Titus obeys every rule but the older Miranda wants some questions answered - would their hands really turn into claws if they had kippers for breakfast? Would she go egg-shaped if she broke an egg? Miranda gleefully smashes an egg. Hey presto - nothing happens! The two children confront Angela and then run away. Excitement turns to fear when things start to get creepy and they discover the home of the sinister Mouth Collector...-2 women, 2 men

Adapting the popular Spot books for the stage, David Wood has created an exciting introduction to theatre for small children. Using the simple plot of a birthday party, complete with entertainer, the puppy and his animal friends teach and reflect children's early experiences such as guests arriving, present giving, game playing and going home thank-yous. Th ere is fun audience participation throughout with the children treated more as party guests than simply as spectators. Plenty of fun for the actors, too, with singing, character movement and, optionally, some acrobatic skills to show off!

This imaginative play is closely based on the Greek myth of Persephone's abduction and descent into the Underworld. Ceres, the Goddess of the Harvest, has a daughter, Persephone, who is kidnapped by Dis, God of the Underworld. Can Zeus, the lord of the gods, persuade Dis to let Persephone return to Earth? The compromise achieved by having Persephone divide her time between the two worlds serves as an allegory of the seasons.-Large flexible cast

Giant Rumblebottom is about to destroy the kingdom, but if there is anyone with more important worries on his mind it is our unlikely hero, Olaf, who thinks he's so ugly that he has to wear a balaclava. When he wins the lottery, plastic surgery comes within his reach.

A giant builds a high wall around his beautiful garden to prevent the children from playing in it. However, he is taught a valuable lesson when spring does not return and the garden remains in winter all year round. One morning the unusual sound of birdsong and the sight of a small, frail child trying to climb a tree reminds the giant how selfish he has been. He knocks down the wall, spring arrives and the giant is happy that his garden is now free for all. This enchanting sung-through musical was written especially for a large cast of young people and enjoyed three successful seasons at the Yvonne Arnaud Theatre, Guildford in 1995, 1999 and 2002. It has great opportunity for lots of chorus and solo work, which can be easily adapted according to how many children are available.

The pupils of St Campion's Comprehensive, ultra-disciplined exam machines, are devoted to their headmaster. But something strange is going on and the worst class in the world - 6Z - are going to get to the bottom of this mystery and expose the DEMON HEADMASTER! Based on the very popular children's book, The Demon Headmaster by Gillian Cross, this musical is fun, exciting and a little bit scary. An early version of the musical was 'workshopped' at the Royal National Theatre's studio in 1997 and premiered at The Pleasance Theatre, London. In 1999 it enjoyed a very successful national tour.Large flexible cast

An engaging classroom playscript. Robert Louis Stevenson's classic tale of gothic horror has now been adapted for secondary students. Written by classroom favourite Adrian Flynn, the play will thrill students with its story of a doctor whose scientific experiments lead him to get in touch with his darker side... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

The Gruffalo is an internationally bestselling picture book, a popular stage show, a BAFTA and Oscar-nominated animation - and now the story has been adapted into a fun and accessible play script by Julia Donaldson. Ideal for children to use as a school play or at home, The Gruffalo Play has been designed with rehearsals and performance in mind. A clear layout and colour-coding for each character will help children to follow their lines and join the action with ease. The book also contains a hints and tips section which includes helpful advice on staging the play and performing it with larger groups. There are ideas too for themed make-and-do Gruffalo activities, as well as stage make-up for Gruffalo and Mouse! And of course no production of The Gruffalo Play would be complete without the lyrics and music for beloved Gruffalo Song. With Axel Scheffler's fun illustrations, this wonderful, dramatic way to share the classic story is sure to delight teachers, parents and children everywhere.

An engaging classroom playscript. John Douglas is a man with a past. Sherlock Holmes is the famous detective who finds puzzle-solving elementary. When Holmes and his faithful friend Watson are summoned to the country to investigate Douglas's murder, it begins to look as though the past might finally have caught up with him. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

Kevin is Catholic. Sadie is Protestant. In Belfast they are supposed to be enemies - so what chance do they have when they fall in love? This title offers activities to support the KS3 Framework for Teaching English and help students to meet the Framework objectives. Activities include work on Speaking and Listening, and text analysis.

Sometimes a lie is a wish. Once upon a time there was a lonely carpenter, a curious cat, and a little wooden puppet who one day came to life... In this spectacular new version of the much-loved classic tale, Pinocchio discovers why it's best to always tell the truth. With a touch of magic from the blue fairy, enter a world of gingerbread villages and snow-capped mountains in this adventure of friendship and family, written by award-winning and internationally recognised writer Eve Leigh. This edition was published to coincide with the world premiere at Unicorn Theatre, London, in November 2022.

In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and despite the inhospitability of the villagers settle there as woodcutters. Tomas digs a channel of fast-flowing waters around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long battered box everywhere they go, and why he is forbidden to know its contents. But when a band of gypsies comes to the village Peter's drab existence is turned upside down. He is infatuated by the beautiful gypsy princess, Sofia, intoxicated by their love of life and drawn into their deadly quest. For Chust is a dying community - where the dead come back to wreak revenge on the living. Amidst the terrifying events that follow, Peter is stunned to see his father change from a disillusioned man to the warrior hero he once was.

* New collection of plays for young people across the globe from award-winning playwright. * Ideal for schools, colleges and youth theatre companies. Follow up to the acclaimed PLAYS FOR YOUNG PEOPLE by award-winning playwright, includes: Missing: a modern take on Hansel and Gretel, about the nature of poverty, inspired also by true events. A gripping story of a brother searching for his missing sister in a sinister world of deceit and unknown peril. This is a modern day fairytale about two children surviving desperate circumstances through a rich mix of power, loyalty, love and sheer cunning. This play won the German Children's Theatre Prize 2010 and has had eight productions in Germany and one here. Nivelli's War: about a six year old German Evacuee and his journey home at the end of WW2. Pirates: about a boy at sea, the play is on the surface a rollicking pirate tale and can be enjoyed as a fantasy adventure - but it is also a story about a child's emotional journey as he sails the tempestuous seas of his parents' separation. This was nominated both for the Writer's Guild Best Children's Play and a Helen Hayes Award in America for Outstanding new play. Winner of the American Alliance for Theatre and Education 'Distinguished Play' Award 2012.

An engaging classroom playscript. Acclaimed Broadway playwright Ken Ludwig's humorous adaptation of this classic tale. First performed by the Bristol Old Vic in 2006. Based on Alexandre Dumas' timeless swashbuckler, The Three Musketeers tells the story of young d'Artagnan, who sets off for adventure in Paris and soon allies himself with the greatest heroes of the day - Musketeers Athos, Porthos and Aramis - to defend the honour of the Queen of France. New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

Which one of your classmates is most like horrible Mr Twit by Roald Dahl? Children will have a splendiferous time - and their friends won't believe their gogglers! Roald Dahl, the best-loved of children's writers, was born in Wales of Norwegian parents. His books continue to be bestsellers, despite his death in 1990, and worldwide booksales are over 100 million!

An engaging classroom playscript. When friend Danny steals a tenner and Dad stands for the local council, it's only the start of a turbulent term for Tyke Tiler. And with the discovery of a disused mill, a smelly old marrow bone, a runaway mouse called Fatty, and a conveniently abandoned stack of test papers, Tyke certainly makes this term one to remember... New, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing.

He suddenly looks different, less bent, less old, less broken, what a strange man. Is there some magic here? Is he a wizard? Old man . . . No that's not right. Telemachus' father left long ago to fight a war. Telemachus doesn't remember him. Now the man of the house, he must step up to defend his father's legacy and protect his mother from the suitors that lounge around the court. Meanwhile, the great Odysseus has been trapped by the goddess Kalypso for ten long years. Lost in his memories of past glories, he longs to return home. This timeless Greek myth has been reinvented by playwright Timberlake Wertenbaker to create a modern, rich and powerful new work about a son searching for his father and a father searching for himself that is, at the same time, an exploration of masculinity and the effects of war. My Father, Odysseus received its world premiere at the Unicorn Theatre, London, on 13 March 2016. It is ideal for young people over the age of 11.

At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwald's plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shaped the wizarding world, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films.

(Please note: This is the screenplay edition, so it's written in a movie script format and not a novelized format.)

Always drawing together the work of 10 leading playwrights - a mixture of established and current writers - the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. The monologues feature alongside a general introduction by the editor, Anthony Banks (Associate Director for the National Theatre Discover Programme).The volume also contains individual studies of each monologue with the editor's suggested points for discussion, a brief commentary about the play from which the speech is taken, as well as flagging potential performance decisions and offering up dramaturgical suggestions. Each page features one monologue, plus the individual commentary and some background to the play. This anthology of monologues is the ideal resource for teenagers and young people attending auditions either in the amateur or professional theatre world; students leaving secondary school to audition for drama school; as well as teachers of English and Drama looking for suitable dramatic for their students to engage with and perform. It provides suitable scene-study books that are suitable and relevant to the student in terms of tone, style and content. Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource. With a foreword by actor Matt Smith.

An exciting classroom playscript based on Terry Pratchett's best-selling novel Dodger. Dodger is a sewer scavenger who spends his days sifting through the murky underbelly of Victorian London. But when he rescues a young girl from a vicious assault, he begins to realise that things overground are even murkier than down in the sewers. As Dodger attempts to unravel the mystery of the attack, he finds himself ducking, weaving and dodging his way through high society with London's most famous literary and political figures. But can he find the attackers before they find him?