The war in Darfur, which has been controversially termed as 'genocide', is still ongoing, alongside a tardy peace negotiation process, which began back in 2010. Around 300,000 people are estimated to have died from the combined effects of war, hunger and disease. Darfur is inhabited by tribes of both African and Arab lineage. Both groups had co-existed for centuries, however, as a result of the increasing desertification of the region in the 1970s and 1980s, the nomadic Arab tribes began to head south in search of water and grazing land. They soon arrived at the settle-ments of the Africans. Skirmishes followed, though the fighting was small in scale and ended in 1994. The conflict resumed in 2003, when African rebel groups under the banner of the Darfur Liberation Front responded to the neglect and marginalization of their communities by initiating attacks. The Sudan government replied with major land and air assaults. By the summer of 2003 the infamous Janjaweed had become involved. By Spring 2004, they had killed several thousand non-arabs and an estimated million more had been driven from their homes. Yet it was not until more than 100,000 refugees, pursued by Janjaweed militia, escaped to neighbouring Chad that the conflict captured the attention of an international audience.

As Vietnam moves towards urbanisation, the country's agricultural labour force faces losing its land to urban projects - and its way of life. The country's growing population is reducing the availability of farming land and rural families, no longer able to sustain themselves from the land, are turning to the creation of various products. These 'craft' villages have become the meeting place between rural and urban, agriculture and industry. During the last decade, along with rapid national economic development many craft villages have increased production up to five fold through small-scale industrial development. However, the consequence of this shift is increased waste and environmental pollution with the resources of the landscape becoming overused. Tessa Bunney spent two six month periods in Vietnam and visited many of these villages. The traditional village house is typically single storey and consists of three rooms. The large central room is a multi-purpose living, sleeping and working area and it is in this room where many of Tessa's images are taken, the mix of work and everyday objects fascinating her visually. Interspersed with images from daily life in the rice fields and in the villages, these photographs depict 'working from home' in an unromanticized sense, where their subjects, mostly women, balance childcare with the routine work necessary for survival.

A perfect and unique gift book for every pet owner and for anyone who loves animals. Beautifully studied portraits that take a touching look at the devoted relationships between pets and their owners. We see the ordinary and the extraordinary--spiders, snakes, geckoes and goats as well as the more usual rabbits, guinea pigs, cats and dogs. Interspersed with humorous and philosophical quotations by famous writers.

The remarkable photographs in "Forever Engand" were taken at Bekonscot Model Village in Beaconsfield. Initially built by a London accountant to entertain his house guests, it opened to the public in 1929 and is the oldest model village in the world, welcoming close to 200,000 visitors each year. Now a world famous folly, it stands as a tribute to English eccentricity, humour, determination and craftsmanship. Its particular charm is that it presents a vision of England firmly rooted in an idyllic 1930s timewarp. Yet it is its quirkiness that Bailey has captured so stunningly. In wonderful tableaux of everyday life he creates an extraordinarily rich and powerful sense of character and atmosphere. Bekonscot's miniature population of 3,000 people and 300 animals becomes real, their lives frozen in time, as we are carried back to an England we all know and long for - an England of our imaginations - when life was simple, secure, unchanging.

The stunning photographs and evocative text in this volume capture the essence of Tangier life from the 1920s to the present day. Paul and Jane Bowles, the American painter Marguerite McBay, Woolworth heiress Barbara Hutton, playwright Tennessee Williams, royal photographer Cecil Beaton, and the painters Claudio Bravo and Patrick Procktor are some of the legendary residents of this Moroccan port city portrayed in these reminiscences and candid portraits. Personal family photographs depict the extravagant parties hosted and attended by the author and her circle. The evolution of design and style in some of the great houses as they changed ownership is documented, demonstrating how the composition of life in this archetypal city unfolded throughout the 20th century.

This extraordinary book charts David Beckham's rise to celebrity during his years in Manchester.

At the age of 3 David Beckham's parents gave him a Manchester United shirt as a Christmas present, beginning a relationship with the club that was to last a quarter of a century. He signed schoolboy terms in May 1988, eventually joining United as a trainee in July 1991 and moving up to Manchester to begin what was to become an extraordinary story.

From relatively early days, right up to his departure for Real Madrid, Eamonn and James Clarke, the Manchester paparrazi, have recorded his unofficial story--even before he came to prominence as a player and well before his meteoric rise to iconic status.

They were there when he was a young player finding his feet at the club, there to see him out and about with girlfriends or team colleagues, there when "Posh Spice" arrived on the scene, and there to see him becoming a proud father and family man.

And they were the first to photograph him, with the cut above his eye, walking in Manchester after the boot-kicking incident with Sir Alex Ferguson, when it began to dawn on everyone that David Beckham's time at Manchester United was almost over.

In an introductory text, and through extended captions, Eamonn and James Clarke describe their work and encounters with David Beckham. The two brothers have worked as the Manchester paparrazi for the last 10 years. Their images appear regularly on the front pages of the press in the UK as well as internationally in magazines.

James Morris challenges the tourist cliches and looks at the impact of human presence and the layers history in the landscape. He reflects upon issues of identity, exploitation and regeneration; it is a land of beauty and of hardship where - in this post industrial, post rural economy - Tesco and tourism are now the great employers. These are the contrasting realities of the Welsh landscape - that seen by the many visitors and that experienced by most inhabitants. Morris moves between tourist hot spots and the terraces and back streets where the majority of people live. The latter are often hard bitten unpretty places, often built for reasons that no longer exist, no longer the world's largest producer of iron, coal, copper or slate, these are places that have lost their historic and heroic status, sometimes even their raison d'etre. Regeneration is taking place, but it is taking its time. By contrast the tourist landscape is one of pleasure seeking and escape - this is the Wales that visitors are sold and want to see. But in a small land this selling of culture for the tourist pound has complex consequences that build on the complexities of a relationship that has shaped so much of the landscape.

Portraits of Burlesque Performers in Their Homes. What is burlesque? Who better to ask than burlesque performers themselves? With this question in mind, the author traveled over 14,000 miles across the United States visiting todays burlesque performers, photographing them in their homes, and asking them What does burlesque mean to you? Their answers and 104 accompanying portraits may surprise you. For these performers, burlesque is so many things, including fun and empowerment on stage, an escape from lifes doldrums, a fantasy, a career. This book also presents a study in contrasts between the public persona of each performer and that

In "Our Man in Havana", Graham Greene wrote that 'to each man a city consists of no more than a few streets, a few houses, a few people. Remove those few and the city no longer exists except as a pain in the memory, like the pain of an amputated leg no longer there.' In this, his third book, John Comino-James shows us the world that is contained within just a few streets in the very ordinary neighbourhood of Cayo Hueso in Havana, Cuba. Through portraits and candid observation, he builds an honest and intimate record of a small and tight-knit community. This is not the Havana of the tourist, but a city in which people go about their daily lives, dealing with the everyday realities that have resulted from decades of political isolation. In a powerful and beautifully written afterword, Comino-James intersperses his experiences of several vists to the area, with fascinating information on the history of Cuba and the city of Havana.

In February 2001, Foot and Mouth Disease arrived in Cumbria. At its peak Cumbria was the worst affected county in Britain with a staggering 41 per cent of all cases. For the local community, the environmental and social consequences were to prove devastating. As a local resident, leading UK photographer John Darwell found himself surrounded by the effects of the disease. Over the next twelve months, he committed himself to recording what was taking place. Despite government reports to the contrary, the Cumbrian countryside became largely a 'no-go area', whilst on the farms thousands of animals were destroyed, their bodies burnt on the now notorious pyres. The ultimate clean-up of the infected farms led to extraordinary lengths being taken to eradicate the virus. "Dark Days" represents, perhaps, the most complete record of this time and provides a powerful and emotive insight into one of the most dramatic and destructive periods in British farming history. It is published in association with Littoral Arts.

Ons praat Afrikaans – diverse mense – een taal is meer as net nog ’n fotoboek: dit is die eindproduk van ’n projek wat sy ontstaan gevind het in een individu se liefde vir die Afrikaanse kultuur en taal, Douw Greeff. Die projek is geloods in 2016 toe fotograwe (amateur en ook professioneel) genader is om werke in te skryf wat hulle voel die Afrikaanse kultuur en taal raakvat. Verskeie inskrywings is ontvang en die top foto’s het deurgegaan na ’n beoordelings-rondte, waar ’n paneel die beste foto’s gekies het om in hierdie pragpublikasie te pronk.

Astounding aerial photographs revealing an immense and unsuspected wealth of color hidden behind Ireland's green facade. Yellow islands of gorse, the turquoise edges of the western coast, the algae borders of the winter lakes varying in color from green to orange, deserted islands overgrown with rust brown ferns and deserts of black peat bogs.

John Comino-James has photographed the streets, shops and shopkeepers in the centre of Thame, an historic market town some 45 miles from London. Portraits, texts and candid photographs are contained in a sequence representing a meandering walk through the town, during which we encounter not only the shops and shopkeepers but also the last cattle market operating in the area, travelling showmen at one of the two annual fairs, and the weekly street market. The accompanying interviews reveal pride in the continuation of family businesses, as well as small enterprises both challenged by and benefiting from the increasing impact of the internet. While the presence of supermarkets and services such as banks, travel agents and estate agents is acknowledged, in choosing subjects for portraits Comino-James was drawn to those shopkeepers whose aim might be summed up in the words of one of them: to keep the character of Thame as a Market Town and not a Supermarket town.

Stonehenge is the world's most famous pre-historic monument and, since the middle of the 19th century, probably the most photographed. Using images from English Heritage's unique photgraphic archive (the National Monuments Record), Stonehenge: A History in Photographs charts the last 150 years in the life of this extraordinary and iconic site. These largely unseen images touch on various moments in Stonehenge's history, from the leiusrely tourism in the last years of Victoria's reign to the monument of today, a site visited each year by more than one million people from all over the world. This book is a celebration of Stonehenge, in fascinating and often very human images. The text is written by archaeologist and television presenter Julian Richards, someone with a genuine love of Stonehenge. This is a book for all who share a fascination with this magical monument.

One hundred and fifty years ago travelling with a camera was both a novelty and an enormous challenge. The intrepid photographers who took their cameras to remote corners of the world brought back images which amazed their peers. Photographer and historian John Hannavy has recreated some of their epic journeys - travelling to Scotland along the route followed by William Henry Fox Talbot in 1844; recreating Charles Kinnear and Thomas Melville Raven's 1857 journeys to France; exploring the Nile from Cairo to Abu Simbel along the route Francis Frith followed between 1856 and 1859; travelling through Russia and the Ukraine as Roger Fenton did in 1852 and 1855; across India from Calcutta to Simla following Samuel Bourne's 1863 account of his travels; and exploring China and Cyprus as John Thomson did between 1863 and 1878.This beautifully illustrated book contrasts the Victorian world with our own, and looks at how our view of the world has changed in the intevening years. It chronicles the developments which have taken place in travel, architecture, culture, and of course photography itself.