This is the second volume of a detailed and systematic exposition of the history, canonical structure, doctrine, moral and social teaching, liturgical services, and spiritual life of the Orthodox Church. The purpose of this series is to present Orthodox Christianity as an integrated theological and liturgical system, in which all elements are interconnected. Theology finds its expression and is shaped in the liturgical experience and church art-including icons, singing, and architecture. The services, in their turn, influence the ascetic practice and the personal piety of each Christian; they shape the moral and social teaching of the Church as well as its relation to other Christian confessions, non-Christian religions, and the secular world. The first volume provided an account of the historical arc of the Orthodox Church during the first ten centuries after Christ's nativity, then examined the canonical structure of the Orthodox Church. This volume examines the sources of Orthodox doctrine in Scripture and Tradition; its teaching on God in Trinity and Unity, in his essence and in his energies; on the world and man; on Jesus Christ, the incarnate God; on the Church, the body of Christ; on the Theotokos, Mary; and on eschatology, the last things.

JCSSS is a refereed journal published annually by the Canadian Society for Syriac Studies Inc. (CSSS), located at the Department of Near and Middle Eastern Civilizations, University of Toronto, Toronto, Ontario, Canada. JCSSS contains the transcripts of public lectures presented at the CSSS and possibly other articles and book reviews. JCSSS focuses on the vast Syriac literature, which is rooted in the same soil from which the ancient Mesopotamian and biblical literatures sprung; on Syriac art that bears Near Eastern characteristics as well as Byzantine and Islamic influences; and on archaeology, unearthing in the Middle East and the rest of Asia and China the history of the Syriac-speaking people: Assyrians, Chaldeans, Maronites and Catholic and Orthodox Syriacs. Modern Syriac Christianity and contemporary vernacular Aramaic dialects are also the focus of JCSSS. The languages of the Journal are English, French and German, and quotations from ancient sources are given in the original languages and in translation. The articles are interdisciplinary and scholarly; the Editorial Committee brings together scholars from four American, Canadian, and European universities. The CSSS that publishes JCSSS was founded in 1999 at the University of Toronto, Department of Near and Middle Eastern Civilizations, as part of the latter's academic programme in Aramaic and Syriac languages and literatures. It was incorporated under the Canada Corporations Act in January 23, 1999. This volume includes articles by Alain Desreumaux, Alexander Treiger, Reagan Patrick, Narmin Muhammad Amin 'Ali, Amir Harrak, and Sihaam Khan.

Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliche, doctrine, or naive apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.

Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements among a variety of people-pilgrims and poets, clergy and laity, politicians and political activists-and the woman they knew as the Bogoroditsa. In this collection of well-integrated and illuminating essays, leading scholars of imperial, Soviet, and post-Soviet Russia trace Mary's irrepressible pull and inexhaustible promise from multiple disciplinary perspectives. Focusing in particular on the ways in which both visual and narrative images of Mary frame perceptions of Russian and Soviet space and inform discourse about women and motherhood, these essays explore Mary's rich and complex role in Russia's religion, philosophy, history, politics, literature, and art. Framing Mary will appeal to Russian studies scholars, historians, and general readers interested in religion and Russian culture.

This book examines the part played by monks of Mount Athos in the diffusion of Orthodox monasticism throughout Eastern Europe and beyond. It focuses on the lives of outstanding holy men in the history of Orthodoxy who have been drawn to the Mountain, have absorbed the spirit of its wisdom and its prayer, and have returned to the outside world, inspired to spread the results of their labours and learning. In a remarkable demonstration of what may be termed 'soft power' in action, these men have carried the image of Athos to all corners of the Balkan peninsula, to Ukraine, to the very far north of Russia, across Siberia and the Bering Strait into North America, and most recently (when traditional routes were closed to them by the curtain of communism) to the West. Their dynamic witness is the greatest gift of Athos to a world thirsting for spiritual guidance.

The Xi'an Stele, erected in Tang China's capital in 781, describes in both Syriac and Chinese the existence of Christian communities in northern China. While scholars have so far considered the Stele exclusively in relation to the Chinese cultural and historical context, Todd Godwin here demonstrates that it can only be fully understood by reconstructing the complex connections that existed between the Church of the East, Sasanian aristocratic culture and the Tang Empire (617-907) between the fall of the Sasanian Persian Empire (225-651) and the birth of the Abbasid Caliphate (762-1258). Through close textual re-analysis of the Stele and by drawing on ancient sources in Syriac, Greek, Arabic and Chinese, Godwin demonstrates that Tang China (617-907) was a cosmopolitan milieu where multiple religious traditions, namely Buddhism, Zoroastrianism, Manichaeism and Christianity, formed zones of elite culture. Syriac Christianity in fact remained powerful in Persia throughout the period, and Christianity - not Zoroastrianism - was officially regarded by the Tang government as 'The Persian Religion'.Persian Christians at the Chinese Court uncovers the role played by Syriac Christianity in the economic and cultural integration of late Sasanian Iran and China, and is important reading for all scholars of the Church of the East, China and the Middle East in the medieval period.

How should Christians think about the relationship between the exercise of military power and the spread of Christianity? In Russian Orthodoxy and the Russo-Japanese War, Betsy Perabo looks at the Russo-Japanese War of 1904-5 through the unique concept of an 'interreligious war' between Christian and Buddhist nations, focusing on the figure of Nikolai of Japan, the Russian leader of the Orthodox Church in Japan. Drawing extensively on Nikolai's writings alongside other Russian-language sources, the book provides a window into the diverse Orthodox Christian perspectives on the Russo-Japanese War - from the officials who saw the war as a crusade for Christian domination of Asia to Nikolai, who remained with his congregation in Tokyo during the war. Writings by Russian soldiers, field chaplains, military psychologists, and leaders in the missionary community contribute to a rich portrait of a Christian nation at war. By grounding its discussion of 'interreligious war' in the historical example of the Russo-Japanese War, and by looking at the war using the sympathetic and compelling figure of Nikolai of Japan, this book provides a unique perspective which will be of value to students and scholars of both Russian history, the history of war and religion and religious ethics.

This lucidly written biography of Aleksandr Men examines the familial and social context from which Men developed as a Russian Orthodox priest. Wallace Daniel presents a different picture of Russia and the Orthodox Church than the stereotypes found in much of the popular literature. Men offered an alternative to the prescribed ways of thinking imposed by the state and the church. Growing up during the darkest, most oppressive years in the history of the former Soviet Union, he became a parish priest who eschewed fear, who followed Christ's command "to love thy neighbor as thyself," and who attracted large, diverse groups of people in Russian society. How he accomplished those tasks and with what ultimate results are the main themes of this story. Conflict and controversy marked every stage of Men's priesthood. His parish in the vicinity of Moscow attracted the attention of the KGB, especially as it became a haven for members of the intelligentsia. He endured repeated attacks from ultraconservative, anti-Semitic circles inside the Orthodox Church. Fr. Men represented the spiritual vision of an open, non-authoritarian Christianity, and his lectures were extremely popular. He was murdered on September 9, 1990. For years, his work was unavailable in most church bookstores in Russia, and his teachings were excoriated by some both within and outside the church. But his books continue to offer hope to many throughout the world-they have sold millions of copies and are testimony to his continuing relevance and enduring significance. This important biography will appeal to scholars and general readers interested in religion, politics, and global affairs.

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writersdeveloped an entire poetics that drew on liturgical tradition. Specifically, Russian Orthodoxy held out the possibility of unifying spirit and matter, as well as a host of other dichotomies-subject and object, empirical and irrational, noumena and phenomena. The artist could produce a work of transformative and regenerative power. Using a range of crossdisciplinary tools, Kelly reads key works by Blok, Kuzmin, Akhmatova, and Pasternak in ways that illustrate how profoundly religious traditions and ideas shaped Russian modernist literature.