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Books > Children's & Educational > Language & literature > English (including English as a school subject) > English literature texts > Drama texts > Plays for children
Na e be ke ntho ya bohlokwa hore lerato le o kwale mahlo hoo o ka bang wa bolaya ntata bana ba hao. Mmatefo le Sebolai ba qhadile metse ya bona ka lona lerato leo. Mmatefo o bolaile monna a nkeha ke moena hae. One often wonders whether it is true that a person can be so blinded by love that they can kill their spouse. Mmatefo killed a husband for a younger brother.
Six Plays for Children by Aurand Harris brings together a variety of dramatic forms that have enormously enriched the literature of children's theatre in this country and around the world. These works by this respected children's theatre playwright show Harris's great versatility: in the commedia dell'arte of Androcles and the Lion; the musical melodrama Rags to Riches; the sober, absurd comedy Punch and Judy; the realistic historical drama Steal Away Home; the farce Peck's Bad Boy; and the musical review Yankee Doodle. Each of the six plays exhibits a vital theatricality which is sure to win a child's attention and response. Editor Coleman A. Jennings traces Harris's development as a playwright in a biographical study based on interviews with Harris. This enlightening section treats Harris's philosophy and teaching methods, as well as his creative process.
Le ncwadi iqulathe imidlalwana eyahlukeneyo nelungiselelwe ukuba ilinganiswe ngabafundi eqongeni. Ifeza iimfuno zeKharityhulam kaZwelonke. Ngale ncwadi ootitshala baza kuphucula izakhono zabafundi ezizezi zilandelayo: Ukufunda nokubukela, Ukumamela, Ukuthetha nokulinganisa imidlalo. The title contains a variety of play scripts that have been carefully designed for dramatisation by learners on stage. It will definitely assist the educators in developing the following skills: reading and viewing, listening, speaking and dramatisation.
Five exciting new plays for young people written specifically in response to a world in the midst of a pandemic, accompanied by a handbook from Wonder Fools theatre company with guidance for staging the plays either online or live in the space. Commissioned as part of Wonder Fools' national participatory project Positive Stories for Negative Times, these five plays offer a variety of stories, styles and forms for ages 8-25. These original and innovative plays are: Is This A Fairytale? by Bea Websater A new play that rips apart the traditional fairy tale canon and turns it on its head in a surprising, inventive and unconventional way. Ages 8+ Hold Out Your Hand by Chris Thorpe A dynamic text asking questions about place, where we are now and the moment we are living through. Ages 13+ The Pack by Stef Smith A playful and poetic exploration about getting lost in the loneliness of your living room and trying to find your way home. Ages 13+ Ozymandias by Robbie Gordon and Jack Nurse A contemporary story inspired by Percy Shelley's 19th century poem of the same name, exploring power, oppression and racism through the eyes of young people. Ages 16+ Bad Bored Women of the Rooms by Sabrina Mahfouz A storytelling adventure through the centuries of women and girls who have spent a lot of time stuck in a room. Ages 18+ The accompanying handbook includes step-by-step guidance on how to produce the plays either online or live in the space, and bespoke exercises and instructions on how to approach directing each play.
A short illustrated play set in World War Two, perfect for class reading as well as performance, written by Julia Donaldson, author of the modern classic The Gruffalo. Perfect for the 75th Anniversary of D-Day in 2019. World War Two has been declared and the Chivers children are sent to the safety of the countryside. They are delighted to be brought back home when it looks like the Germans aren't going to invade after all. But the air-raid siren goes off and this time it's frighteningly real. This dramatic and touching play brings Manchester during the Second World War and its people to life, and provides a variety of opportunities for school classes to explore both historical and literacy topics in an involving and creative setting. Also includes helpful tips on staging and costume. 'This touching play brings to life the Second World War in a very accessible way for junior children' - Books for Keeps
Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. As with previous anthologies, the volume will feature an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.
Drawing together the work of ten leading playwrights - a mixture of established and current writers - "National Theatre Connections 2013 "offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
People often tend to link their personal identity to their physical body. Two reader's theater-style plays focus on both male and female characters and their body images. Clarisse believes she is too fat and becomes obsessed with dieting. Sam's story focuses on a male's impatience for change to occur - will he always be 4'11" and 98 pounds? Young people will learn that they may have more control over self-image than they imagine.
This text sets out to bring to life the Greek and Roman plays and their staging, evoking the visual and emotional character of performances and dramatic festivals and offering a clear account of the plays and their writers. It attempts to re-create the excitement of the competitions and analyses the practical challenges faced by the playwrights and actors in staging the plays, whether tragedies or comedies. It also aims to bring to life the costumes, masks, stage and scenery, as well as the audience's reactions to the experience. The book gives clear summaries of well-known Greek and Roman plays and their authors, and explores in depth some of the best-known, particularly "Antigone" and "The Clouds." There are many suggestions for further study, including additional reading for both the teachers and pupils, topics for discussion, subjects to write about, and activities for individuals and groups.
This is a collection of eleven plays, written and devised by second and third year pupils using the Cambridge Latin Course. The language and background draw on Unit 1 of the Cambridge Latin Course, although students of other texts will be able to read and enjoy the collection. Unusual vocabulary is explained and there is also a consolidated vocabulary that includes macrons for pronunciation guidance. The casts of the eleven plays call for four to twenty-three characters with speaking parts of various lengths. The book also presents a vivid picture of Pompei's fiery end, referring not only to Pliny's ancient reports, but also to newspaper and artistic reports from more recent eruptions. This collection of playlets makes a stimulating supplement to beginners' courses, including, but certainly not limited to the Cambridge Latin Course. Pupils' amusement and involvement will help the teacher who finds the use of oral Latin increasingly helpful.
This brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2012 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. Power struggles, rites of passage, love and forbidden relationships are some of the rich themes that run through the 2012 cycle of plays. Some are deeply funny, some are provocative and some reflective; and one has really catchy songs! For the 2012 Festival, the anthology has an international feel and offers a window on the world. It includes from Australia a play based on a nineteenth century court case in which a teenage girl was falsely convicted; from Brazil a drama about young lovers doomed to tragedy; set in Russia, a play exploring differing attitudes to National Service and the collapse of the Soviet Union in 1991; a drama about students' rights to an education and the Cultural Revolution of 1966 in China; and a comedy involving a group of Irish country girls travelling to London to audition for the X-Factor.
A short illustrated play set in World War Two, perfect for class reading as well as performance, written by Julia Donaldson, author of the modern classic The Gruffalo. Perfect for the 75th Anniversary of D-Day in 2019. World War Two has been declared and the Chivers children are sent to the safety of the countryside. They are delighted to be brought back home when it looks like the Germans aren't going to invade after all. But the air-raid siren goes off and this time it's frighteningly real. This dramatic and touching play brings Manchester during the Second World War and its people to life, and provides a variety of opportunities for school classes to explore both historical and literacy topics in an involving and creative setting. Also includes helpful tips on staging and costume. 'This touching play brings to life the Second World War in a very accessible way for junior children' - Books for Keeps |
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