Jamal and Bibi have a dream. To lead Australia to soccer glory in the next World Cup. But first they must face landmines, pirates, storms and assassins. Can Jamal and his family survive their incredible journey and get to Australia? Adapted for the stage by Patricia Cornelius from Morris Gleitzman's best-selling novel, Boy Overboard depicts a deeply human side of the 'asylum seekers' issue by following the journey of Jamal and Bibi from Afghanistan to Australia. Based on real life events, this is a moving play about young people overcoming the confusion of war, politics and the search for a safe haven.

This volume contains six plays by Ted Hughes which are particularly suitable for performance by children. Four of them were published originally under the title, The Coming of the Kings and Other Plays. Added to these are Orpheus and The Pig Organ, the former only ever published in America, the latter (which was written as a libretto) never before published. Hughes enters the timeless world of folklore and fable and brings home a wonderful haul, managing to produce comedy, tragedy and magic from the same net, and then to move effortlessly between them. He makes stories from familiar elements (the Nativity, or Beauty and the Beast or a quest to save a sickening king), but approaches them from unexpected angles and sets them off in different directions. What characterizes the pieces is the energy Hughes generates not only in the unfolding action but in the drama of the language itself, which is as robustly up-to-date as it is lyrical.

Go hloka lerato le kwelobohloko go tswala dikgaruru tseo di tswalago dikgaphamadi, tseo di fetago ka maphelo a bao ba se nago molato. Batho bao ba re nkgelago boka podile, ka go le lengwe ba kgahla ba bangwe boka matsobana. Lack of love and sympathy brings violence, which results in bloodshed that costs innocent lives.

These violent delights have violent ends And in their triumph die, like fire and powder, Which, as they kiss, consume.

When Romeo first lays eyes on the bewitching Juliet, it's love at first sight. But though their love runs true and deep, it is also completely forbidden. With family and fate determined to keep them apart, will Romeo and Juliet find a way to be together?

William Shakespeare's masterpiece is one of the most enduring stories of star-crossed love of all time. Beautifully presented for a modern teen audience with both the original play and a prose retelling of the beloved story, this is the must-have edition of a timeless classic.

Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are: Is This A Fairytale? by Bea Websater A new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+ Hold Out Your Hand by Chris Thorpe A dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+ The Pack by Stef Smith A playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+ Ozymandias by Robbie Gordon and Jack Nurse A contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+ Bad Bored Women of the Rooms by Sabrina Mahfouz A storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+ The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.

IN

"What, my dear Lady Disdain Are you yet living?" These famous lines from Shakespeare's comedy Much Ado About Nothing delightfully show the verbal sparring between the reluctant lovers, Beatrice and Benedick who are happily brought together at the end by the schemes of their friends. And, no story is complete without at least one evil character, Don John, who unsuccessfully tries to tear apart the wedding plans of Hero and Claudio, the other lovers in this sparkling tale.

Written in rhyming couplets, Much Ado About Nothing, the eighth book in this successful series, captures all the exciting elements of the original story, and is truly a delightful read for both adult and child.

Lois Burdett has been a teacher at Hamlet Public School in Stratford, Ontario, for over twenty years and her expertise in bringing Shakespeare to life for children as young as seven is reflected in the children's clever insights and wonderful drawings which complement the play.

Her success has resulted in an ever-increasing demand for workshops as far afield as Europe and Australia where she instructs educators on how they too can familiarize young children with Shakespeare.

From the "Foreword" by Denzel Washington

" Lois Burdett's] delightfully entertaining text is complemented by her students' thoughtful interpretations and charming artwork which make "Much Ado About Nothing" come alive in a whole new way."

History Showtime brings a fresh new approach to history, combining essential learning with the fun of drama and music. History Showtime: Vikings looks at the history of these famous invaders and describes their everyday life, such as what they ate, what they wore and their beliefs. Alongside this key information are four songs, unique to this series, which bring the facts to life. At the end of the book is a simple playscript for children to act out, which enacts a dramatic Viking sea journey to a new life in Britain.

A tense truce holds between the Capulets and the Montagues after the deaths of Romeo and Juliet. Benvolio, Romeo's best friend, is in love with Rosaline, Juliet's cousin; but Rosaline is bent on revenge. After Juliet by Sharman Macdonald was specially commissioned by the Royal National Theatre for the BT National Connections Scheme for young people.

In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace. The group must decide how they want to commemorate an attack that happened to people like them in a country far away. How do you take to the streets and protest if you're not ready to tell the world who you are? If you're invisible, does your voice still count? A play about love, commemoration and protest. Written fifty years on from the partial decriminalisation of homosexuality in England, this is a unique play for young people about the struggles and joys of being gay. Published alongside Stonewall Housing, a charity that works to ensure lesbian, gay, bisexual and trans people live in safer homes, free from fear, where they can celebrate their identity and support each other to achieve their full potential. This new edition features a new Q&A with the author alongside teaching resources and information from Stonewall Housing.

Each book in this series combines an original play and a set of individual "Production Notes". The playscripts may be photocopied and distributed for classroom use. The "Production Notes" give practical help with casting, costumes, scenery and staging of the play itself. This play is based upon the traditional fairy story, where the Beast of the title turns out to be a gigantic slug with a slime problem. The running time of the play is approximately 45 minutes.

This edition contains the full text of Twelfth Night with clear and supportive notes. A detailed introduction and a guide to each act and scene give you everything you need to study the play for CSEC (R) English B. Understand the language of the play with clear notes on each page. Learn about Shakespeare's world and the context of the play in the lively introduction. Get to grips with characters, themes and dramatic techniques with a guide to each scene. Trace the development of themes across the play with succinct summaries and links to the key scenes. Prepare for your final examinations with practice exam questions and annotated sample responses to show you how to improve your work.

A collection of three enchanting plays adapted from popular fairy tales and suitable for family audiences. Acclaimed playwright Noel Greig, has recreated these well-known tales for the stage with wit and imagination. All three plays have been performed throughout the UK by Tangere Arts, winning a Time Out Critics' Choice Award. Teachers, youth theatres and amateur groups working with young performers will use this collection time and again for productions, drama classes and workshops - whether for one performer or many. Suitable for children aged 7+ The simple form and language of the plays belie their theatrical and psychological sophistication.

When Theatre for Youth: Twelve Plays with Mature Themes was published in 1986, it met a need for plays that could help young people deal with some of the more difficult realities of life. Responding to the sweeping changes in society over the succeeding thirty years, Coleman A. Jennings and Gretta Berghammer have assembled a new collection of plays that reflects not only on themes such as aging, death and dying, friendship, courage, conformity, maturation, sexuality, and struggles with moral judgment but also on gender identity, poverty, diversity, and discrimination. Theatre for Youth II: More Plays with Mature Themes presents twelve plays, nine of them new to this anthology, that offer a rich variety of original stories (The Tomato Plant Girl, The Arkansaw Bear, Super Cowgirl and Mighty Miracle), compelling adaptations (The Afternoon of the Elves, Broken Hearts, Courage!), historical drama (Mother Hicks, Johnny Tremain), diverse themes (La Ofrenda, The Transition of Doodle Pequeno), friendship (The Selfish Giant), and future societies (With Two Wings). As these plays explore some of the most challenging themes for today's youth, including the difficulties of single parenthood, divorce, race relations, sexuality, and gender discrimination, they share messages fundamental to us all: open your imagination and dare to dream; embrace life; honor your personal passion, beliefs, and creativity; take a risk; and love with all your heart.

Respect women, respect girls. Respect yourselves. Remember you are everyone who's gone before you and you are nobody that has ever been, so make it count, make it special, make a difference, make people listen, love the women who have loved you and watch us make the world move to a better place. For Layla, every day is a battleground. The pay gap, the thigh gap, over-sexed pop and selfies that are photoshopped - they're just part of the world she lives in. But that world is about to change. While breaking out of her bedroom - and with drama, comedy, poetry and music as her weapons - Layla breaks down and makes sense of the realities, difficulties and absurdities of teenage life in the UK today. Collected from a bespoke national survey, the voices of a thousand UK teens are brought to life in Layla. Their ambitions, concerns, role-models and regrets are woven together by award-winning Sabrina Mahfouz and theatre company Theatre Centre, offering a hard-hitting, yet hopeful, story. Layla's Room received its world premiere at Redbridge Drama Centre on 15 September 2016 in a production by Theatre Centre. It is ideal for students and young performers between 16 and 18 years old.

Here we are nibbling away all day and night, Mrs Dacey. Nibble nibble. No sense, no order, no nothing, we're all mad and nasty. Samuel Bennett leaves his home in South Wales to pursue a career in London. Setting out with an attitude of reckless, nihilistic purpose, he encounters a nightmarish city with an assortment of bizarre characters and an embarrassing first sexual experience. Join Samuel as he meanders through this dreamlike world, all with a beer bottle stuck on his little finger. Dylan Thomas's gloriously surreal coming-of-age and unfinished novel is given new life by acclaimed writer Lucy Gough. Originally premiered in Wales in 2014, the adaptation was then performed in both Sydney and Melbourne, Australia in 2015. It is published here in Methuen Drama's Plays for Young People series, pitched at ages 16-18. It features an introduction by Sam Mackie, Head of Drama in the English Faculty at The Peninsula School, Victoria.