Sociocultural anthropologists have taken increasing interest in the global communities established by Roman Catholic and Protestant churches, but the many streams of Eastern Christianity have so far been neglected. "Eastern Christians in Anthropological Perspective" fills this gap in the literature. The essays in this pioneering collection examine the primary distinguishing features of the Eastern traditions - iconography, hymnology, ritual, and pilgrimage - through meticulous ethnographic analysis. Particular attention is paid to the revitalization of Orthodox and Greek Catholic churches that were repressed under Marxist-Leninist regimes.

An exploration of the ways in which crosses reflect and shape ideas and practices in Ethiopian culture: from religious values and rituals to magic and apocalyptic beliefs, and from individual identities to socio-political structures and power relations.

In this fourth installment of the long Homily 71, On the Six Days of Creation, Jacob treats of the events of the fourth day, the creation of the spheres of light over the earth: the sun to rule over the day, and the moon and the stars to rule over the night.

Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliche, doctrine, or naive apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.

Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements among a variety of people-pilgrims and poets, clergy and laity, politicians and political activists-and the woman they knew as the Bogoroditsa. In this collection of well-integrated and illuminating essays, leading scholars of imperial, Soviet, and post-Soviet Russia trace Mary's irrepressible pull and inexhaustible promise from multiple disciplinary perspectives. Focusing in particular on the ways in which both visual and narrative images of Mary frame perceptions of Russian and Soviet space and inform discourse about women and motherhood, these essays explore Mary's rich and complex role in Russia's religion, philosophy, history, politics, literature, and art. Framing Mary will appeal to Russian studies scholars, historians, and general readers interested in religion and Russian culture.

This book is a part of series of Causes of Celebrations written by Moshe Bar Kepha (813-903). These Causes are unique in that they demonstrate a new genre of the Syriac literature initiated by the East Syriac authors at the beginning of the sixth century. Moreover, these Causes reveal the appreciation and dependency of Moshe Bar Kepha on the East Syriac sources despite the ecclesiastical doctrinal separation between the East Syriac and West Syriac churches.

How should Christians think about the relationship between the exercise of military power and the spread of Christianity? In Russian Orthodoxy and the Russo-Japanese War, Betsy Perabo looks at the Russo-Japanese War of 1904-5 through the unique concept of an 'interreligious war' between Christian and Buddhist nations, focusing on the figure of Nikolai of Japan, the Russian leader of the Orthodox Church in Japan. Drawing extensively on Nikolai's writings alongside other Russian-language sources, the book provides a window into the diverse Orthodox Christian perspectives on the Russo-Japanese War - from the officials who saw the war as a crusade for Christian domination of Asia to Nikolai, who remained with his congregation in Tokyo during the war. Writings by Russian soldiers, field chaplains, military psychologists, and leaders in the missionary community contribute to a rich portrait of a Christian nation at war. By grounding its discussion of 'interreligious war' in the historical example of the Russo-Japanese War, and by looking at the war using the sympathetic and compelling figure of Nikolai of Japan, this book provides a unique perspective which will be of value to students and scholars of both Russian history, the history of war and religion and religious ethics.

A complete prayer book in the Slavonic language printed with the Cyrillic (old orthography) alphabet. Includes morning and evening prayers, the liturgy of St. John Chrysostom, various Akathists and Canons annd much more besides.

This book is about the Christ Pantokrator, an imposing monumental complex serving monastic, dynastic, medical and social purposes in Constantinople, founded by Emperor John II Komnenos and Empress Piroska-Eirene in 1118. Now called the Zeyrek Mosque, the second largest Byzantine religious edifice after Hagia Sophia still standing in Istanbul represents the most remarkable architectural and the most ambitious social project of the Komnenian dynasty. This volume approaches the Pantokrator from a special perspective, focusing on its co-founder, Empress Piroska-Eirene, the daughter of the Hungarian king Ladislaus I. This particular vantage point enables its authors to explore not only the architecture, the monastic and medical functions of the complex, but also Hungarian-Byzantine relations, the cultural and religious history of early medieval Hungary, imperial representation, personal faith and dynastic holiness. Piroska's wedding with John Komnenos came to be perceived as a union of East and West. The life of the Empress, a "sainted ruler," and her memory in early Arpadian Hungary and Komnenian Byzantium are discussed in the context of women and power, monastic foundations, architectural innovations, and spiritual models.

Maria A. Smith presents an overview and genealogy of Revivalism in this work. She explores the role of the Revival iconography in building a culture of shared understanding among Revivalists and, by extension, African Jamaicans. The Watt Town setting, with bands coming together from communities all over Jamaica, engaging in the same practices, is a symbolic homeland where people celebrate their Africanness and sustain the collective memory of Revivalists. Revival iconography is explored through its many modes: visual, sound and movement. Seals, symbols and colour symbolism are presented as a representation of the repertoire of images that make up the Revival iconography. Revival cosmology in the rituals and ceremonies are explored and the spaces created by the seals are treated as liminal ones for the enactment of cultural performances. Smith makes the point that the iconography makes it possible for Revivalists to interpret events and rituals in much the same way across Jamaica. Iconography is the symbolic language and carrier of culture that is central to the practice and production of shared meanings, and this language gives Revivalists a sense of identity. The Revival iconography stores information that makes it possible for Revivalists to reconnect with African metaphysics, thus reclaiming the African self.

For centuries, Catholics in the Western world and the Orthodox in Russia have venerated certain saints as martyrs. In many cases, both churches recognize as martyrs the same individuals who gave their lives for Jesus Christ. On the surface, it appears that while the external liturgical practices of Catholics and Russian Orthodox may vary, the fundamental theological understanding of what it means to be a martyr, and what it means to canonize a saint, are essentially the same. But are they? In Making Martyrs East and West, Caridi examines how the practice of canonization developed in the West and in Russia, focusing on procedural elements that became established requirements for someone to be recognized as a saint and a martyr. She investigates whether the components of the canonization process now regarded as necessary by the Catholic Church are fundamentally equivalent to those of the Russian Orthodox Church and vice versa, while exploring the possibility that the churches use the same terminology and processes but in fundamentally different ways that preclude the acceptance of one church's saints by the other. Caridi examines official church documents and numerous canonization records, collecting and analyzing information from several previously untapped medieval Russian sources. Her highly readable study is the first to focus on the historical documentation on canonization specifically for juridical significance. It will appeal to scholars of religion and church history, as well as ecumenicists, liturgists, canonists, and those interested in East-West ecumenical efforts.

The Byzantine emperor Leo VI (886-912), was not a general or even a soldier, like his predecessors, but a scholar, and it was the religious education he gained under the tutelage of the patriarch Photios that was to distinguish him as an unusual ruler. This book analyses Leo's literary output, focusing on his deployment of ideological principles and religious obligations to distinguish the characteristics of the Christian oikoumene from the Islamic caliphate, primarily in his military manual known as the Taktika. It also examines in depth his 113 legislative Novels, with particular attention to their theological prolegomena, showing how the emperor's religious sensibilities find expression in his reshaping of the legal code to bring it into closer accord with Byzantine canon law. Meredith L. D. Riedel argues that the impact of his religious faith transformed Byzantine cultural identity and influenced his successors, establishing the Macedonian dynasty as a 'golden age' in Byzantium.

Elisabeth Behr-Sigel (1907-2005), a convert to Orthodoxy in her early twenties and a central figure of Orthodox theology among Russian emigres in Paris, first began to reflect on the question of women in the priesthood in 1976. Initially supporting the general consensus that priesthood would be impossible for the Orthodox, she came to retract this view, finding a basis for female ordination in women's distinct spiritual charisms. Behr-Sigel later shifted the foundation of her case to personhood, inspired by the work of fellow Orthodox theologian Vladimir Lossky, and arrived at the conclusion that all the Orthodox arguments against the ordination of women were, in fact, heretical at root. In this volume, Wilson analyzes all of Behr-Sigel's writings about women and the priesthood across the whole sweep of her career, demonstrating the development of her thought on women over the last thirty years of her life. She evaluates her relationship to feminism, Protestantism and movements within Orthodoxy, finally drawing conclusions about this much-contested matter for the ongoing debate in both the East and the West.

This volume brings together a set of fundamental contributions, many translated into English for this publication, along with an important introduction. Together these explore the role of Greek among Christian communities in the late antique and Byzantine East (late Roman Oriens), specifically in the areas outside of the immediate sway of Constantinople and imperial Asia Minor. The local identities based around indigenous eastern Christian languages (Syriac, Coptic, Armenian, Georgian, etc.) and post-Chalcedonian doctrinal confessions (Miaphysite, Church of the East, Melkite, Maronite) were solidifying precisely as the Byzantine polity in the East was extinguished by the Arab conquests of the seventh century. In this multilayered cultural environment, Greek was a common social touchstone for all of these Christian communities, not only because of the shared Greek heritage of the early Church, but also because of the continued value of Greek theological, hagiographical, and liturgical writings. However, these interactions were dynamic and living, so that the Greek of the medieval Near East was itself transformed by such engagement with eastern Christian literature, appropriating new ideas and new texts into the Byzantine repertoire in the process.

In Memory Eternal, Sergei Kan combines anthropology and history, anecdote and theory to portray the encounter between the Tlingit Indians and the Russian Orthodox Church in Alaska in the late 1700s and to analyze the indigenous Orthodoxy that developed over the next 200 years. As a native speaker of Russian with eighteen years of fieldwork experience among the Tlingit, Kan is uniquely qualified to relate little-known material from the archives of the Russian church in Alaska to Tlingit oral history and his own observations. By weighing the one body of evidence against the other, he has reevaluated this history, arriving at a persuasive new concept of "converged agendas"-the view that the Tlingit and the Russians tended to act in mutually beneficial ways but for entirely different reasons throughout the period of their contact with one another. The Russian-American Company began operations in southeastern Alaska in the 1790s. Against a description of Tlingit culture at the time of the Russians' arrival, Kan examines Russian Orthodox theology, ritual practice, and missionary methods, and the Tlingit response to them. An uneasy symbiosis characterized the early era of the Russian-American Company, when the trading relationship outweighed any spiritual or social rapprochement. A second, major focus of Kan's study is the Tlingit experience with American colonial domination. He attributes a sudden revival of Tlingit interest in Orthodoxy in the 1880s as their attempt to maintain independence in the face of concerted efforts by the newcomers (and especially Presbyterian missionaries) to Americanize them. Memory Eternal shows the colonial encounter to be both a power struggle and a dialogue between different systems of meaning. It portrays Native Alaskans not as helpless victims but as historical agents who attempted to adjust to the changing reality of their social world without abandoning fundamental principles of their precolonial sociocultural order or their strong sense of self-respect.

Memra 72 is a meditation on the fall of Adam and its consequences, subjecting all creation to corruption. God's mercy, however, will restore everything to a spiritual, incorruptible state that will exist eternally in the unending light of Christ.

In A Philosophy of the Unsayable, William Franke argues that the encounter with what exceeds speech has become the crucial philosophical issue of our time. He proposes an original philosophy pivoting on analysis of the limits of language. The book also offers readings of literary texts as poetically performing the philosophical principles it expounds. Franke engages with philosophical theologies and philosophies of religion in the debate over negative theology and shows how apophaticism infiltrates the thinking even of those who attempt to deny or delimit it. In six cohesive essays, Franke explores fundamental aspects of unsayability. In the first and third essays, his philosophical argument is carried through with acute attention to modes of unsayability that are revealed best by literary works, particularly by negativities of poetic language in the oeuvres of Paul Celan and Edmond Jabes. Franke engages in critical discussion of apophatic currents of philosophy both ancient and modern, focusing on Hegel and French post-Hegelianism in his second essay and on Neoplatonism in his fourth essay. He treats Neoplatonic apophatics especially as found in Damascius and as illuminated by postmodern thought, particularly Jean-Luc Nancy's deconstruction of Christianity. In the last two essays, Franke treats the tension between two contemporary approaches to philosophy of religion-Radical Orthodoxy and radically secular or Death-of-God theologies. A Philosophy of the Unsayable will interest scholars and students of philosophy, literature, religion, and the humanities. This book develops Franke's explicit theory of unsayability, which is informed by his long-standing engagement with major representatives of apophatic thought in the Western tradition.

Russian political history and Russian church history are tied together very tightly. One cannot properly understand the overall history of Russia without considering the role of the Orthodox Church in Russia. Cross and Kremlin uniquely surveys both the history and the contemporary situation of the Russian Orthodox Church. The first chapter gives a concise chronology from the tenth century through the present day. The following chapters highlight several important issues and aspects of Russian Orthodoxy -- church-state relations, theology, ecclesiastical structure, monasticism, spirituality, the relation of Russian Orthodoxy to the West, dissidence as a frequent phenomenon in Russian church history, and more.

The Sentences of the Syriac Menander appears in two Syriac manuscripts in the British Library, a full version in one codex, and a far shorter version, only a small fraction thereof, in another. This book presents a commentary on the text in its complete version focusing on parallels from both Jewish tradition and the Greco-Roman world, showing that the text is not, as it claims, the work of the Greek author Menander, but rather a work of Jewish Wisdom Literature composed in Syriac, possibly in the ancient city of Edessa itself, and preserved within Christian monastic circles.

Recognised as a saint by both Chalcedonian and non-Chalcedonian Christians alike, Jacob of Sarug (d. 521) produced many narrative poems that have rarely been translated into English. Of his reported 760 metrical homilies, only about half survive. Part of a series of fascicles containing the bilingual Syriac-English editions of Saint Jacob of Sarug's homilies, this volume contains his entire seven-part homily on the Fashioning of Creation.

"Philokappadox" rassemble dix-sept contributions en hommage posthume au Professeur Justin Mossay, helleniste emerite surtout connu pour ses travaux relatifs aux Discours de Gregoire de Nazianze. Les articles de ses eleves et amis sont repartis dans quatre parties, dont cet illustre Cappadocien constitue le theme central: la tradition grecque des Discours gregoriens, les versions orientales (essentiellement georgiennes et syriaques), la posterite du Theologien sous des formes variees, et divers elements en rapport avec la Cappadoce. Differentes disciplines sont mises a l'honneur: la philologie traditionnelle est illustree par des editions de textes et l'examen des traditions manuscrites, grecque et orientales; des points de contact sont etablis avec le monde occidental; l'onomastique capadocienne anterieure au monde greco-romain y trouve egalement place; enfin, les methodes modernes d'analyse statistique et de lemmatisation completent de facon originale cet eventail d'approches variees.

This valuable study explores the Russian Enlightenment with reference to the religious Enlightenment of the mid to late eighteenth century. Grounded in close reading of the sermons and devotional writings of Platon (Levshin), Court preacher and Metropolitan of Moscow, the book examines the blending of European ideas into the teachings of Russian Orthodoxy. Highlighting the interplay between Enlightenment thought and Orthodox enlightenment, Elise Wirtschafter addresses key questions of concern to religious Enlighteners across Europe: humanity's relationship to God and creation, the distinction between learning and enlightenment, the role of Christian love in authority relationships, the meaning of free will in a universe governed by Divine Providence, and the unity of church, monarchy, and civil society. Countering scholarship that depicts an Orthodox religious culture under assault from European modernity and Petrine absolutism, Wirtschafter emphasizes the ability of Russia's educated churchmen to assimilate and transform Enlightenment ideas. The intellectual and spiritual vitality of eighteenth-century Orthodoxy helps to explain how Russian policymakers and intellectuals met the challenge of European power while simultaneously coming to terms with the broad cultural appeal of the Enlightenment's universalistic human rights agenda. Religion and Enlightenment in Catherinian Russia defines the Russian Enlightenment as a response to the allure of European modernity, as an instrument of social control, and as the moral voice of an emergent independent society. Because Russia's enlightened intellectuals focused on the moral perfectibility of the individual human being, rather than social and political change, the originality of the Russian Enlightenment has gone unrecognized. This study corrects images of a superficial Enlightenment and crisis-ridden religious culture, arguing that in order to understand the humanistic sensibility and emphasis on individual dignity that permeate Russian intellectual history, and the history of the educated classes more broadly, it is necessary to bring Orthodox teachings into the discussion of Enlightenment thought. The result is a book that explains the distinctive origins of modern Russian culture while also allowing scholars to situate the Russian Enlightenment in European and global history.

Research indicates that on average, Americans change their religious affiliation at least once during their lives. Today, a number of evangelical Christians are converting to Catholicism, Eastern Orthodoxy and Anglicanism. Longtime Evangelicals often fail to understand the attraction of these non-Evangelical Christian traditions. Journeys of Faith examines the movement between these traditions from various angles. Four prominent converts to Eastern Orthodoxy, Catholicism, Evangelicalism and Anglicanism describe their new faith traditions and their spiritual journeys into them. Response chapters offer respectful critiques. Contributors include Wilbur Ellsworth (Eastern Orthodoxy), with a response by Craig Blaising; Francis J. Beckwith (Roman Catholicism), with Gregg Allison responding; Chris Castaldo (Evangelicalism) and Brad Gregory s Catholic response; and Lyle Dorsett (Anglicanism), with a response by Robert Peterson. This book will provide readers with first-hand accounts of thoughtful Christians changing religious affiliation or remaining true to the traditions they have always known. Pastors, counselors and students of theology will gain a wealth of insight into current faith migration within the church today."

Unorthodox Beauty shows how Russian poets of the early twentieth century consciously adapted Russian Orthodox culture in order to create a distinctly religious modernism. Martha M. F. Kelly contends that, beyond mere themes, these writersdeveloped an entire poetics that drew on liturgical tradition. Specifically, Russian Orthodoxy held out the possibility of unifying spirit and matter, as well as a host of other dichotomies-subject and object, empirical and irrational, noumena and phenomena. The artist could produce a work of transformative and regenerative power. Using a range of crossdisciplinary tools, Kelly reads key works by Blok, Kuzmin, Akhmatova, and Pasternak in ways that illustrate how profoundly religious traditions and ideas shaped Russian modernist literature.

What was Joseph's reaction when he arrived home to find Mary pregnant? How did Mary manage to persuade him that her child was none other than the Son of God? The Syriac literary tradition had a unique way of answering these sorts of questions raised by the Bible. Dialogue poems (sughyotho) offer lively, thought-provoking, and often delightful re-imaginings of Biblical events. They expand the Biblical stories, giving the familiar characters more dialogue and describing their inner thoughts. The collection provides five dialogue poems featuring Mary, in Syriac original with facing English translation.