mixing.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

Sennelier gathers only the finest natural and inorganic pigments from around the world. The pure pigments are ground very slowly with extreme care to an extra-fine consistency. They are then combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish. The sensuous pigments have a unique buttery texture.

This is a cool, transparent white. It is excellent for mixing and glazes.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.

Isaro Oil Paint: Scarlet Red
Pigment Index: PR255
Transparency: Semi-Opaque
Lightfastness: Excellent

A rich and luminous red. It is more pinkish than Cadmium Red Light.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Ivory Black
Pigment Index: PBK9
Transparency: Semi-Opaque
Lightfastness: Excellent

A warm deep black. If mixed with Yellow Ochre it becomes a warm black and when mixed with Ultramarine Blue it produces a cold black.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

Isaro Oil Paint: Sap Green
Pigment Index: PG7, PBR7
Transparency: Semi-Opaque
Lightfastness: Excellent

This is a strong natural green, useful for landscape painting.

Isaro Oil Paints are handcrafted in Belgium by Isabel Roelofs, who comes from two generations of paintmakers and is a descendant of well-known Belgian artist, Willem Roelofs.

Isaro oil paints are made from carefully selected lightfast pigments. Isabel's rich colourmaking history means she has a fascination with pigments, choosing her range from classical pigments (cadmium, cobalt, iron oxide, etc.), modern pigments (quinacridones, dioxazine, DPP, etc.), and historical pigments (cochineal, indigo, smalt, azurite, etc). Isaro deals directly with pigment manufacturers and requires information on all the characteristics of each selected pigment before they are purchased.

All the oil colours in the Isaro range are made with pure linseed oil. This has been chosen for its high colour saturation and for how it produces a very resistant protective film, called linoxyn.

Isaro Oil Paints are available in 47 colours in 38ml tubes. Titanium White and Zinc White are also available in 56ml tubes.

A mixture of Cadmium Yellow and Emerald Green.

Isaro paints are handmade by Isabelle Roelofs in Belgium. She is one of the few, if not the only, color women. The Isaro oil paints which are beautifully packaged, are all made from carefully selected, lightfast pigments and pure linseed oil and are on par with the other professional oil paints available on the current market.
Isabelle has a deep passion for coloring making; when selecting pigments she chooses from both classical pigments (cadmium, cobalt, iron oxide ...) and modern pigments (quinacridones, dioxazine, DPP ...) as well as the historical pigments (cochineal, indigo, smalt, azurite...) to produce these stunning and reliable oil paints with an excellent lightfastness. All the oil colors in the Isaro range are crushed with pure linseed oil because of it’s potential for high saturation and because it produces a protective film (linoxyn) which is very resistant.