Marangrang o ikopela boitshwarelo mo go Leapeetswe mme fela Leapeetswe o eme ka la gore di sa itsaneng di a welana. Ka ntata ya botlhogo e thata jwa gagwe o feleletsa a tlhabilwe ka lerumo mme a balelwa le badimo. Marangrang pleads for forgiveness from Leapeetswe, but Leapeetswe is not forgiving. Because Marangrang is a difficult person, the consequences are disastrous for Leapeetswe.

Terama ena ya boqhekanyetsi le boiphetetso e bua ka ntwa pakeng tsa bahlankana ba Disebo, Tefo le Ntjheme. Kgotleng la dinyewe, ntata Disebo o mo qobella ho paka mashano ka Tefo, e le ha a rata ho iphethetsa. This drama of treachery and vegeance is about a hostile encounter between Disebo, Tefo and Ntjheme. Their fathers also become involved and, at the traditional council, Disebo's father forces her to lie about Tefo.

Pale ena ya boqhekanyetsi le botjholotjholo e bontsha matla a dikgoka boreneng. Ho puka e mahlo maFubedu pakeng tsa marena Leoka le Maqhama. Motshwane, lehlahana la Leoka o temapedi mme Leoka o elellwa sena ka mora hoba Rasebolai a bolawe. This drama centres around the war between two chiefs, Leoka and Maqhama. Within this tension is conflict between Leoka's headmen, and then Leoka discovers one of his men's double dealings with Maqhama.

Lerato la ga Badirang mo go Kegoneile le dira gore a se bone le fa a tshameka ka ena. Ba ne ba kgaogana jaaka dinogana di thuthuga mme fela morago ba dira kgampoeledi. Ga ba ka ba nna sebaka mmogo. Like they say, 'love is blind'. This is what happened to Badirang and Kegoneile, but things didn't work out and they split up. Then they decided to try their love again - but will it work out this time?

Gabriel Funete William o tshotswe ka ngawaga wa 1960, kgwedi ya Moranang e le lesome le borataro kwa motseng wa Mahalapye, mo kgotlaneng ya Borotsi. Morago batsadi ba gagwe ba ya go aga kwa kgolong ya Bokone Botlhaba mo motseng wa Mapoka kgotlana e le ya ga Mabunda. O ne a tsena dithuto tsa gagwe tse di potlana mo Sekolong se se Potlana sa Mapoka. Mme a ithuta tse di kgolwane kwa Moeng College, mo kgaolong ya Legare. Morago fa a fetsa a dira mo Downings Barkery mo Francistown. Ka 1986 a dira mo Gaberone, mo hoteleng ya Gaberone Sun. E rile ka 1986 a simolola a tlogela ba Gaberone Sun, a ya sekolong la ithutela borutabana mo Lobatse Teacher Training College. O weditse dithuto tse ka 1987. O simolotse tiro ya borutabana kwa Sekolong se se Potlana sa Ben Thema. Morago a ithutela itshedilo kwa Muele, kwa Yunibesithing ya Botswana ka 1994/1995.

An anthology bringing together a selection of Claire Dowie's plays for young people, which are ideal for performance with a large cast. The anthology includes the following plays and an introduction by the author. Why Is John Lennon Wearing A Skirt? (Stage2 version, large cast) portrays a 14-year-old girl who dresses like a boy and would rather play football than anything else. This version can be performed by a cast of up to 100. Arsehammers (Stage2 version, large cast) is about a boy's relationship with his grandfather, who is suffering from Alzheimer's (or "Arsehammers", as the boy hears it). He believes his grandad to have superpowers on account of his routine disappearances. A brilliant tale of living with, and understanding, mental illness. It has been reimagined for a cast of around 20. The Year of the Monkey (Stage2 version, large cast) shows a mother dreaming of injecting some excitement into her humdrum life. The play has been revised the play for around 25 young people. Hard Working Families (original version, large cast), which hasn't previously been published, is a satirical play with music that exposes the true impact that earning a living has on young people in modern-day society. It is a response to politicians' visions of 'ordinary people', set against the reality of earning a living and the way this impacts on young people's lives. It can be performed by a cast of up to 50.

Umbango wefa likababa kaMenzi waqhubeka sewuqhutshwa nguyise omncane kanye nobabekazi wakhe. UMenzi waphuma owakhe umuzi. Unina omkhulu wakhe nendodana yakhe benza icebo lokumbulala, kepha kwagcina sekufe yona indodana nobabomkhulu. After Menzi's parents died, he had to stay with his grandparents who became jealous about his parent's estate. A fight erupts between the family members.

Umdlalo omfutshane otshatshele ngonxunguphalo olunamandla olungunozala wongquzulwano olusiphula izicithi. Umtshato ufaniswa nqwa nAmaza asisihloko sale ncwadi. A gripping short drama, filled with suspense and conflict. Problems in marriage are metaphorically referred to as Amaza.

Five delightful pantomimes featuring musical numbers, silly jokes and fun for all the family! In Puss In Boots, young Tom dreams of winning the heart of Princess Rose Petal. Can Puss in Boots help Tom defeat Baron Skinflint and his greedy ogre, and win the princess' heart? Aladdin is a happy peasant boy. But the wicked Abanazar needs his help, as only Aladdin can enter the secret cave to find a very special lamp... In Mother Goose, Jack and Jill are in love and want to get married. Will their wish come true, thanks to a magical goose which lays golden eggs? Dick Whittington has come to London to seek his fortune. It seems his luck is changing - until the evil King Rat threatens everything... In Sleeping Beauty, the christening of Princess Rosebud is interrupted by the Wicked Fairy Carabosse, who gives the baby a terrible gift. If Rosebud pricks her finger and spills a drop of blood she will fall into a deep sleep... With stellar casts including Terry Wogan, Maureen Lipman, Anita Harris, June Whitfield, Kenneth Connor and Frank Thornton. Everyone loves a traditional Christmas pantomime, and with this classic BBC Radio collection you can enjoy the festive fun whenever you wish. With rousing songs, corny jokes and the obligatory Widow Twankey, it's perfect entertainment for all the family. Oh, yes it is!

Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study. Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups. This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.

When Theatre for Youth: Twelve Plays with Mature Themes was published in 1986, it met a need for plays that could help young people deal with some of the more difficult realities of life. Responding to the sweeping changes in society over the succeeding thirty years, Coleman A. Jennings and Gretta Berghammer have assembled a new collection of plays that reflects not only on themes such as aging, death and dying, friendship, courage, conformity, maturation, sexuality, and struggles with moral judgment but also on gender identity, poverty, diversity, and discrimination. Theatre for Youth II: More Plays with Mature Themes presents twelve plays, nine of them new to this anthology, that offer a rich variety of original stories (The Tomato Plant Girl, The Arkansaw Bear, Super Cowgirl and Mighty Miracle), compelling adaptations (The Afternoon of the Elves, Broken Hearts, Courage!), historical drama (Mother Hicks, Johnny Tremain), diverse themes (La Ofrenda, The Transition of Doodle Pequeno), friendship (The Selfish Giant), and future societies (With Two Wings). As these plays explore some of the most challenging themes for today's youth, including the difficulties of single parenthood, divorce, race relations, sexuality, and gender discrimination, they share messages fundamental to us all: open your imagination and dare to dream; embrace life; honor your personal passion, beliefs, and creativity; take a risk; and love with all your heart.

Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2015 festival, which takes place across the UK and Ireland, finishing up at the National Theatre in London. The programme offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. The anthology contains all ten of the play scripts, and notes from the writer and director of each play, addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for twenty years and the anthology that accompanies it, published for the last five years by Methuen Drama, is gaining a greater profile by the year. This year's anthology includes plays by Jamie Brittain, Katherine Chandler, Elinor Cook, Ayub Khan Din, Katie Douglas, Cush Jumbo, Ben Ockrent, Eugene O'Hare, Stef Smith and Sarah Solemani.

Colleges, universities and high schools nationwide are seeking up-to-date writing on themes related to cultural diversity. Roger Ellis' previous multicultural anthologies of plays, scenes and monologs have been in popular use for several years. This unique anthology of complete plays is directed specifically to young audiences from new writers of the multicultural experience. Many international cultures are represented including African American, Native American, Central and South American, Caribbean, Pacific Island, Maori, Viking, Irish, Spanish, Gypsy, Canadian, Jewish, Muslim, Pakistani, East Indian and more. Each of these plays contain a significant number of roles for young actors. A valuable text for multicultural, literary or speech classes; or for theatrical applications.

Moeti monna wa mohumi mo Motseng wa Lenatong. Mosadi wa lenyalo Lentuwane o na le besetsana ba babedi le mosimane Omphemetse. Mosadi wa bobedi Matoko o na le mosimane Mojalefa o diretsweng Testament ke Rraagwe. A mo laela go mmoloka. Moeti, a rich man in Lenatong Village marries Lentuane and has a son, Mojalefa. Moeti leaves him a legacy.