At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

This book investigates the complex, sometimes fraught relationship between phenomenology and the natural sciences. The contributors attempt to subvert and complicate the divide that has historically tended to characterize the relationship between the two fields. Phenomenology has traditionally been understood as methodologically distinct from scientific practice, and thus removed from any claim that philosophy is strictly continuous with science. There is some substance to this thinking, which has dominated consideration of the relationship between phenomenology and science throughout the twentieth century. However, there are also emerging trends within both phenomenology and empirical science that complicate this too stark opposition, and call for more systematic consideration of the inter-relation between the two fields. These essays explore such issues, either by directly examining meta-philosophical and methodological matters, or by looking at particular topics that seem to require the resources of each, including imagination, cognition, temporality, affect, imagery, language, and perception.

Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl's work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.

"The World Unclaimed" argues that Heidegger's critique of modern epistemology in "Being and Time" is seriously flawed. Heidegger believes he has done away with epistemological problems concerning the external world by showing that the world is an existential structure of Dasein. However, the author argues that Heidegger fails to make good his claim that he has "rescued" the phenomenon of the world, which he believes the tradition of philosophy has bypassed. Heidegger fails not only to reclaim the world but also to acknowledge its loss. Alweiss thus calls into question Heidegger's claim that ontology is more fundamental than epistemology.
"The World Unclaimed" develops its powerful critique of Being and Time by arguing for a return to Husserl. It draws on Husserl's insight that it is the moving and sensing body that discloses how we are already familiar with the world. Kinaesthesia provides a key for understanding our relation to the world. The author thus suggests that thinkers in the vein of Husserl and Kant -who, for Heidegger, epitomize the tradition of modern philosophy by returning to a "worldless subject"- may provide us with the resources to reclaim the phenomenon of the world that "Being and Time" sets out to salvage.
Alweiss's fresh and innovative study demonstrates that it is possible to overcome epistemological skepticism without ever losing sight of the phenomenon of the world. Moreover, Alweiss challenges us to reconsider the relation between Husserl and Heidegger by providing a forceful defense of Husserl's critique of cognition.

This edited volume offers a new approach to understanding social conventions by way of Martin Heidegger. It connects the philosopher's conceptions of the anyone, everydayness, and authenticity with an analysis and critique of social normativity. Heidegger's account of the anyone is ambiguous. Some see it as a good description of human sociality, others think of it as an important critique of modern mass society. This volume seeks to understand this ambiguity as reflecting the tension between the constitutive function of conventions for human action and the critical aspects of conformism. It argues that Heidegger's anyone should neither be reduced to its pejorative nor its constitutive dimension. Rather, the concept could show how power and norms function. This volume would be of interest to scholars and students of philosophy and the social sciences who wish to investigate the social applications of the works of Martin Heidegger.

This volume presents political phenomenology as a new specialty in western philosophical and political thought that is post-classical, post-Machiavellian, and post-behavioral. It draws on history and sets the agenda for future explorations of political issues. It discloses crossroads between ethics and politics and explores border-crossing issues. All the essays in this volume challenge existing ideas of politics significantly. As such they open new ways for further explorations BY future generations of phenomenologists and non-phenomenologists alike. Moreover, the comprehensive chronological bibliography is unprecedented and provides not only an excellent picture of what phenomenologists have already done but also a guide for the future.

Kevin Hermberg's book fills an important gap in previous Husserl scholarship by focusing on intersubjectivity and empathy (i.e., the experience of others as other subjects) and by addressing the related issues of validity, the degrees of evidence with which something can be experienced, and the different senses of 'objective' in Husserl's texts. Despite accusations by commentators that Husserl's is a solipsistic philosophy and that the epistemologies in Husserl's late and early works are contradictory, Hermberg shows that empathy, and thus other subjects, are related to one's knowledge on the view offered in each of Husserl's Introductions to Phenomenology. Empathy is significantly related to knowledge in at least two ways, and Husserl's epistemology might, consequently, be called a social epistemology: (a) empathy helps to give evidence for validity and thus to solidify one's knowledge, and (b) it helps to broaden one's knowledge by giving access to what others have known. These roles of empathy are not at odds with one another; rather, both are at play in each of the Introductions (if even only implicitly) and, given his position in the earlier work, Husserl needed to expand the role of empathy as he did. Such a reliance on empathy, however, calls into question whether Husserl's is a transcendental philosophy in the sense Husserl claimed.

A comprehensive and accessible overview of, and introduction to, the work of one of the twentieth century's most influential philosophers, Martin Heidegger, by one of the world's foremost Heidegger scholars. Martin Heidegger's work is pivotal in the history of modern European philosophy. The New Heidegger presents a comprehensive and stimulating overview of, and introduction to, the work of one of the most influential and controversial philosophers of our time. Heidegger has had an extraordinary impact on contemporary philosophical and extra-philosophical life: on deconstruction, hermeneutics, ontology, technology and techno-science, art and architecture, politics, psychotherapy, and ecology. The New Heidegger takes a thematic approach to Heidegger's work, covering not only the seminal Being and Time, but also Heidegger's lesser-known works. Lively, clear and succinct, the book requires no prior knowledge of Heidegger and is an essential resource for anyone studying or teaching the work of this major modern philosopher.

Richard Campagna and his team of optimistic, pragmatic spiritual, existentialist merrymakers have done it again. The author(s) set forth a low-key, workable philosophy of life (replete with DOs and DON'Ts) drawing from the 60's and 70's and novel practical approaches as well as personal, professional and political counsel, developed for the new millennium.

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor-artist or interpreter-and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.

The current volume is comparative and inter-disciplinary, and it provides a reflection on what thinking might become after Heidegger's philosophy. Its aim is to critically expand the current field of research by presenting unfamiliar and unchartered avenues that will guide and carry the Heidegger scholarship into the twenty-first century. By doing so, it addresses fundamental questions in the Heideggerian scholarship, including its problems, restraints, and future direction. It also engages and broadens the increasingly disparate approaches to Heidegger's work, whether those approaches are traditional in their employment of phenomenology and hermeneutics or whether they apply to Heidegger's thinking in new and surprising ways. The first section of the volume emphasizes the importance of methodology for the future of Heidegger studies while the second section examines the historical, ethical and vocal-poetical in Heidegger's thought and draws conclusions relevant to the Heidegger scholar of today. The final section demonstrates Heidegger's appeal to a variety of other discourses besides philosophy and the way his thinking could be creatively approached, utilized and implemented in our century. Contributions come from cutting-edge scholars such as Babette E. Babich, Dermot Moran, Francois Raffoul and Trish Glazebrook.

Offering new critical approaches to Dada as quintessential part of the Avant-Garde, Dada and Existentialism: the Authenticity of Ambiguity reassesses the movement as a form of (proto-) Existentialist philosophy. Dada is often dismissed as an anti-art movement with a merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Moreover, neither was nonsensical or meaningless; both reveal a rich individualist ethics aimed at the amelioration of the individual and society. The first major comparative study of Dada and Existentialism, this text contributes new perspectives on Dada as movement, historical legacy, and field of study. Analysing Dada works through Existentialist literature across the themes of choice, alienation, responsibility, freedom and truth, the text posits that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity.

The purpose of this work is to critically assess Errol E. Harris's process philosophy in the face of contemporary research in the special sciences. Harris devoted his life to grappling with the big questions concerning the relationships between nature, mind, and knowledge. His 70-plus year career was distinguished, his texts on the history of philosophy, philosophy of science, political philosophy, philosophy of religion, and consciousness were widely published, and yet his metaphysics has until now remained excluded from mainstream discussions. This book's contention is that Harris's work reveals as yet unnoticed connections between theories in numerous scientific disciplines ranging from psychology to cosmology and that an examination of certain theories within these disciplines may serve to strengthen his original arguments. This work maintains that the resulting metaphysics frames a transdisciplinary paradigm shift and provides a viable solution to the hard problem of consciousness.

In The Ends of Philosophy of Religion, Timothy D. Knepper advances a new, historically grounded and religiously diverse program for the philosophy of religion. Knepper first critiques existing efforts in analytic and continental philosophy of religion for neglect of diversity among its objects and subjects of inquiry, as well as for failing to thickly describe, formally compare, and critically evaluate historical acts of reason-giving in the religions of the world. Knepper then constructs an alternative vision for the philosophy of religion, one in which religious reason-giving is described with empathetic yet suspicious sensitivity, compared with methodological and categorical awareness, and explained and evaluated with a plurality of resources and criteria."The Ends of Philosophy of Religion casts a critical eye over both analytic and continental philosophy of religion and finds an ailment that besets them both. Knepper provides an analysis that is not only clear and eloquent but also sometimes frustrated and angry one. This gives his book the feeling of a manifesto, something I judge that the discipline needs." - Kevin Schilbrack, Professor, Philosophy and Religion Department, Western Carolina University, USA"Philosophy of religion is entering a new dawn, beyond the Western confines of bare theism and pale postmodernism, and towards the religions of the world, Eastern and Western, in all their rich diversity and complexity. Knepper's timely and insightful book outlines these broad and deep changes that have yet to be acknowledged by practitioners from both the analytic and Continental schools." - Nick Trakakis, Assistant Director of the Centre for the Philosophy and Phenomenology of Religion, Australian Catholic University, Australia"Those of us who believe philosophy of religion should be about religion in all its complexity and diversity will welcome this book with relief. Knepper attacks the pretense of using the phrase 'philosophy of religion' to describe parochial philosophy of western theism or the disorganized religious insights of postmodern philosophers. He argues for historically grounded philosophy of religions, up-to-date on religious studies, and fearless about analyzing reasons for religious beliefs and practices. This is the kind of philosophy of religion that belongs in university religious studies departments. Here's hoping it catches on quickly." - Wesley J. Wildman, Professor of Philosophy, Theology, and Ethics, Boston University School of Theology, US

Bringing together a team of leading international scholars, this is an accessibly one volume reference guide to the latest research and future directions in Existentialism. "The Continuum Companion to Existentialism" offers the definitive guide to a key area of modern European philosophy. The book covers all the fundamental questions asked by existentialism - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Eighteen specially commissioned essays from an international team of experts reveal where important work continues to be done in the area and, most valuably, the exciting new directions the field is taking. The Companion explores issues pertaining to the intersection between existentialism and ontology / metaphysics, politics, psychoanalysis, ethics, religion, aesthetics, sexuality, emotion, cognitive science and post structuralism, as well as including full coverage of the key existential thinkers. Featuring a series of indispensable research tools, including an A to Z of key terms and concepts, a chronology, a detailed list of resources and a fully annotated bibliography, this is the essential reference tool for anyone working in existentialism or modern European philosophy more generally. "The Continuum Companions" series is a major series of single volume companions to key research fields in the humanities aimed at postgraduate students, scholars and libraries. Each companion offers a comprehensive reference resource giving an overview of key topics, research areas, new directions and a manageable guide to beginning or developing research in the field. A distinctive feature of the series is that each companion provides practical guidance on advanced study and research in the field, including research methods and subject-specific resources.

This volume articulates and develops new research questions and original insights regarding the philosophical dialogue between Hegel's philosophy, his heritage, and contemporary phenomenology, including, among others, Husserl, Heidegger, Merleau-Ponty, and Ricoeur. The collection discusses methodological questions concerning the relevance of Hegel's philosophy for contemporary phenomenology, addressing core issues revolving around the key concepts of history, being, science, subjectivity, and dialectic. The volume fills a gap in historiography, expanding the knowledge of the impact of Hegel's philosophy on contemporary philosophy and raising new questions on the transformation of transcendental philosophy in post-Kantian philosophy. The contributions gathered in this volume shed new light on issues related to the problem of scientific method in philosophy, on the philosophy of history, as well as on the dimension of subjectivity. By providing critical insights into Hegel's philosophy and contemporary phenomenology, the book opens up new research perspectives recommended to philosophers and scholars of different traditions, especially classical German philosophy, phenomenology, and history of Western philosophy.

Psychotherapy, in order to survive, must shift from curing to caring. The pathological model is giving way to the growth model. Finding wholeness in our confusion requires imagination and transcendence. Healing requires more than self-knowledge and awareness. Only through experiencing oneself, in a struggle of mutual acceptance, are the blocks to the life force removed. The book is about being fully alive. It leads to the thinking of the most profound psychotherapy into the next century. Existentialism is the framework by which the author addresses our deepest life needs. It alone gives meaning to our experience. A seasoned and thoughtful clinician, the author furnishes rich techniques and approaches toward a new understanding of patients' life dilemmas. His solid and dramatic case material shows how he keeps himself and his patients deeply engaged in experiencing life in abundance. This nourishing book will lead both therapist and client away from burnout into deeper lives of optimism, freshness and creativity.

This book approaches the topic of intercultural understanding in philosophy from a phenomenological perspective. It provides a bridge between Western and Eastern philosophy through in-depth discussion of concepts and doctrines of phenomenology and ancient and contemporary Chinese philosophy. Phenomenological readings of Daoist and Buddhist philosophies are provided: the reader will find a study of theoretical and methodological issues and innovative readings of traditional Chinese and Indian philosophies from the phenomenological perspective. The author uses a descriptive rigor to avoid cultural prejudices and provides a non-Eurocentric conception and practice of philosophy. Through this East-West comparative study, a compelling criticism of a Eurocentric conception of philosophy emerges. New concepts and methods in intercultural philosophy are proposed through these chapters. Researchers, teachers, post-graduates and students of philosophy will all find this work intriguing, and those with an interest in non-Western philosophy or phenomenology will find it particularly engaging.

This book explores the importance of the philosophical dimension of emotions, turning the traditional relationship between emotions and philosophy upside down: instead of being one of many objects of philosophical thought, an emotion contains an inherent philosophical truth. For this thesis, the author refers to Kierkegaard's groundbreaking discovery of 'anxiety' as an emotional experience that is totally different from fear. This allows a deeper understanding of the emotions, and reveals the philosophical primacy of emotions over thoughts, which always convey a meaning. Part I explores the three aspects of anxiety (anxiety about 'nothing', guilt-anxiety, shame-anxiety) that are distinguished by their capacity to disclose the human condition in its naked thatness, which is generally for most of us too hard to bear. Parts II and III then discuss the basic human need for protection from being overwhelmed by the ontological-emotional experience of anxiety. Part II examines the protection given by negation of this intolerable truth in its direct emotional repudiation in nausea, envy and despair. Part III addresses the protection by the two positive feelings of love and trust, which claim to be stronger than anxiety and therefore to be able to overcome it. Only sympathy cannot be categorised here. It belongs in a psychoanalytic therapy guided by existential perspectives, where the analyst listens with a philosophical ear and recognises his patients as 'reluctant philosophers' who are especially sensitive to the ontological truth disclosed in anxiety and therefore suffer not only 'from reminiscences' (Freud), but also from their own being.

Exploring phenomenological philosophy as it relates to psychiatry and the social world, this book establishes a common language between psychiatrists, anti-psychiatrists, psychologists and social workers. Phenomenology and the Social Context of Psychiatry is an inter-disciplinary work by phenomenological philosophers, psychiatrists, and psychologists to discover the essence and foundations of social psychiatry. Using the phenomenology of Husserl as a point of departure, the meanings of empathy, interpersonal understanding, we-intentionality, ethics, citizenship and social inclusion are investigated in relation to psychopathology, nosology, and clinical research. This work, drawing upon the rich classical and contemporary phenomenological tradition, touching on a broad range of thinkers such as Deleuze, Levinas, and R.D. Laing, also explicates how phenomenology is a method capable of capturing the human condition and its intricate relation to the social world and mental illness

The illumination of African philosophy offered in this volume leads to the illumination of philosophy in general. Illuminating arises as an essential task of philosophy, whether African or not. What is illuminated is not already there, but is constituted at the moment of illumination. This book invites the reader to participate in the illuminating work of philosophy and necessarily, thereby, to contribute to his or her own self-constituting self-illumination. Although the focus is on African philosophy, the book also bridges the gap between African philosophy and other branches. Today more than ever, a bridging philosophy is called for, and this book helps to meet that need. This book poses philosophical questions such as who is an African and what Africa is, and seeks philosophical answers. In doing so, it contributes to the ongoing discourse on African philosophy. It addresses such issues as the African grounding of philosophy, the difference between African and Black philosophy, the African body, African art as expressed in and by Chiwara, the plight of African trees as the plight of Africans, and the symbolic meaning of Robben Island.

Heidegger's Atheism explains what Heidegger meant when he said that all philosophy is atheistic. This unique book traces the development of his explanation of philosophy as a methodological atheism, and relates it to his reading of Aristotle, Aquinas, and Nietzsche. A predominant issue throughout this study is Heidegger's pursuit of an answer to the question: How did God get into philosophy?

Laurence Paul Hemming discusses a wide range of topics in this comprehensive volume, including the influence of Heidegger on theologians like Bultmann, Rahner, and Ott; the central themes of Being and Time; Heidegger's political decisions and involvement with National Socialism; and Jean-Luc Marion's reading of Heidegger. Hemming also provides an in-depth analysis of Heidegger's turn or Kehre. He addresses how Heidegger's understanding of das Ereignis, the event, relates both to his view of atheism and to the way he appropriated Nietzsche's proclamation of the death of God.

Heidegger's Atheism also attempts to trace new possibilities in the relationship between theology and philosophy in Heidegger's critique of metaphysics. Hemming argues that Heidegger criticizes the tradition of metaphysics from Aristotle and Plato through Nietzsche and Hegel because it traces a particular understanding of being in relation to God -- even when that God is announced as dead. In contrast, Heidegger sees the task of philosophy as the self-understanding of human existence, and claims philosophy offers no definitives regarding what God humanity might encounter. Consequently, Hemming argues, Heidegger's atheism is an implicit critique of theology. Yet, Hemming also contends Heidegger's work resonates with theconcerns of Christian faith, especially the Catholic tradition.

Heidegger's Atheism offers radical and challenging conclusions about most of the recent British and American readings of Heidegger. Sure to provoke much debate and discussion, Heidegger's Atheism is essential for anyone with an interest in Heidegger.

This book discusses Gadamer's theory of context-dependence. Analytical and partly critical, the book also shows exegetical accuracy in the rendering of Gadamer's position. It explores the following questions that Gadamer's theory of context-dependence tries to answer: in what way is thought influenced by and thus dependent on its historical context? To what extent and in what way is the individual able to become reflectively aware of and emancipate himself from this dependence? The book takes Gadamer's wide interests into account, e.g. issues relating to the history of historiography and the nature of art and aesthetic experience. The problem of the context-dependence of thought is prominent in contemporary philosophy, including the fields of structuralism, post structuralism, deconstruction, certain forms of feminist philosophy and the philosophy of science. In this sense, the book discusses an issue with wide repercussions.