This revised version of Willy Russell's much loved play won rave reviews when it opened in Liverpool in 2009. Slightly updated and featuring more songs, it retains all the humour and appeal of the original. This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: meets the new requirements at KS3 and GCSE (2010) features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis places pupils' understanding of the learning process at the heart of the activities will help pupils to boost English GCSE success and develop high-level skills at KS3 will save teachers considerable time devising their own resources. Mrs Kay's Progress Class are off to Alton Towers - until Mr Briggs gets on board. The destination might have changed in this new version of Willy Russell's classic play, but mixing humour, lively songs and the poignancy of the original, this drama of a class day out to remember is ideal for Year 9 and above.

Three old friends in their mid-twenties. One remarkable day. For Ted, Danny and Charlotte, it's time to seize control. Make a difference. Change things. This is it. A day trip through the parks and raves and cafes of South London, where life is what you make it. The rapid-fire words of Kate Tempest paint a picture of lives less ordinary in an unforgiving world, soundtracked by an exhilarating score. A play about love, life and losing your mind, Wasted heralded the dramatic career of one of the UK's most exciting performance poets, Kate Tempest. It was originally produced by Paines Plough and is published here as a Methuen Drama Student Edition alongside commentary and notes by Katie Beswick, lecturer in Drama at the University of Exeter. The ancillary material is geared at students and includes: - an introduction outlining the play's plot, character, themes context and performance history - the full text of the play - a chronology of the playwright's life and work - extensive textual notes

Dominic Cooke's acclaimed Royal Shakespeare Company adaptation of the bestselling novel by Malorie Blackman. First performed by the Royal Shakespeare Company in 2007.

No, Alice, I don't want to become a man, I just want to stop trying to be a woman. It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one. Now Alice must face a question she never thought she'd ask . . . does this mean she's straight? A bittersweet comedy about gender, sexuality and being a long way from home. Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. As well as the complete text of the play itself, this volume contains: - an introduction outlining the plays themes, context and performance history - the full text of the play - extensive textual notes - questions for further study.

FANTASTIC MR FOX by Roald Dahl - a short dramatization by Sally Reid - perfect for schools - of Dahl's immensely popular story for younger readers in which clever Mr Fox outwits the three nasty farmers: Boggis. Bunce and Bean. An excellent adaptation by Sally Reid, with staging advice on props, lighting and scenery at the end of the book. Roald Dahl, the best-loved of children's writers, was born in Wales of Norwegian parents. His books continue to be bestsellers, despite his death in 1990, and worldwide booksales are over 100 million!

Menige ouer, onderwyser en afrigter het al die wens uitgespreek dat minder tyd aan die soek van geskikte materiaal vir Eisteddfods bestee hoef te word. Eisteddfod-pret is gebore uit hierdie noodkreet van ouers, onderwysers en kinders wat jaarliks in desperaatheid die internet en biblioteke fynkam vir vars, nuwe materiaal, want dis nie sommer enigiets wat geskik is nie. Die inhoud van hierdie bundel is oorspronklike, ongepubliseerde werke van die Fynbosskrywers, werke wat die potensiaal het om A++ by ’n Eisteddfod te verwerf. Dit bestaan uit 108 gedigte, 24 monoloë en 20 samesprake wat geskik is vir gebruik in die laerskool. ‘n Inleiding deur Louise Lachenicht verseker ook dat die deelnemer se potensiaal ten volle ontwikkel word met riglyne vir afrigters, onderwysers en ouers.

An engaging classroom playscript. A group of friends take a stand against the actions of their Headmaster, who wants to take over the world. Strange things happen at Lloyd and Harvey Hunter's school. When their new foster sister Dinah arrives she wants to find out why...but can she escape the Demon Headmaster? New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing

A collection of comedic and dramatic monologues that offers 50 monologues for boys and 50 monologues for girls. It is suitable for auditions, classroom practice, or forensic competitions.

Nadia Davids's moving play Cissie evokes the life of an extraordinary woman Cape Town activist, Cissie Gool.

From the early days of her girlhood to her death in 1963, the play allows us to glimpse into her world: the dynamic social and political home of her childhood, the heady years of her public speaking and marriage, and her difficulty in trying to live a free life under the traumatic shadow of colonialism and apartheid. Through monologue, shadow theatre and poetry, the lost world of Cissie's home, District Six, is recreated.

This edition includes an introduction by the playwright, vocabulary help on the page, exam-style questions for learners, and information on the play's historical background.

The tragedy of love thwarted by fate has always intrigued writers.  In the sixteenth century, William Shakespeare took this theme and fashioned one of the world's great plays: Romeo And Juliet.  In our own time, Shakespeare's drama has been used as a basis for the overwhelmingly successful musical play West Side Story.  Though one of these works is set among the nobility of Verona, and the other among immigrant families of New York's West Side, both tell the story of the plight of young star-crossed" lovers.



As Norris Houghton writes in his introduction: "What we see is that all four young people strive to consummate the happiness at the threshold on which they stand and which they have tasted so briefly.  All four are deprived of the opportunity to do so, the Renaissance couple by the caprice of fate, today's youngsters by the prejudice and hatred engendered around them....



"Poets and playwrights will continue to write of youthful lovers whom fate drives into and out of each other's lives.  The spectacle will always trouble and move us, even as the two dramas in this volume do today."

"As a guest gift for the wonderful wine, I will eat you last," yawns Polyphemus the Cyclops, in Joanne Keegan's wonderous, phantasmagoric comedy based on Homer's epic poem, the "Odyssey."

Laying down a comedic play for school-age students on a classical substrate may seem ambitious for some, but for others, it is an opportunity to expand the imagination.

The result is more than just a clever piece of drama-it is an inspired work of art in its own right, a wild ride to open up students' dramatic talents and expose them to an age-old classic.

"The Odyssey" provides age-appropriate and accessible material, parts for over twenty students, and strong roles for both male and female actors, all while retaining the flavor of Homer's classic in the context of an original and imaginative play, with adventure, humor, and, of course, a cast of colorful characters

An engaging classroom playscript. Nat is a young actor performing as Puck in A Midsummer Night's Dream. As the rehearsals intensify, Nat's health begins to fail and the cast is horrified to hear that he has been rushed to hospital with bubonic plague. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

This book is the answer to the comedic monologue needs of kid actors a and their parents a everywhere. EKids' Comedic Monologues That Are Actually FunnyE is specifically geared for children ages 5-12. Divided into boy girl and gender neutral categories every piece is guaranteed to be clean hilariously funny easy to memorize and a joy for young actors to perform.THIt features monologues by writers and comics who have written for or performed on EEllenE ESaturday Night LiveE EThe Tonight ShowE ELast Comic StandingE Comedy Central Stage and many more.

Now everyone can join the witch and her cat for a magical adventure with this fun and accessible playscript, adapted by the author from the bestselling picture book Room on the Broom. The Room on the Broom Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join in the action! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed Room on the Broom activities. With Axel Scheffler's bright and characterful illustrations and Julia Donaldson's hilarious and witty rhyming playscript, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.

DANNY THE CHAMPION OF THE WORLD by Roald Dahl - brilliantly adapted into a stage play for children to perform in schools. Could you be Danny, or his dad, or even red-faced Mr Victor Hazell? Danny thinks his dad is the most marvellous and exciting father a boy could wish for. Now you can join in their daring and devilish plots with these fun-to-perform plays adapted by David Wood. David Wood is very well known in children's theatre (most recently for Goodnight Mister Tom). Roald Dahl, the best-loved of children's writers, was born in Wales of Norwegian parents. His books continue to be bestsellers, despite his death in 1990, and worldwide book sales are over 100 million!

An engaging classroom playscript. Canterbury Tales Geoffrey Chaucer is dead! In a dramatic attempt to bring him back to life, four medieval alchemists invite a group of Chaucer's best-known pilgrims - the Knight, the Wife of Bath, the Pardoner, the Nun's Priest, and the Miller - to tell their Canterbury Tales. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

Stage adaptation of the classic tale with songs and original music by Conor Mitchell. In this theatrical version of the much-loved tale, we follow Mowgli, the boy-cub, as he meets Baloo the bear and Bagheera the panther and fights the terrifying tiger Shere Khan. After life in the jungle, can Mowgli ever return to his village?

This collection brings together Philip Ridley's one-act plays for young people, known as The Storyteller Sequence, ideal for teenagers to either watch or perform. Karamazoo is a fifteen-minute monologue about one of the coolest, most popular kids in the school, whose recent increase in popularity is the direct result of a character make-over following the death of a parent. A witty and moving performance piece for the teenage actor. Fairytaleheart features two fifteen-year-olds, Kirsty and Gideon, who meet for the first time and come to terms with their broken families by sharing their hopes, fears and past experiences - as well as stories - in a derelict community centre. Sparkleshark tells of fourteen-year-old Jake - a victim of bullying and other teenager's mockery - who has to take refuge on the roof of a tower block in order to write his stories. Moonfleece sees Curtis, a young right-wing activist, arrange a meeting in a flat of a derelict tower block where he lived as a child. But his older brother's ghost keeps haunting him. Moonfleece is an intense and thrilling exploration of memory and identity. Brokenville features an unknown disaster, which has left seven characters with little knowledge of who they are or of what has happened. As an old woman and five teenagers begin to act out stories for a mute and frightened child, they begin to discover a little of who they were and what they can be.

What the Ladybird Heard, bestselling picture book from Julia Donaldson and Lydia Monks, has been adapted by author Julia Donaldson into a fun and accessible play script that children will love performing at school or at home. The What the Ladybird Heard Play has been designed with rehearsals and performance in mind, with a clear layout and colour-coding for each character, perfect for helping children to follow their lines and join the cast! The book also contains a hints and tips section, which includes helpful advice on staging the play and ideas for props. There are also ideas for themed What the Ladybird Heard activities, as well as mask templates for the key characters! With Lydia Monks' bright and distinctive illustrations and Julia Donaldson's hilarious and witty rhyming text, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.

An engaging classroom playscript. Blending science fiction with the dangers of human ambition, this is a story of scientific discovery turned nightmare. There are many whispered questions when medical student Griffin arrives at a small village wrapped in bandages; however, no one can guess the true reason for his disguise. Terror, revenge and chaos ensue as Griffin, and those around him, come to terms with the effects of his latest experiment.

Holly Hogan is on the run. Fed up of life in foster care and longing to be reunited with her mum, she packs a bag and heads for the road, destined for Ireland. With only her mum's amber ring, a blonde wig and distant memories of a troubled childhood, Holly transforms herself into the feisty Solace the kind of girl who can take on anything. But just how far will Holly get before her past catches up with her? Solace of the Road features a detailed scheme of work including a range of inspiring activities and drama techniques, written by title consultants Paul Bunyan and Ruth Moore.

Winner of Best Book, Publication, or Recording prize at the Falstaff Awards 2015 Shortlisted for the 2016 SLA Information Book Award The Oxford Illustrated Shakespeare Dictionary is the first of its kind, a brand new illustrated alphabetical dictionary of all the words and meanings students of Shakespeare need to know. Every word has an example sentence selected from the twelve most studied plays, including Macbeth, Hamlet, Romeo and Juliet, A Midsummer Night's Dream, and Henry V. Usage notes and theatre notes provide additional background to Shakespearean times and the performance of his plays. Further support is provided by language panels on select topics like the humours, swearing, and stage directions, and full-colour illustrated thematic spreads on special feature topics from clothes and armour to music and recreation. The dictionary is easy to use with its clear signposting, accessible design, and expertly levelled contemporary look and feel. It is the perfect support for a full understanding of Shakespeare, created by renowned authors Professor David Crystal and actor Ben Crystal, a father and son team who combine for the first time the academic and the theatre, bringing together language, literature, and lexicography in this unique Shakespeare dictionary of global appeal.

Young Blood is a collection of plays for young people with the following aims: * to publish some of the most interesting, challenging, contemporary writing for young performers in one volume. * to extend the life of the plays beyond their first production. * to make them available to young people throughout the UK To develop performing skills young people need to work on the best scripts available; to have the opportunity to explore the ideas, form and language of exceptional writers. Young people in schools, youth theatres and colleges need to work on plays that excite, stretch and inspire them. The response from young people to the final selection has been remarkable. Several have been chosen by students to be performed as part of their GCSE practical exams. This collection doesn't include production or teachers' notes. There are no fixed rules about how to use the plays. Produce the whole play to a paying audience or work on scenes. Play about with the casting. Double parts or have six people playing the same character. The most important thing is to have fun with the language, characters and staging so that young people enjoy working on the plays. All of the plays in this collection have a unique theatrical vision. Combine that with the energy, commitment and imagination of a group of young people and the results will definitely be worth watching! Includes the plays The Girl who fell through a hole in her jumper by Naomi Wallace and Bruce Mcleod, The Search for Odysseus by Charles Way, Darker The Berry by J.B.Rose, Geraniums by Sheila Yeger, and, Out of their Heads by Marcus Romer.