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Books > Arts & Architecture > Photography & photographs > Photographic collections
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Whitesbog
(Paperback)
Sarah E Augustine, Kiyomi E Locker, Dennis McDonald; Foreword by Ted Gordon
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R543
R502
Discovery Miles 5 020
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Riverton
(Paperback)
Historical Society of Riverton; Foreword by Roger Prichard
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R541
R500
Discovery Miles 5 000
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In art and literature, walls are frequently used as powerful
symbols of division. For the people of Palestine, however, the wall
that cuts deeply into their land and society is all too real,
snaking through over 700 kilometres of the West Bank. It throttles
Palestinians, seals off Israelis, and all but guarantees perpetual
ignorance, fear and rage on both sides. Keep Your Eye on the Wall
brings together seven award-winning artist-photographers and four
essayists, all responding to the Wall in images or words, specially
commissioned for this book. The photographers present unique
perspectives, whether documenting the journey of labourers across
the barrier, the desolation of abandoned checkpoints or the
tattered posters of "martyrs" on a wall in Gaza. Informed, critical
and powerful, the photographs constitute, in the words of French
philosopher of art Georges Didi-Huberman, 'a space for struggle'.
The book fetaures photography from Taysir Batniji, Raed Bawayah,
Rula Halawani, Noel Jabbour, Raeda Saadeh, Steve Sabella and Kai
Wiedenhofer; text from Malu Halasa, Yael Lerer, Christine
Leuenberger and Adania Shibli and a foreword from Raja Shehadeh.
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Harrington
(Paperback)
Doug Poore; Foreword by Arthur C. a. Hall
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R561
R515
Discovery Miles 5 150
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Lebanon
(Paperback)
Kim Jackson Parks, Historic Lebanon
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R561
R515
Discovery Miles 5 150
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Franklin
(Paperback)
Joe Johnston
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R561
R515
Discovery Miles 5 150
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Students of the Civil War know Franklin, Tennessee, for the major
battle that happened here, but there is a lot more to the story. In
fact, Main Street in Franklin is a glimpse into 250 years of
history. Within a few blocks surrounding the public square, some of
the city's original buildings now house the newest and most popular
shops, restaurants, and entertainment venues in Middle Tennessee.
Franklin has been a center for agriculture and manufacturing. It is
a place where families can enjoy small-town life on the interstate.
It is home to a college. It has always been the seat of Williamson
County. Franklin's small businesses have a habit of sticking around
for decades, often passing through generations of the same family.
Franklin is as quaint and picturesque as it is exciting and
progressive, because it continues to attract the kind of people who
have always made it that way.
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Port Isabel
(Paperback)
Valerie D. Bates
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R557
R511
Discovery Miles 5 110
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In the 1830s, a small community known as El Fronton de Santa
Isabel set roots on the banks of the Laguna Madre Bay. Official
claim for the land was granted to Don Rafael Garcia as part of the
Potrero ("Pasture") de Santa Isabel in 1828. Less than two decades
later, Point Isabel was home to Zachary Taylor's Fort Polk and
found itself a home base during the Mexican-American War. In 1853,
construction was completed on the Point Isabel lighthouse, a
navigational beacon with a 16-mile view. Port Isabel was
incorporated in 1928, and a deep-water port shipped its first
commercial load in 1937. By the 1950s, Port Isabel was the
"Shrimping Capital of the World," and the first Queen Isabella
Causeway connected South Padre Island to the mainland. Port Isabel
continues to deepen its roots on the banks of the Laguna Madre Bay.
Heritage and cultural tourism, a relaxed quality of life, and an
appreciation for all things coastal are synonymous with Port
Isabel.
A new edition of a modern classic of photography. Martin Parr is
Europe's premier contemporary photographer, and "The Last Resort"
is the book that is considered to have launched his career. Taken
at the height of the Thatcher years, it depicts the "great British
seaside" in all its garish glory. Described by some as cruel and
voyeuristic and by others as a stunning satire on the state of
Britain, early editions are now much sought after by collectors
worldwide. Includes a new essay by Gerry Badger, photographer,
architect, curator, and critic.
Stonehenge is the world's most famous pre-historic monument and,
since the middle of the 19th century, probably the most
photographed. Using images from English Heritage's unique
photgraphic archive (the National Monuments Record), Stonehenge: A
History in Photographs charts the last 150 years in the life of
this extraordinary and iconic site. These largely unseen images
touch on various moments in Stonehenge's history, from the
leiusrely tourism in the last years of Victoria's reign to the
monument of today, a site visited each year by more than one
million people from all over the world. This book is a celebration
of Stonehenge, in fascinating and often very human images. The text
is written by archaeologist and television presenter Julian
Richards, someone with a genuine love of Stonehenge. This is a book
for all who share a fascination with this magical monument.
Serena Fass has attempted to illustrate Jesus' Great Commission:
"Go into all the world and preach the gospel to all creation.
Whoever believes and is baptised will be saved." (Mark 16: 15 - 16)
and has presented a balance between the many different strands of
the Christian faith, for each century, from the earliest Christians
in Pompeii until today, and criss-crossing the globe from North to
South: from Norway to Mozambique - and West to East: from Peru to
Australia. Categories include architecture, painting, sculpture,
ivories, textiles, metalwork, jewellery and portraits of people
wearing crosses, as well as examples of the cross in nature.
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San Marcos
(Paperback)
David R. Butler
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R561
R515
Discovery Miles 5 150
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Making Marigold: Beaders Of Bulawayo is a portrait of a women’s beading co-operative specialising in loomed beadwork, based in Bulawayo, Zimbabwe.
Over 200 photographs reveal the sumptuous glamour of the Marigold beadwork and necklaces. Short, stand-alone narrative vignettes offer background insights into the making and development of the Marigold co-operative.
How did these women, whose skilled practice and creative impulses evident in every necklace, perfect this practice? And what has sustained their efforts across the decades?
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