This book examines the part played by monks of Mount Athos in the diffusion of Orthodox monasticism throughout Eastern Europe and beyond. It focuses on the lives of outstanding holy men in the history of Orthodoxy who have been drawn to the Mountain, have absorbed the spirit of its wisdom and its prayer, and have returned to the outside world, inspired to spread the results of their labours and learning. In a remarkable demonstration of what may be termed 'soft power' in action, these men have carried the image of Athos to all corners of the Balkan peninsula, to Ukraine, to the very far north of Russia, across Siberia and the Bering Strait into North America, and most recently (when traditional routes were closed to them by the curtain of communism) to the West. Their dynamic witness is the greatest gift of Athos to a world thirsting for spiritual guidance.

The Xi'an Stele, erected in Tang China's capital in 781, describes in both Syriac and Chinese the existence of Christian communities in northern China. While scholars have so far considered the Stele exclusively in relation to the Chinese cultural and historical context, Todd Godwin here demonstrates that it can only be fully understood by reconstructing the complex connections that existed between the Church of the East, Sasanian aristocratic culture and the Tang Empire (617-907) between the fall of the Sasanian Persian Empire (225-651) and the birth of the Abbasid Caliphate (762-1258). Through close textual re-analysis of the Stele and by drawing on ancient sources in Syriac, Greek, Arabic and Chinese, Godwin demonstrates that Tang China (617-907) was a cosmopolitan milieu where multiple religious traditions, namely Buddhism, Zoroastrianism, Manichaeism and Christianity, formed zones of elite culture. Syriac Christianity in fact remained powerful in Persia throughout the period, and Christianity - not Zoroastrianism - was officially regarded by the Tang government as 'The Persian Religion'.Persian Christians at the Chinese Court uncovers the role played by Syriac Christianity in the economic and cultural integration of late Sasanian Iran and China, and is important reading for all scholars of the Church of the East, China and the Middle East in the medieval period.

How should Christians think about the relationship between the exercise of military power and the spread of Christianity? In Russian Orthodoxy and the Russo-Japanese War, Betsy Perabo looks at the Russo-Japanese War of 1904-5 through the unique concept of an 'interreligious war' between Christian and Buddhist nations, focusing on the figure of Nikolai of Japan, the Russian leader of the Orthodox Church in Japan. Drawing extensively on Nikolai's writings alongside other Russian-language sources, the book provides a window into the diverse Orthodox Christian perspectives on the Russo-Japanese War - from the officials who saw the war as a crusade for Christian domination of Asia to Nikolai, who remained with his congregation in Tokyo during the war. Writings by Russian soldiers, field chaplains, military psychologists, and leaders in the missionary community contribute to a rich portrait of a Christian nation at war. By grounding its discussion of 'interreligious war' in the historical example of the Russo-Japanese War, and by looking at the war using the sympathetic and compelling figure of Nikolai of Japan, this book provides a unique perspective which will be of value to students and scholars of both Russian history, the history of war and religion and religious ethics.

Icons and the Liturgy, East and West: History, Theology, and Culture is a collection of nine essays developed from papers presented at the 2013 Huffington Ecumenical Institute's symposium "Icons and Images," the first of a three-part series on the history and future of liturgical arts in Catholic and Orthodox churches. Catholic and Orthodox scholars and practitioners gathered at Loyola Marymount University to present papers discussing the history, theology, ecclesiology, and hermeneutics of iconology, sacred art, and sacred space in the Orthodox and Catholic traditions. Nicholas Denysenko's book offers two significant contributions to the field of Eastern and Western Christian traditions: a critical assessment of the status of liturgical arts in postmodern Catholicism and Orthodoxy and an analysis of the continuity with tradition in creatively engaging the creation of sacred art and icons. The reader will travel to Rome, Byzantium, Armenia, Chile, and to other parts of the world, to see how Christians of yesterday and today have experienced divine encounters through icons. Theologians and students of theology and religious studies, art historians, scholars of Eastern Christian Studies, and Catholic liturgists will find much to appreciate in these pages. Contributors: Nicholas Denysenko, Robert Taft, S.J., Thomas M. Lucas, S.J., Bissera V. Pentcheva, Kristin Noreen, Christina Maranci, Dorian Llywelyn, S.J., Michael Courey, and Andriy Chirovsky.

Writing in the tradition of biblical exegetes, such as St John Chrysostom, Blessed Theophylact of Bulgaria, and St Theophan the Recluse, the work of Archbishop Averky (Taushev) provides a commentary that is firmly grounded in the teaching of the Church, manifested in its liturgical hymnography and the works of the Holy Fathers. Using the best of prerevolutionary Russian sources, these writings also remained abreast of developments in Western biblical scholarship, engaging with it directly and honestly. In this second of three planned volumes, the author explains the significance of the Church's earliest history, as recorded in the Book of Acts. Questions of authorship and time of composition are also addressed. Archbishop Averky's commentaries on the New Testament have become standard textbooks in Holy Trinity Orthodox Seminary and have been published in Russia to widespread acclaim. This present volume is the first translation of these texts into English. it is an indispensable addition to the library of every student of the New Testament.

It is October 1592. Christopher Marlowe, the most accomplished playwright in London, has written The Massacre at Paris for his company, the Lord Admiral's Men. Bubonic plague has hit outlying parishes, forcing theaters to close and postponing the season. Ordinarily, the Rose Theatre would debut Marlowe's work, but its subject-the St. Bartholomew Day's Massacre-is unpleasant and mightinflame hostilities against Catholics and their sympathizers, such as merchants on whom trade depends. A new company, the Lord Strange's Men, boasts a young writer, William Shakespeare, who is said to have several barnburners in the queue. A competition is called to decide which company will reopen the theaters. Who will most effectively represent the nation's ideals and energies, its humor and grandeur? One troupe will gain supremacy, primarily for literary but also for cultural, religious, and political reasons.

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writersdeveloped an entire poetics that drew on liturgical tradition. Specifically, Russian Orthodoxy held out the possibility of unifying spirit and matter, as well as a host of other dichotomies-subject and object, empirical and irrational, noumena and phenomena. The artist could produce a work of transformative and regenerative power. Using a range of crossdisciplinary tools, Kelly reads key works by Blok, Kuzmin, Akhmatova, and Pasternak in ways that illustrate how profoundly religious traditions and ideas shaped Russian modernist literature.

This revised publication of the Venice 1891 Leitourgikon collects the hymns chanted in the Divine Liturgy from the ecclesiastical library of the Book of Hours, Menaeon, Triodion, Pentecostarion and Parakletike for the Sundays, Great Feasts and Formal Saint commemorations of the Church calendar. Specifically, it contains the Psalms from the Service of the Typika, the troparia of the Beatitudes, and Kanon troparia from the 3rd and 6th Odes, the antiphons and other troparia (apolytikia, kontakia, hypakoae, megalynaria and communion hymns) necessary to those chanting the Liturgy. It is with great spiritual pleasure that this most practical edition is presented, with the humble dedication to the pious clergy and chanters in the Church. Like in the 1891 edition, it was deemed advantageous to add a few more practical texts. In the area containing hymns from the new service booklets hymns for the commemoration of the Father of Mount Athos, the Feast of the Holy Protection and the memories of St Nektarios the Wonderworker and St Kosmas Aetolos were added. Also included are the texts of the daily antiphons, the troparia of the weekday beatitudes from the Parakletike, the May my mouth be filled with thy praise and Psalms 33 and 144.

Orthodox Christians today have no lack of resources on monastic spirituality. And yet startlingly little has been done to critically engage the monastic tradition and adapt its ancient wisdom for the Orthodox faithful living in today's complex society. A Layman in the Desert aims to bridge this crucial gap. Working with the Conferences of St John Cassian, Opperwall constructs a kind of relationship handbook that shows us how the desert saints of old can help us build healthy, Christ-centered relationships with our spouses, children, friends, and coworkers.

St. Porphyry, one of the best known elders in modern Greece, having direct experience of God and a whole life devoted to the guidance of his spiritual children, left precious speeches. The present edition offers important excerpts along with notes that explain Porphyry's thinking. Porphyry emphasizes the secrecy that fits the divine love, the sensitivity and confidence, the awareness, devoutness, freedom and mildness of faith, when life becomes a prayer, realizing the identity of Christ, that "He is our friend, our brother, He is everything good and nice. He is Everything, but He is a friend and he shouts... 'we are brothers... I'm not holding hell in my hand, I'm not threatening you, I love you, I want you to enjoy life together with me."

In The American YMCA and Russian Culture, Matthew Lee Miller explores the impact of the philanthropic activities of the Young Men's Christian Association (YMCA) on Russians during the late imperial and early Soviet periods. The YMCA, the largest American service organization, initiated its intense engagement with Russians in 1900. During the First World War, the Association organized assistance for prisoners of war, and after the emigration of many Russians to central and western Europe, founded the YMCA Press and supported the St. Sergius Theological Academy in Paris. Miller demonstrates that the YMCA contributed to the preservation, expansion, and enrichment of Eastern Orthodox Christianity. It therefore played a major role in preserving an important part of pre-revolutionary Russian culture in Western Europe during the Soviet period until the repatriation of this culture following the collapse of the USSR. The research is based on the YMCA's archival records, Moscow and Paris archives, and memoirs of both Russian and American participants. This is the first comprehensive discussion of an extraordinary period of interaction between American and Russian cultures. It also presents a rare example of fruitful interconfessional cooperation by Protestant and Orthodox Christians.