Using this ideal marbling paint, beautiful marble effects can be achieved on many different substrates. Suitable for use on plastic eggs and balls (always try a test area first on plastic objects), glass, acrylic, wood, papier mâché, blown eggs, candles, metal and polystyrene. All objects should be plain and paint-free. Papers, Japanese paper, many fabrics and silks can also be marbled using Marabu-easy marble. The paint is organic solvent based and is touch-dry after about 15 minutes. The paint is not permanent and will wipe off with a damp cloth after drying; therefore the decorated objects are not washable and not wash-resistant.

Using this ideal marbling paint, beautiful marble effects can be achieved on many different substrates. Suitable for use on plastic eggs and balls (always try a test area first on plastic objects), glass, acrylic, wood, papier mâché, blown eggs, candles, metal and polystyrene. All objects should be plain and paint-free. Papers, Japanese paper, many fabrics and silks can also be marbled using Marabu-easy marble. The paint is organic solvent based and is touch-dry after about 15 minutes. The paint is not permanent and will wipe off with a damp cloth after drying; therefore the decorated objects are not washable and not wash-resistant.

Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.

Properties :QUALITY: Deep and glossy, transparent or opaque, with a superb enamelled appearance after baking. The range includes 10 shimmering colours, twinkling and iridescent effects, particularly opaque and covering. Excellent lightfastness.COLOUR MIXABILITY: Colours can be mixed together.DRYING: Tack free in a few minutes, fully dry in a minimum of 24 hours. Baking all colours and auxiliary products in the range : 35 minutes at 150°C (300°F) in domestic oven, after minimum 24 hours drying. For the markers: Allow to air dry 72 hours for decorative use with light washing and no soaking.Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. The markers are recommended for lines and writing. Shake well before use. Press tip repeatedly to start ink flow. Allow to air dry 72 hours for decorative use with light washing and no soaking. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.

Roberson Liquid Metals have a rich deep colour and are ideal for a range of applications and surfaces. All colours are intermixable and can be used on surfaces such as plaster, wood, paper & canvas. The paint gives the appearance of metal but will not tarnish and is not required to be varnished.

Roberson Liquid Metals are creamy acrylic colours that can be used on most surfaces including plaster, wood, paper & canvas. The rich, deep colour gives the appearance of metal but it will not tarnish and is not required to be varnished.

The 24 colour range includes 13 shades of gold, brass and bronze; eight shades of silver, pewter and platinum; a steel, a graphite and an interference, glittery colour (called Twinkle).
All colours are intermixable with each other and other acrylic paints. When mixed they add both their colour and their sparkle to other acrylic paints.

The colours are all transparent but in thicker applications they can cover quite well. The paints can be thinned with water and as the paint becomes more transparent the metallic shimmer is still visible. Clean up is with soap and water. If you intend to paint large things, the pots list the paint’s coverage as: 7 square metres per litre

Speciality Colours
Two of the 24 colour range are slightly different to the rest and have slightly different prices:

Twinkle: This variation of liquid metals produces colour changing effects with a hint of glitter. The use of different backgrounds will change the effects, for example dark backgrounds will show the glitter properties whereas light backgrounds provide a colour changing effect dependant on angle of view. It can be added to other colours to create a range of interesting effects.

Solid Silver: This variation of Liquid Metals differs from other silver shades within the range as it contains aluminium particles – this makes the liquid metal more opaque to provide excellent coverage.

QUALITY: Water-based paste in 20ml tube with nozzle. Finish: Brilliant. DRYING: 1 hour to the touch, 24 hours to dry completely. CLEANING DECORATED ITEMS: After drying, the dimensional paint may be lightly washed without soaking. Resistant to window cleaners. CLEANING THE BRUSHES: With soap.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Using this ideal marbling paint, beautiful marble effects can be achieved on many different substrates. Suitable for use on plastic eggs and balls (always try a test area first on plastic objects), glass, acrylic, wood, papier mâché, blown eggs, candles, metal and polystyrene. All objects should be plain and paint-free. Papers, Japanese paper, many fabrics and silks can also be marbled using Marabu-easy marble. The paint is organic solvent based and is touch-dry after about 15 minutes. The paint is not permanent and will wipe off with a damp cloth after drying; therefore the decorated objects are not washable and not wash-resistant.

Product Usage :Porcelaine 150 can be applied to all heat-stable bases that are able to withstand a temperature of 150°C (300°F), such as porcelain, china, glazed earthenware, terracotta, metal, enameled sheet steel, copper and glass. The choice of base enables numerous effects to be produced and experiments to be made with the transparency and intensity of the colours. Porcelaine 150 makes professional enameling available to all, with a new generation of 46 colours, glazed by simply baking at 150°C (300°F) in any domestic oven. In bottle, tube and marker, which can be mixed together, deep and glossy, transparent or opaque, with a superb enameled appearance after baking. Many applications are possible with Porcelaine 150: with brushes and also with sponge and stencil. The Porcelaine 150 outliners, in tube with nozzle, can be used for outlining work and screen printing. For dishwasher resistance, allow to air dry 24 hour after application then bake in oven for 35 minutes at 150°C (300°F). Store flatwise. Keep away from freezing.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fleur Designer’s Paint Antiquing Wax can be used to create an old look. Ideal to be applied on surfaces with reliefs or engravings.

To achieve an antique look, apply the wax using a cotton cloth or a brush while following the direction of the grain. Remove the excess and once dry, gently rub the surface until you get a shiny finish.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

This set of textile inks includes six 4oz (118ml) jars of fabric screen printing ink in the following colours: Black, Red, Blue, White, Green and Yellow.

An ideal introduction to screen printing inks.

Contents Include: 6 x Speedball Ink Jars 4 oz (118ml)
1 x Black
1 x Red
1 x Blue
1 x White
1 x Green
1 x Yellow

QUALITY: Water-based paste in 20ml tube with nozzle. Finish: Brilliant. DRYING: 1 hour to the touch, 24 hours to dry completely. CLEANING DECORATED ITEMS: After drying, the dimensional paint may be lightly washed without soaking. Resistant to window cleaners. CLEANING THE BRUSHES: With soap.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Prisme are opaque, Alkyd oil-based colours that dry to reveal a stunning honeycomb effect and a pearlescent finish. The effect will become visible as the paint dries over the course of 5 to 10 minutes. There are 28 colours available, all with a good lightfastness.Fantasy Prisme colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. This provides a the opportunity to experiment widely on flat horizontal surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.

Properties:QUALITY: Water based colours, vivid and intense for painting on silk. Fluid, they fuse on silk.COLOUR COLOUR MIXABILITY: Can be mixed together.DRYING : Air dry in a few minutes.SURFACES: All types of silk.THINNER: Setasilk thinner.Opacity: Opaque colours Finish: Brilliant.FIXING: 3 to 4 minutes on the reverse side of the fabric with a hot iron.CARING: (decorated fabrics) 48 hours after fixing, colours resist handwashing and dry cleaningBRUSHES: Soft and very thin, with a high retention capacity, the pure squirrel brushes are ideal for painting on silk. From a modern technology, the Aqua range brushes are made from synthetic fibres, are soft and durable, can match the performance of sable at the best price. For backgorunds and washes, foam brushes are the most practical.BRUSH CLEANING: Soapy waterProduct Usage:Setasilk is used as a traditional colour and used on all types of silk : twill, pongee, crêpe de chine, georgette, damask..Very easy to use, fixed by simply ironing, Setasilk colours can be used for all silk painting techniques : outlining, salt dusting, watercolour on dry or damp silk, crackling wax or drawing wax batik, mahaju. They keep the silk's flexibility and offer a rich, refined and very bright palette.

Fantasy Moon are opaque, Alkyd oil-based colours that instantly show a stunning hammered effect and a pearlescent finish upon application. There are 18 colours available, all with a good lightfastness. Fantasy Moon colours are ready-to-use and mixable with each other and other paint ranges, such as Vitrail, Ceramic, Cerne Relief, Studio Acrylics and Gédéo resins. They can be applied with a brush in thin or thick coats. This provides a the opportunity to experiment widely on a variety of surfaces.