Sextus Empiricus is one of the most important ancient philosophical writers after Plato and Aristotle. His writings are our main source for the doctrines and methods of Scepticism. He probably lived in the second century AD. Eleven books of his writings have survived, covering logic, physics, ethics, and many other fields. Against the Grammarians is the first book of Sextus' Adversus Mathematicos, his broad-ranging polemic against the various liberal studies of classical learning. It is prefaced by a short general attack on the arts (included in this volume); then Sextus focuses on the grammatical writers of the classical era, categorizing, analysing, and criticizing their doctrines. The result is not only an invaluable source for ancient ideas about grammar, language, and literary technique, but an excellent example of sustained Sceptical reasoning. David Blank presents a new translation into clear modern English of this important treatise, together with the first ever commentary on the work. In an extended introduction he discusses Against the Grammarians in the broad context of Sextus' work as a whole, Scepticism in general, and the history of ancient writings in this field.

Peter Adamson presents a lively introduction to six hundred years of European philosophy, from the beginning of the ninth century to the end of the fourteenth century. The medieval period is one of the richest in the history of philosophy, yet one of the least widely known. Adamson introduces us to some of the greatest thinkers of the Western intellectual tradition, including Peter Abelard, Anselm of Canterbury, Thomas Aquinas, John Duns Scotus, William of Ockham, and Roger Bacon. And the medieval period was notable for the emergence of great women thinkers, including Hildegard of Bingen, Marguerite Porete, and Julian of Norwich. Original ideas and arguments were developed in every branch of philosophy during this period - not just philosophy of religion and theology, but metaphysics, philosophy of logic and language, moral and political theory, psychology, and the foundations of mathematics and natural science.

This volume investigates the precise contours of the connections between two foundational concepts: reference (the means of semantically expressing singular or object-dependent information) and structure (the having or lacking of meaningful sub-parts). Sullivan shows that the notion of structure, properly excavated, underlies and grounds various important points in the theory of reference. As such, this work builds on and further develops work by Bertrand Russell, Saul Kripke, David Kaplan, and Stephen Neale - principally, among many others. Sullivan aims to clearly establish the intrinsic connections between structure and reference, which brings into focus informative and explanatory connections underlying otherwise disparate debates about various aspects of linguistic communication. The overall result is a simple, comprehensive lens that can help to clarify a wide range of semantic phenomena.

First published in 1966, the Language of Criticism was the first systematic attempt to understand literary criticism through the methods of linguistic philosophy and the later work of Wittgenstein. Literary critical and aesthetic judgements are rational, but are not to be explained by scientific methods. Criticism discovers reasons for a response, rather than causes, and is a rational procedure, rather than the expression of simply subjective taste, or of ideology, or of the power relations of society.

The book aims at a philosophical justification of the tradition of practical criticism that runs from Matthew Arnold, through T.S.Eliot to I.A.Richards, William Empson, F.R.Leavis and the American New Critics. It argues that the close reading of texts moves justifiably from text to world, from aesthetic to ethical valuation. In this it differs radically from the schools of "theory" that have recently dominated the humanities.

Things is a collection of twelve metaphysical essays by Stephen Yablo. The essays address a range of first-order topics, including identity, coincidence, essence, existence, causation, and properties. Some first-order debates are not worth pursuing, Yablo maintains; there is nothing at issue in them. Several of the papers explore the metaontology of abstract objects, and more generally of objects that are 'preconceived', their principal features being settled already by their job-descriptions. Yablo rejects standard forms of fictionalism, opting ultimately for a view that puts presupposition in the role normally played by pretense. Almost all of Yablo's published work on these topics is collected here, along with the previously unpublished 'Carving Content at the Joints'.

First published in 1952, professor's Strawson's highly influential Introduction to Logical Theory provides a detailed examination of the relationship between the behaviour of words in common language and the behaviour of symbols in a logical system. He seeks to explain both the exact nature of the discipline known as Formal Logic, and also to reveal something of the intricate logical structure of ordinary unformalised discourse.

At least since Locke, philosophers and psychologists have usually held that concepts arise out of sensory perceptions, thoughts are built from concepts, and language enables speakers to convey their thoughts to hearers. Christopher Gauker holds that this tradition is mistaken about both concepts and language. The mind cannot abstract the building blocks of thoughts from perceptual representations. More generally, we have no account of the origin of concepts that grants them the requisite independence from language. Gauker's alternative is to show that much of cognition consists in thinking by means of mental imagery, without the help of concepts, and that language is a tool by which interlocutors coordinate their actions in pursuit of shared goals. Imagistic cognition supports the acquisition and use of this tool, and when the use of this tool is internalized, it becomes the very medium of conceptual thought.

Zito argues that although meanings change with time, at the end of the 20th century we are witnessing not a change in meanings, but the demise of meaning itself. He presents evidence of the ever decreasing use of word language, upon which meaning is predicated, and the increase in iconographic impacts (Macintosh and television, for example); the routinization of ritual; the efforts to control information (as during the Gulf War); and the ideological competition among groups to dominate definitions of social situations by the use of oversimplified rhetorics. Zito pays particular attention to language, employing empirical data with classical and contemporary theoretical perspectives to argue that as the meanings of language change, the relations among persons change, and vice versa. Recommended for scholars of sociology and language.

In Wordly Wise: The Semiotics of Discourse in Dante's Commedia, Raffaele De Benedictis proposes a new critical method in the study of the Divine Comedy and Dante's minor works. It systematically and comprehensively addresses the discursive aspect of Dante's works and focuses mainly on the reader, who, along with the author and the text, contributes to the making of discursive paths and discourse-generating functions through the act of reading. This work allows the reader to become acquainted with how meaning is generated and whether it is granted legitimacy in the text. Also, in a system of signification, sign function and sign production are not limited to the properties of the mind but are the result of working interactively with the properties of discourse, which provide directionality for the reader's enunciation(s) in action.

Sonic Encounters with Blanchot is the first book to explore the relationship of sound and music with the work of Maurice Blanchot. The volume brings together scholars from a range of disciplines who listen closely to the sounds and resonances emanating from within Blanchot's work and who consider their significance both within his work and beyond. The latent and explicit sonic content of Blanchot's writing is explored, as is his treatment of music and the possibilities of thinking about contemporary music and sound art through his work. Although Blanchot is best known for his engagement with literature, an engagement that often relies on visual references and experiences, this collection takes a sonic route into one of the most exciting and demanding thinkers of the twentieth century. As an interdisciplinary exploration of sound and Blanchot's work, this book will be interest to those studying sound in literature and music, as well as students of Blanchot's work in general. This book was originally published as a special issue of Angelaki.

In 1945 Alonzo Church issued a pair of referee reports in which he anonymously conveyed to Frederic Fitch a surprising proof showing that wherever there is (empirical) ignorance there is also logically unknowable truth. Fitch published this and a generalization of the result in 1963. Ever since, philosophers have been attempting to understand the significance and address the counter-intuitiveness of this, the so-called paradox of knowability.
This collection assembles Church's referee reports, Fitch's 1963 paper, and nineteen new papers on the knowability paradox. The contributors include logicians and philosophers from three continents, many of whom have already made important contributions to the discussion of the problem. The volume contains a general introduction to the paradox and the background literature, and is divided into seven sections that roughly mark the central points of debate. The sections include the history of the paradox, Michael Dummett's constructivism, issues of paraconsistency, developments of modal and temporal logics, Cartesian restricted theories of truth, modal and mathematical fictionalism, and reconsiderations about how, and whether, we ought to construe an anti-realist theory of truth.

There are no men so dull and stupid, not even idiots, as to be incapable of joining together different words, and thereby constructing a declaration by which to make their thoughts understood...On the other hand, there is no other animal, however perfect or happily circumstanced which can do the like.-Descartes Language is more like a snowflake than a giraffe's neck. Its specific properties are determined by laws of nature, they have not developed through the accumulation of historical accidents.-Noam Chomsky In I Speak, Therefore I Am, the Italian linguist and neuroscientist Andrea Moro composes an album of his favorite quotations from the history of linguistics, beginning with the Book of Genesis and the power of naming and concluding with Noam Chomsky's metaphor that language is a snowflake. Moro's seventeen linguistic thoughts and his commentary on them display the humanness of language: our need to name and interpret this world and create imaginary ones, to express and understand ourselves. This book is sure to delight anyone who enjoys the ineffable paradox that is human language.

This Element explores what it means for two theories in physics to be equivalent (or inequivalent), and what lessons can be drawn about their structure as a result. It does so through a twofold approach. On the one hand, it provides a synoptic overview of the logical tools that have been employed in recent philosophy of physics to explore these topics: definition, translation, Ramsey sentences, and category theory. On the other, it provides a detailed case study of how these ideas may be applied to understand the dynamical and spatiotemporal structure of Newtonian mechanics - in particular, in light of the symmetries of Newtonian theory. In so doing, it brings together a great deal of exciting recent work in the literature, and is sure to be a valuable companion for all those interested in these topics.

This book presents an interpretation of Kant's Critique of Pure Reason as a priori psychologism. It groups Kant's philosophy together with those of the British empiricists-Locke, Berkeley, and Hume-in a single line of psychologistic succession and offers a clear explanation of how Kant's psychologism differs from psychology and idealism. The book reconciles Kant's philosophy with subsequent developments in science and mathematics, including post-Fregean mathematical logic, non-Euclidean geometry, and both relativity and quantum theory. It also relates Kant's psychologism to Wittgenstein's later conception of language. Finally, the author reveals the ways in which Kant's philosophy dovetails with contemporary scientific theorizing about the natural phenomenon of consciousness and its place in nature. This book will be of interest to Kant scholars and historians of philosophy working on the British empiricists.

Truth, Language, and History is the much-anticipated final volume of Donald Davidson's philosophical writings. In four groups of essays, Davidson continues to explore the themes that occupied him for more than fifty years: the relations between language and the world; speaker intention and linguistic meaning; language and mind; mind and body; mind and world; mind and other minds. He asks: what is the role of the concept of truth in these explorations? And, can a scientific world view make room for human thought without reducing it to something material and mechanistic? Including a new introduction by his widow, Marcia Cavell, this volume completes Donald Davidson's colossal intellectual legacy.

An award-winning philosopher bridges the continental-analytic divide with an important contribution to the debate on the meaning of realism. Jocelyn Benoist argues for a philosophical point of view that prioritizes the concept of reality. The human mind's attitudes toward reality, he posits, both depend on reality and must navigate within it. Refusing the path of metaphysical realism, which would make reality an object of speculation in itself, independent of any reflection on our ways of approaching it or thinking about it, Benoist defends the idea of an intentionality placed in reality-contextualized. Intentionality is an essential part of any realist philosophical position; Benoist's innovation is to insist on looking to context to develop a renewed realism that draws conclusions from contemporary philosophy of language and applies them methodically to issues in the fields of metaphysics and the philosophy of the mind. "What there is"-the traditional subject of metaphysics-can be determined only in context. Benoist offers a sharp criticism of acontextual ontology and acontextual approaches to the mind and reality. At the same time, he opposes postmodern anti-realism and the semantic approach characteristic of classic analytic philosophy. Instead, Toward a Contextual Realism bridges the analytic-continental divide while providing the foundation for a radically contextualist philosophy of mind and metaphysics. "To be" is to be in a context.

Jody Azzouni argues that we involuntarily experience certain physical items, certain products of human actions, and certain human actions themselves as having meaning-properties. We understand these items as possessing meaning or as having (or being capable of having) truth values. For example, a sign on a door reading "Drinks Inside" strikes native English speakers as referring to liquids in the room behind the door. The sign has a truth value-if no drinks are found in the room, the sign is misleading. Someone pointing in a direction has the same effect: we experience her gesture as significant. Azzouni does not suggest that we don't recognize the expectations or intentions of speakers (including ourselves); we do recognize that the person pointing in a certain direction intends for us to understand her gesture's significance. Nevertheless, Azzouni asserts that we experience that gesture as having significance independent of her intentions. The gesture is meaningful on its own. The same is true of language, both spoken and written. We experience the meanings of language artifacts as independent of their makers' intentions in the same way that we experience an object's shape as a property independent of the object's color. There is a distinctive phenomenology to the experience of understanding language, and Semantic Perception shows how this phenomenology can be brought to bear as evidence for and against competing theories of language.

First published in 1966, the Language of Criticism was the first systematic attempt to understand literary criticism through the methods of linguistic philosophy and the later work of Wittgenstein. Literary critical and aesthetic judgements are rational, but are not to be explained by scientific methods. Criticism discovers reasons for a response, rather than causes, and is a rational procedure, rather than the expression of simply subjective taste, or of ideology, or of the power relations of society.

The book aims at a philosophical justification of the tradition of practical criticism that runs from Matthew Arnold, through T.S.Eliot to I.A.Richards, William Empson, F.R.Leavis and the American New Critics. It argues that the close reading of texts moves justifiably from text to world, from aesthetic to ethical valuation. In this it differs radically from the schools of "theory" that have recently dominated the humanities.

While Wilfrid Sellars' philosophy is often depicted in an ahistorical fashion, this book explores the consequences of placing his work in its historical context. In order to show how Sellars' early publications depend on contextual factors, Peter Olen reconstructs the conceptions of language, psychological, and social explanation that dominated American philosophy in the early 20th century. Because of Sellars' differing explanations of language and behaviour, Olen argues that many of Sellars' early commitments are incompatible with his later works. In the course of doing so, Olen highlights problematic tensions between Sellars' early and later conceptions of language, meta-philosophy, and normativity. Supplementing the main text is a collection of previously unpublished archival material from Wilfrid Sellars, Gustav Bergmann, Everett Hall, and other early 20th century philosophers. This text will be a useful resource to those with an interest in the history of American philosophy, the history of analytic philosophy, Wilfrid Sellars' philosophy, and the myriad issues surrounding normativity and language.

The papers in this collection discuss broadly understood cognitive turns in the philosophy of language, inspired by the Chomskyan revolution in linguistics, Langacker’s and Lakoff’s Cognitive Linguistics, but also phenomenology, Relevance Theory and Classical Indian Philosophy. The individual texts investigate, from different angles, the relations between philosophy of language and linguistics, and contribute to the development of theoretical frameworks for studying language. Most of the contributions were presented at the first International Conference on Philosophy of Language and Linguistics, PhiLang2009 (University of Łódź, May 2009).

Thomas Sattig's book develops a comprehensive framework for doing philosophy of time. He brings together a variety of different perspectives, linking our ordinary conception of time with the physicist's conception, and linking questions about time addressed in metaphysics with questions addressed in the philosophy of language. Within this framework, Sattig explores the temporal dimension of the material world in relation to the temporal dimension of our ordinary discourse about the world. The discussion is centred around the dispute between three-dimensionalists and four-dimensionalists about whether the temporal profile of ordinary objects mirrors their spatial profile. Are ordinary objects extended in time in the same way in which they are extended in space? Do they have temporal as well as spatial parts? Four-dimensionalists say 'yes', three-dimensionalists say 'no'. Sattig develops an original three-dimensionalist picture of the material world, and argues that this picture is preferable to its four-dimensionalists rivals if ordinary thought and talk are taken seriously. Among the issues that Sattig discusses are the metaphysics of persistence, change, composition, location, coincidence, and relativity; the ontology of past, present, and future; and the semantics of predication, tense, temporal modifiers, and sortal terms.

This study grew out of a series of lectures Jespersen gave at Columbia
University in 1909-10, called "An Introduction to English Grammar."
It is the connected presentation of Jespersen's views of the general
principles of grammar based on years of studying various languages
through both direct observation of living speech and written and
printed documents.
" "The Philosophy of Grammar" and "Analytic Syntax"] set
forth the most extensive and original theory of universal grammar
prior to the work of Chomsky and other generative grammarians of the
last thirty years."--Arne Juul and Hans F. Nielsen, in "Otto "
"Jespersen: Facets of His Life and Work"
"Besides being one of the most perceptive observers and original
thinkers that the field of linguistics has ever known, Jespersen was
also one of its most entertaining writers, and reading "The "
"Philosophy of Grammar" is fun. Read it, enjoy it."--James D.
McCawley, from the Introduction
Otto Jespersen (1860-1943), an authority on the growth and structure
of language, was the Chair of the English Department at the University
of Copenhagen. Among his many works are "A Modern English "
"Grammar" and "Analytic Syntax," the latter published by the
University of Chicago Press.

Bertrand Russell, G. E. Moore, and other analytic philosophers of the early 20th century claimed to depart from the British idealists who dominated philosophical debate from the 1870s onwards. The nature and extent of this departure is now widely questioned as philosophers return to the writings of Bernard Bosanquet, F. H. Bradley, R. G. Collingwood, T. H. Green, J. M. E. McTaggart, and others. Nowadays, the British idealist movement is mostly remembered for its seminal contributions to metaphysics, ethics, and political philosophy. The contributors to this volume explore some of the movement's other, equally-insightful, contributions to the philosophies of language, aesthetics and emotions. These chapters cover core philosophical issues including the relationship between the speech communities and the general will; the role of emotions in the Absolute; key differences between leading British idealists on the relationships between emotions and relations; the nature of love; the historical re-enactment of imagination and creativity; expressivism in art; and the actual idealism of the British idealists' Italian counterparts. This book was originally published as a special issue of the British Journal of the History of Philosophy.

Published in 1998, this book argues that in recent decades, Anglo-American philosophy of language has been captivated by the idea that the key to progress in this area of philosophy lies in investigating the possibility of constructing a theory of meaning. This text provides an in-depth critique of the Davidsonian suggestion that Tarski's work on formal definitions of truth is an important element in allowing us to understand the form that the theory of meaning should take.

Gottlob Frege (1848 1925) was unquestionably one of the most important philosophers of all time. He trained as a mathematician, and his work in philosophy started as an attempt to provide an explanation of the truths of arithmetic, but in the course of this attempt he not only founded modern logic but also had to address fundamental questions in the philosophy of language and philosophical logic. Frege is generally seen (along with Russell and Wittgenstein) as one of the fathers of the analytic method, which dominated philosophy in English-speaking countries for most of the twentieth century. His work is studied today not just for its historical importance but also because many of his ideas are still seen as relevant to current debates in the philosophies of logic, language, mathematics and the mind. The Cambridge Companion to Frege provides a route into this lively area of research.