High quality yet economical oil colour

Well-balanced colour spectrum of 48 brilliant colours

High concentration of pigments for an exceptional colour intensity

Excellent lightfastness

25 single-pigment-colours

Use of especially refined linseed oil and sunflower oil (pharmaceutical quality), no tendency of yellowing

Distinctive smooth buttery consistency through the use of bees wax

Surface drying in 2 to 4 days

Traditional production on three roll mills

A spoor (0.5-1.5%) of the finest bees wax as one of the ingredients gives the colour the famous buttery and short consistency and makes the colour-film less brittle for the restorer. The binders are only pure vegetable linseed and sunflower oils in special quality.

R&F Pigment Sticks are handmade in small batches, carefully milled and molded. Only the basic traditional materials are used: natural wax, linseed oil, and pigment, and only used with absolute purity. Pigment Sticks are the only brand of oil sticks that employ only natural waxes (beeswax & plant wax). This allows for a minimum amount of wax. This results in softer consistency and greater paint film strength.

R&F Pigment Sticks let you get rid of the distancing factor of a brush and hold the paint right in your hand. The surface, the paint, your hand and your ideas all come together. The different effects you can get with these luscious sticks will amaze you.

PY3 & PG7. Average Drying. Transparent. Very Good Lightfastness. High Oil Content.

A fruity, shouty, tropical green with exotic undertones, it almost fluoresces on its own, and cuts right into mixes to reveal light sappy yellows.

10 x 40ml tubes in the following colours:1 x Titanium White no. 2 (PW 6 & PW 4, Average Drying Speed, Excellent Lightfastness, Opaque/High Tint Power, Low Oil Content)1 x Cadmium Yellow (PY 35, Average/Fast Drying Speed, Slightly Transparent but Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Cadmium Yellow Deep (PY 35, Average/Fast Drying Speed. Slightly Transparent but Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Permant Orange (PO 73, Slow Drying Speed, Slightly Opaque/Transparent, High Tint Power, Excellent Lightfastness, High Oil Content)1 x Cad Red Deep (PR 108, Fast Drying Speed, Opaque, High Tint Power, Excellent Lightfastness, Low Oil Content)1 x Alizarin Claret (PR 177 Anthranaquinone, Slow Drying Speed, Transparent, High Tint Power, Good Lightfastness, High Oil Content)1 x Ultramarine Blue (PB 29, Average Drying Speed, Transparent, Average Tint Power, Excellent Lightfastness, Average Oil Content)1 x Cobalt Blue (PB 28, Very Fast Drying Speed, Semi-Opaque, Excellent Lightfastness, Average Oil Content)1 x Cobalt Green1 x Permant Sap Green (PG 7 & PBr 6, Fast Drying Speed, Semi-Transparent, Excellent Lightfastness, High Oil Content)

Series: 1 Colour Vehicle: Oil Alkyd resin Lightfastness (ASTM): I Permanence Rating: A Pigment(s) PV19, PV23Cobalt Violet Hue is a clean rich purple pigment. Its combination pigments resembles genuine Cobalt Violet, a pigment favoured by famous artists such as Monet and Seurat.As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.pdf=SDSGriffinAlkyd.pdf Material Safety Data Sheet

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Winsor & Newton : Artisan Water Mixable Oil Paint : 200ml : Burnt Umber Please note: due to trading agreements we are unable to ship this product outside of the UK and EU.

Series number: 1

Chemical Description: Quinacridone, Copper phthalocyanine

Colour index name: PR122, PB15

Colour index number: 73915, 74160

Permanence rating: A

ASTM Lightfastness Rating: I

Transparency/Opacity: T

As with all Winsor & Newton colours, every colour in the range is individually formulated to take advantage of the natural characteristics of each pigment and to ensure the stability of the colour. The vehicle (oil modified alkyd resin) allows the colour to dry quicker whilst retaining the other characteristics of conventional oil colour.Because alkyd resin has physical properties that differ slightly from those of traditional oils, the pigment load is somewhat different as well. Experienced painters will notice slightly greater transparency compared to Artists' Oil Colour. The colour has been formulated to offer the greatest degree of tinting strength possible (consistent with good handling properties), and to take full advantage of the true characteristics of each pigment.

Pigment classification : Ammonium ferro(3+) hexa- cyano/C ferrat(4-)

Colour index : PB27-PB15

Colour index number :77510-74160

Lightfastness : Lightfast pigment according to ASTM category 1 and 2

Opacity/transparency : Opaque

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the studio by allowing you to clean brushes, palette, and workspace with soap and water. Because of it's versatility, the possibilities for special techniques and effects using Duo are limited only by one’s imagination.

Cobra Water Mixable Oil Colours provide a perfect oil paint result with a uniform drying time and degree of gloss. Painting with Cobra paints is much like painting with traditional oils. The paint can be applied using all the usual oil paint techniques. The colour, as well as the brush stroke or applied texture, retains its full expression after the paint has dried; the paint remains as it was when applied.

Pigments: PV23, PR122Opacity: Semi-transparentLightfastness: At least 100 years lightfast under museum conditions

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

Langridge Handmade Oil Colour has been constructed to excel in saturation of colour and physical handling qualities. Developed in consultation with artists, these paints satisfy demands for oil colours that are unadulterated by fillers or modifiers, resulting in a pure, full-strength paint. Constructed with the highest pigment loading they are the world’s first oil paint specifically based on contemporary high-saturation colours. Pigment: Sodium Aluminium SulphosilicateClassification: Synthetic InorganicColour Index: PV15 (77007)Vehicle: Linseed OilHiding power: Semi-OpaquePigment Loading: HighConsistency: Short ButterDrying rate: 3-6 daysASTM: IProduct Code: 8100-4Series: 2

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

Gamblin 1980 Oil Colors are made with the same dedication and pure pigments that go into their Artist Oils'. In addition, they use the same process of mixing, milling, filling, and hand labelling.

To ensure the 1980 colours are affordable, Gamblin formulates them with pure pigments, refined linseed oil and marble dust (calcium carbonate). This is different to many other paint manufacturers who use gels and waxes to stiffen colours, or even replace traditional pigments with less expensive ones.

With 1980 colours, artists can pay less and experience colours that are great quality, without homogenized texture or muddy colour mixtures.

In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with the same colour characteristics as the traditional ones. Thanks to the highest possible concentration of pigment in each colour, the paint has an unprecedented colour strength. Within the unique range of 168 colours, there is a wide range of opaque and transparent colours, each with the highest possible brilliance (intense) and clarity (clean) characteristics. The only medium used for these oil paints is cold-pressed extra virgin linseed oil, to obtain an optimum oxidisation (drying) of the paint. This increases durability and brushstroke spread. Together, these characteristics result in an oil paint of unequalled quality.

Pigment Classification: Ammonium ferro(3+) hexa- cyano/C ferrat(4-)

Colour Index: PB27-PB15

Colour index number: 77510-74160

Lightfastness: Lightfast pigment according to ASTM

Category 1 and 2

Opacity/Transparency: Opaque

Sublime brilliance and intensely deep colours

Optimal colour strength due to the highest possible concentration of pigments and very fine grinding

Highest degree of lightfastness

Very pure colours and greatest durability of the paint coat

There is no water within the formulation of Artisan. The linseed oil and safflower oil vehicles have been modified to allow the colour to accept water, creating a stable emulsion, while retaining the working characteristics of conventional oil colour.

Artisan is ideal for:-

• Oil painters who are sensitive to, or simply want to avoid exposure to solvents such as white spirit (mineral spirits) or turpentine.
• Students and teachers in schools and colleges where the use of oil colour is prohibited because of the solvents.
• Artists working in shared studio space where the build up of solvent levels could lead to a harmful concentration of vapours and a generally an unpleasant odour.
• Artists who work within a small home environment and wish to reduce the odour of oil painting.
• For travel, all Artisan products (Colour & Mediums) can be transported on aeroplanes (subject to the agreement of the airline).
• The range has also been formulated with a high proportion of single pigments for brilliance of colour and clean colour mixing. The most suitable oil and methods for dispersion have been selected to bring out the individual characteristics, from opacity to natural transparency, of each pigment in the Artisan range.

Each colour is ground to enhance the beauty and luminosity specific to that particular pigment. Some colours will feel slightly gritty; others extremely smooth. Pigments are ground in pure, premium, alkali-refined and PH- balanced linseed oil and made in batches no larger than five gallons at a time. This provides total control over the product, much like the late nineteenth-century French colour makers. All the materials are hand measured, and every ounce of paint is scrutinized. The paint is packed in 37 ml and 150 ml non-reactive aluminum tubes. Larger quantities of paint are packed in aluminium cans using only the purest materials.

Michael Harding paints are made by hand, using techniques which date back to the days of the Old Masters. Harding will not claim that his paints will turn you into a great painter, but he does promise they will have a profound effect on your work. Your colors will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.