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Books > Language & Literature > Language & linguistics > Philosophy of language
The aim of this volume is to critically assess the philosophical importance of phenomenology as a method for studying the normativity of meaning and its transcendental conditions. Using the pioneering work of Steven Crowell as a springboard, phenomenologists from all over the world examine the promise of phenomenology for illuminating long-standing problems in epistemology, the philosophy of mind, action theory, the philosophy of religion, and moral psychology. The essays are unique in that they engage with the phenomenological tradition not as a collection of authorities to whom we must defer, or a set of historical artifacts we must preserve, but rather as a community of interlocutors with views that bear on important issues in contemporary philosophy. The book is divided into three thematic sections, each examining different clusters of issues aimed at moving the phenomenological project forward. The first section explores the connection between normativity and meaning, and asks us to rethink the relation between the factual realm and the categories of validity in terms of which things can show up as what they are. The second section examines the nature of the self that is capable of experiencing meaning. It includes essays on intentionality, agency, consciousness, naturalism, and moral normativity. The third section addresses questions of philosophical methodology, examining if and why phenomenology should have priority in the analysis of meaning. Finally, the book concludes with an afterword written by Steven Crowell. Normativity, Meaning, and the Promise of Phenomenology will be a key resource for students and scholars interested in the phenomenological tradition, the transcendental tradition from Kant to Davidson, and existentialism. Additionally, its forward-looking focus yields crucial insights into pressing philosophical problems that will appeal to scholars working across all areas of the discipline.
God is infinite, but language finite; thus speech would seem to condemn Him to finitude. In speaking of God, would the theologian violate divine transcendence by reducing God to immanence, or choose, rather, to remain silent? At stake in this argument is a core problem of the conditions of divine revelation. How, in terms of language and the limitations of human understanding, can transcendence ever be made known? Does its very appearance not undermine its transcendence, its condition of unknowability? Speech and Theology posits that the paradigm for the encounter between the material and the divine, or the immanent and transcendent, is found in the Incarnation: God's voluntary self-immersion in the human world as an expression of His love for His creation. By this key act of grace, hinged upon Christs condescension to human finitude, philosophy acquires the means not simply to speak of perfection, which is to speak theologically, but to bridge the gap between word and thing in general sense.
God is infinite, but language finite; thus speech would seem to
condemn Him to finitude. In speaking of God, would the theologian
violate divine transcendence by reducing God to immanence, or
choose, rather, to remain silent? At stake in this argument is a
core problem of the conditions of divine revelation. How, in terms
of language and the limitations of human understanding, can
transcendence ever be made known? Does its very appearance not
undermine its transcendence, its condition of unknowability?
Sonic Encounters with Blanchot is the first book to explore the relationship of sound and music with the work of Maurice Blanchot. The volume brings together scholars from a range of disciplines who listen closely to the sounds and resonances emanating from within Blanchot's work and who consider their significance both within his work and beyond. The latent and explicit sonic content of Blanchot's writing is explored, as is his treatment of music and the possibilities of thinking about contemporary music and sound art through his work. Although Blanchot is best known for his engagement with literature, an engagement that often relies on visual references and experiences, this collection takes a sonic route into one of the most exciting and demanding thinkers of the twentieth century. As an interdisciplinary exploration of sound and Blanchot's work, this book will be interest to those studying sound in literature and music, as well as students of Blanchot's work in general. This book was originally published as a special issue of Angelaki.
Russell's "On Denoting" and Frege's "On Sense and Reference" are now widely held to be two of the founding papers of 20th-century philosophy and form the heart of the famous "linguistic turn". They have generated a wealth of secondary literature and remain at the forefront of contemporary discussion in philosophy of language, thought and logic. This book challenges the accepted understanding of these two seminal papers. It forces us to reconsider contemporary approaches to the semantics of proper names and definite descriptions through a historically sensitive interpretation of Russell's and Frege's work on meaning. Gideon Makin compares the work Russell did shortly before his famous essay "On Denoting" with the essay itself and argues that this comparison shows that the traditional view of the problem Russell was trying to solve is untenable. Makin then examines Frege's classic essay and argues that some of the less well-known views that Frege held have radical implications for our understanding of this essay.
Russell's "On Denoting" and Frege's "On Sense and Reference" are now widely held to be two of the founding papers of 20th-century philosophy and form the heart of the famous "linguistic turn". They have generated a wealth of secondary literature and remain at the forefront of contemporary discussion in philosophy of language, thought and logic. This book challenges the accepted understanding of these two seminal papers. It forces us to reconsider contemporary approaches to the semantics of proper names and definite descriptions through a historically sensitive interpretation of Russell's and Frege's work on meaning. Gideon Makin compares the work Russell did shortly before his famous essay "On Denoting" with the essay itself and argues that this comparison shows that the traditional view of the problem Russell was trying to solve is untenable. Makin then examines Frege's classic essay and argues that some of the less well-known views that Frege held have radical implications for our understanding of this essay.
Semiotics of Musical Time investigates the link between musical time and the world of signs and symbols. It examines the extent to which musical time is a product of signs, sign systems, and sign-oriented behavior. Sound is discussed as a potential sign of time and of musical time. Inherent and recognizable temporal features are identified in a number of musical works. Time as a compositional concern is examined in the case of Igor Stravinsky and Karlheinz Stockhausen. A principal distinction between hearing associated with perception and listening associated with cognition provides the basis for the proposition that musical time is both unheard and imperceptible. The role of concepts, and their designations, is investigated to demonstrate that consciousness of musical time involves semiotic processes.
This new, second edition of the popular college textbook offers the beginning philosophy student a comprehensive introduction to several aspects of one of the most influential schools of thought in the twentieth century. Professor Klemke begins by pointing out the distinctions among the various types of analytic and linguistic philosophies, while emphasising that they all arose as a response to the formerly predominant school of absolute idealism. After a prologue section containing a representative exposition of idealism by Josiah Royce, the following sections show the radically new philosophical approach of the analytic school in its various guises: realism and common sense (G. E. Moore); logical atomism (Bertrand Russell); logical positivism (A. J. Ayer); conceptual analysis (Gilbert Ryle, G. E. Moore, John Wisdom); logico-metaphysical analysis (Gustav Bergman, W. V. Quine); linguistic analysis (J. L. Austin, P. F. Strawson, J. R. Searle); and the recent development of new realism (Saul Kripke, Hilary Putnam, Tyler Burge, Richard N. Boyd).
This book introduces an important group of logics that have come to
be known under the umbrella term 'susbstructural'. Substructural
logics have independently led to significant developments in
philosophy, computing and linguistics. An Introduction to
Substrucural Logics is the first book to systematically survey the
new results and the significant impact that this class of logics
has had on a wide range of fields.The following topics are covered:
Bertrand Russell, G. E. Moore, and other analytic philosophers of the early 20th century claimed to depart from the British idealists who dominated philosophical debate from the 1870s onwards. The nature and extent of this departure is now widely questioned as philosophers return to the writings of Bernard Bosanquet, F. H. Bradley, R. G. Collingwood, T. H. Green, J. M. E. McTaggart, and others. Nowadays, the British idealist movement is mostly remembered for its seminal contributions to metaphysics, ethics, and political philosophy. The contributors to this volume explore some of the movement's other, equally-insightful, contributions to the philosophies of language, aesthetics and emotions. These chapters cover core philosophical issues including the relationship between the speech communities and the general will; the role of emotions in the Absolute; key differences between leading British idealists on the relationships between emotions and relations; the nature of love; the historical re-enactment of imagination and creativity; expressivism in art; and the actual idealism of the British idealists' Italian counterparts. This book was originally published as a special issue of the British Journal of the History of Philosophy.
Evaluation, from connotations to complex judgements of value, is probably the most neglected dimension of meaning. Calling for a new understanding of truth and value, this book is a comprehensive study of evaluation in natural language, at lexical, syntactic and discursive levels. Jean Pierre Malrieu explores the cognitive foundations of evaluation and uses connectionist networks to model evaluative processes. He takes into account the social dimension of evaluation, showing that ideological contexts account for evaluative variability. A discussion of compositionality and opacity leads to the argument that a semantics of evaluation has some key advantages over truth-conditional semantics and as an example Malrieu applies his evaluative semantics to a complex Shakespeare text. His connectionist model yields a mathematical estimation of the consistency of text with ideology, and is particularly useful in the identification of subtle rhetorical devices such as irony. |
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Concise Encyclopedia of Philosophy of…
Alex Barber, Robert J. Stainton
Hardcover
R3,180
Discovery Miles 31 800
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