An engaging classroom playscript. Frankenstein is the famous story of a young man who thinks he can change the world by making better human beings. Instead he creates a living monster with a mind of its own. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space

An epic adventure filled with danger and excitement. Perfect for studying author s craft, plot and comparing two writers from different centuries. On stage, this script is great for creating high dramatic tension and provides 15 colourful parts.

This edition of Twelfth Night is especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes, allowing students to master Shakespeare's work.
About the Series:
Newly redesigned and easier to read, each play in the Oxford School Shakespeare series includes the complete and unabridged text, detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays.

The Classic Graphic Novel Collection is a revolutionary new series of graphic novels which re-tells classic literature for learners of English. Graded at the intermediate level, the fresh blend of accessible storytelling and captivating artwork ensures that students will want to return to these stories time and again. Shakespeare's best-loved play, A Midsummer Night's Dream endures as an obvious choice for outdoor theatre on a warm summer evening. The marriage of Theseus to Hippolyta serves as a backdrop to tangled loves, amateur dramatics, and an argument between the Fairy Queen and King, Titania and Oberon, with events spilling over from their Fairy Kingdom into the real world of Athens. A Midsummer Night's Dream has comical appeal and has been performed all over the world. Now, this enchanting comedy is brought to life through dramatic narrative and vivid imagery.

This is a collection of comedy plays and scenes based on the real-life situations and dilemmas faced by young people every day. It is ideal for classroom practice or contest use.

This edition of Macbeth is especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes, allowing students to master Shakespeare's work.
About the Series:
Newly redesigned and easier to read, each play in the Oxford School Shakespeare series includes the complete and unabridged text, detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays.

This is a collection of short plays for speech and drama classrooms, forensic competitions, or variety shows. It includes scripts for girls, boys, and mixed casts.

These simple Christmas plays in rhyming verse, with music, lyrics and directions for movement, are ideal for kindergarten and other early years settings up to the age of six or seven. The easy-to-follow plays build on well-known nativity stories to create a joyful and memorable Christmas experience for educators, parents and children alike. The book presents a basic 'core' version of each play, with plenty of optional additions for older children. It also contains tips for creating props and simple costumes. An invaluable tool for anyone keen to celebrate the nativity creatively with the children in their care. *We are hoping to produce a musical CD to accompany this book in 2015.*

This edition of Hamlet is especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. This edition includes illustrations, preliminary notes, reading lists (including websites) and classroom notes, allowing students to master Shakespeare's work.
About the Series:
Newly redesigned and easier to read, each play in the Oxford School Shakespeare series includes the complete and unabridged text, detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. Also included is a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays.

Written in 1836, Woyzeck is often considered to be the first truly modern play. The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author's death, in Munich 1913. This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: * A chronology of the play and the playwright's life and work * an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created * a succinct overview of the creation processes followed and subsequent performance history of the piece * an analysis of, and commentary on, some of the major themes and specific issues addressed by the text * a bibliography of suggested primary and secondary materials for further study.

District Six and other plays, a collection of short, modern South African drama, will engage learners everywhere. From a one-woman play to physical theatre, it meets teachers needs for plays that have literary value and can be studied in-depth, as well as for those that can be easily performed. Featuring successfully staged works by acclaimed playwrights David Kramer, Fatima Dike, Nadia Davids, Fiona Coyne, Michael Williams, and Roy Sargeant.

An engaging classroom playscript. He is Nosferatu, the Undead. He can walk through locked doors, change his shape. Sometimes he looks like a man, sometimes a huge wolf-like dog, or a bat. He never grows ill, never dies And if you invite him into your home, he will take your life and your soul. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing

Midsummer night's eve in Edinburgh. A girl with wings and a plastic bow and arrow sits sobbing on a bench. It's been a hard day. Love. Bites. Setting(s) Various: a park bench, school playground, a cafe, swimming pool flumes, a park, a bar, a wind farm, a flat, etc. First produced June 2012. Directed by Ruth Hollyman. Cast Size: Mixed cast of 18: 7 female, 11 male (flexible) Recommended for performers aged 14-16 Running Time 60 minutes Recommended for audiences aged 12+

This book provides teachers of children at Key Stages 1 and 2 with a much-needed source of exciting and creative drama-based activities, designed to improve literacy. As useful for the drama novice as for the busy literacy co-ordinator, these flexible activities are designed to help teachers meet National Curriculum and National Literacy Strategy (NLS) requirements, particularly through speaking and listening.
The book is divided into three parts:

Part 1 looks at literacy and the power of drama as a 'brain-friendly' medium for teaching and learning.
Part 2 contains ten structured, practical units of work, each based on a different story, poem, play or traditional tale or rhyme and each linked directly to the requirements and objectives of the NLS and the QCA objectives for speaking and listening.
Part 3 contains photocopiable Literacy Support Sheets for teachers to use and adapt for their own classroom needs.

All units of work have been tried and tested by the authors, giving teachers a springboard from which to enhance and extend their literacy lessons, and engage the imagination of their pupils. The book is also the ideal resource for student teachers.

eBook available with sample pages: 0203166981

The New Generation Play Project was a daring experiment in American children's theatre. Begun in 1989 by a consortium that included the Seattle Children's Theatre, The Children's Theatre Company of Minneapolis, Stage One: The Louisville Children's Theatre, and the Honolulu Theatre for Youth, the NGPP raised half a million dollars to commission major American dramatists to create new works for young people and to produce these plays over a several-year period.

This book provides the full text of the plays produced through the NGPP: Constance Congdon, Beauty and the BeastVelina Hasu Houston, Hula HeartTina Howe, East of the Sun and West of the MoonLen Jenkin, The Invisible ManMark Medoff, Kringle's WindowEric Overmyer, Duke Kahanamoku vs. The SurfnappersMichael Weller, DogbrainY York, The Witch of Blackbird Pond

In his introduction, Coleman Jennings describes the work of the NGPP, some of the controversies surrounding its selection of playwrights who do not ordinarily write for young audiences, as well as the playwrights' reactions to the project, and the critical reception of the plays. Suzan Zeder, one of the nation's leading playwrights for family audiences, supplies the foreword.

Year 8 is left without a teacher. To relieve the boredom they launch an expedition - two students who never break the rules are sent to steal something from the headteacher's office. The unlikely criminals return as heroes and set about re-enacting the theft. In the ensuing chaos one student discovers that he too has been the victim of theft and accusations fly. Perfect for classroom performance, David Grant's witty play covers conflicts of gender, academic ability and conformism. Whatever schools and teachers may hope, it is the students who decide their own fate. * Crackling, witty dialogue. * Well-drawn, realistic characters. * Perfect for both performance and textual study.

It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone.... You were the glimmer. At the end of the tunnel. And you went out. Earthquakes in London is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe. The play deals, through amplified theatricality, with a range of contemporary issues from population growth to climate change. An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again. Earthquakes in London first published in 2010 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Bridget Escolme. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes - questions for further study - an interview with the playwright

On a school trip to research the history of a graveyard, a group of students unearth a lot more than they bargained for! This excellent adaptation retells Theresa Breslin's timeless, Carnegie medal-winning story. Solomon is bullied by his teachers and let down by his parents. His refuge is the graveyard in the shadow of the rowan tree, the only thing that grows there. When workmen uproot the tree a strange and terrible power is unleashed. It seems a lust for revenge is spanning the centuries...* A thrilling adaptation of a Carnegie medal-winning novel. * Packed with social and historical themes. * Perfect for exploring character.

This series offers a unique interactive approach that will encourage learners to become involved in the interactive process of these plays, whilst exposing them to the atmosphere and history of the age, in a fun and stimulating way. An extensive amount of background and supporting material is offered in a user-friendly way with exciting features make the plays become visually real. Each exciting page offers: -complete text done in an attractive double-page spread layout a glossary of what the words and phrases mean thought-provoking notes and activities on each page that: explain difficult language, explore characters, themes, words and images, provide useful background information and stimulate thoughts on how to stage the play. This series also offers activities at the end of each act to facilitate understanding. At the back of each book, notes are included, providing information on the world of William Shakespeare.

Seven classic Shakespeare plays presented in an accessible comic strip format. Take your place in the Globe Theatre of Shakespeare's day to see seven of his best-loved plays in performance. Romeo and Juliet, Hamlet, A Midsummer Night's Dream, Macbeth, Julius Caesar, The Winter's Tale and The Tempest are all brought vividly to life in Marcia Williams' gloriously accessible comic-strip versions, which include the bard's own dialogue and the rowdy remarks of the audience.

This book provides teachers of children at Key Stages 1 and 2 with a much-needed source of exciting and creative drama-based activities, designed to improve literacy. As useful for the drama novice as for the busy literacy co-ordinator, these flexible activities are designed to help teachers meet National Curriculum and National Literacy Strategy (NLS) requirements, particularly through speaking and listening. The book is divided into three parts: Part 1 looks at literacy and the power of drama as a 'brain-friendly' medium for teaching and learning. Part 2 contains ten structured, practical units of work, each based on a different story, poem, play or traditional tale or rhyme and each linked directly to the requirements and objectives of the NLS and the QCA objectives for speaking and listening. Part 3 contains photocopiable Literacy Support Sheets for teachers to use and adapt for their own classroom needs. All units of work have been tried and tested by the authors, giving teachers a springboard from which to enhance and extend their literacy lessons, and engage the imagination of their pupils. The book is also the ideal resource for student teachers.

This revised Student Edition includes an introduction by Daniel Ciba, which looks in particular at the play as a piece of realism or experimentalism and considers the play through the lens of Queer Identity. The introduction includes discussion of very recent revivals and adaptations of the play across the world. The Glass Menagerie, Tennessee Williams' first great popular success and an autobiographical play about his mother and sister, launched the brilliant and controversial career of this ground-breaking American playwright. Set in St Louis during the depression era of the 1930s, it is the poignant drama of a family's gradual disintegration, under pressure both from outside and within. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A chronology of the play and the playwright’s life and work · an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created · a succinct overview of the creation processes followed and subsequent performance history of the piece · an analysis of, and commentary on, some of the major themes and specific issues addressed by the text · a bibliography of suggested primary and secondary materials for further study.

Titus obeys every rule but the older Miranda wants some questions answered - would their hands really turn into claws if they had kippers for breakfast? Would she go egg-shaped if she broke an egg? Miranda gleefully smashes an egg. Hey presto - nothing happens! The two children confront Angela and then run away. Excitement turns to fear when things start to get creepy and they discover the home of the sinister Mouth Collector...-2 women, 2 men

Now everyone can join the witch and her cat for a magical adventure with this fun and accessible playscript, adapted by the author from the bestselling picture book Room on the Broom. The Room on the Broom Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join in the action! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed Room on the Broom activities. With Axel Scheffler's bright and characterful illustrations and Julia Donaldson's hilarious and witty rhyming playscript, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.